Chris Barretto – Vocals Browne – Guitars Olly Steele – Guitars Adam Swan – Bass Mike Malyan – Drums Transcontinental metallers MONUMENTS have come a long way since starting as a side project of John Browne (guitars; Fellsilent) and Josh Travis (guitars; The Tony Danza Tapdance Extravaganza). From a surprise appearance on BBC Radio 1 to debut full-length, “Gnosis“”, the group immediately found a fanatic audience. Praised for their brainy yet song-oriented approach to heavy music, MONUMENTS bridged the progressive metal gap like few before. On one side they challenged. “Gnosis“” was full of mind-bending, betcha-can’t-play-this-type passages. On the other side, fans deeply connected to hook- laden songs like “97% Static” and “Empty Vessels”. Fast forward two productive years later and MONUMENTS – now with Chris Barretto (ex-Periphery, Ever Forthright) on vocals – have grown tremendously. While they’re still way into instrumental gymnastics and impressing fans with their musical prowess, they’ve really honed in on writing huge, impossibly memorable songs for new album, “The Amanuensis”. Like bigger, badder, and even more epic-than- before type stuff. If “97% Static” and “Empty Vessels” stuck to the brain, new songs like “I, Creator”, “The Alchemist”, and “Origin of Escape” hit the head, body, and mind hard. “I really like the chorus of ‘The Alchemist’,” guitarist John Browne smiles. “It’s really simplistic, but I think that part will sound big and open when we play it live. I also dig the ending of ‘I, The Destroyer’. I can’t really focus on one part or song. All of the songs I’m happy with how they all turned out.” “The Amanuensis” is a complete experience, actually. Even Browne’s mom is impressed: “I know my mum will blast this out of her car like she did with ‘Gnosis’. She loves groove.” If one thing’s certain about MONUMENTS and Browne in 2014 they’re keen to move away from needless classification with “The Amanuensis”. They’re specifically referring to their tenuous association with the djent movement. “Music is music,” Browne says. “It has the same 12 notes as any other music. The only difference is the way it’s expressed, so we use pretty silly words to try and explain the sound. The word ‘djent’ makes no sense whatsoever to describe a genre. The tone that it references isn’t really utilized by many bands that are classed as it. I feel progressive metal is a much better reference to our music, with a huge dose of groove.”

Essenger stands on the cutting edge of electronic music, blending an array of influences for a sound that pays tribute to modern alt rock, EDM, and synthwave. The artist marks his highly personal songwriting style with striking lyrics, and the result is a singular creative style that opens new possibilities for both retro and future synth music. The artist’s adept compositional skills and production chops helped his early singles attract a significant following while racking up hundreds of thousands of streams on individual songs. Essenger soon connected with prominent labels including Seeking Blue and Monstercat, and those early successes led to an album deal with independent synthwave label FiXT Neon in late 2019.

Detroit is home to guitarist and Candyrat recording artist, Sammy Boller. Hailed by Guitar World as “one of electric guitars most promising names,” Sammy’s debut instrumental album, Kingdom Of The Sun, was released in March, 2020 to international acclaim. A former music student at the University of Michigan, Sammy catapulted onto the national radar in 2012, when Joe Satriani selected him as a winner in Guitar Center’s “Master Satriani” competition. Now, an internationally-acclaimed player, Boller has amassed a large and loyal online following, and he earns his living as a full-time musician. Prior to embarking on his solo career, Sammy played guitar for the band, Citizen Zero (Wind-Up Records/Concord Music Group). Their State Of Mind LP notched multiple radio singles, including   the debut release “Go (Let Me Save You)”, which cracked the Top 15 on Billboard’s Mainstream Rock Chart. Outside of his own live touring schedule, Sammy also spends time on the road with world-renowned amplifier wizard Dave Friedman (Friedman Amplification). The two regularly embark on runs through the States and Europe to sponsor clinics and gear demonstrations. In addition to his support role with Friedman, Boller is also a contributing columnist for Guitar World Magazine. His online column ("Secrets of Shred With Sammy Boller") has a loyal monthly following, regularly racking up view counts in the tens of thousands. When asked to describe his influences and approach, Sammy says, "My guitar playing has always been about plugging into an amp and blowing the walls down. I grew up wanting to be Eddie Van Halen and Randy Rhoads, but over time I've found my own dark and aggressive style. These days, my dream as a musician is to make people feel as connected to the cosmos as I feel when I play the guitar. I'd love nothing more than that."

TANZEN is a progressive/altmetal band from Chicago, IL. The band mixes the rhythmic principles of band's like Meshuggah, and blends them with the emotions and melodic nature of bands like Deftones. "Sometimes, bands with progressive/djent leanings manage to create that perfect unison between heavy and gentle. And none in recent times have achieved it with more expertise than TANZEN." - Everything is Noise "The music instantly reminds one of acts like Monuments and Tesseract, without ever becoming just another clone version of the former. It's quite evident that TANZEN are aiming to create their own niche sonic identity." - ItDjentsTV In addition to their own individual success, they have jumped on any and every show to help get the music into the hands of anyone that would listen. Having supported TesseracT, The Contortionist, Make Them Suffer, Spite, Erra, Fit For an Autopsy, Veil of Maya, Born of Osiris, The Summer Slaughter Tour and venturing out of genre to open for Twenty One Pilots and Wale at the UIC pavilion, TANZEN plans on shattering genre boundaries and blending in wherever people are willing to listen. TANZEN dares to ask the listener 'What Are the Rules?' while the band throws the rules out the window and lets the music do the talking.