Molly Tuttle with Rached Baiman

Sat Aug 15 2020

8:00 PM (Doors 7:00 PM)

The Southgate House Revival - Sanctuary

111 E Sixth Street Newport, KY 41071

$30-$22

All Ages

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A virtuosic, award-winning guitarist with a gift for insightful songwriting, Molly Tuttle evolves her signature sound with boundary-breaking songs on her compelling debut album, When You’re Ready. Already crowned “Instrumentalist of the Year” at the 2018 Americana Music Awards on the strength of her EP, Tuttle has broken boundaries and garnered the respect of her peers, winning fans for her incredible flatpicking guitar technique and confessional songwriting. Graced with a clear, true voice and a keen melodic sense, the 26-year-old seems poised for a long and exciting career. When You’re Ready, produced by Ryan Hewitt (The Avett Brothers, The Lumineers) showcases her astonishing range and versatility and shows that she is more than simply an Americana artist.

Since moving to Nashville in 2015, the native Californian has been welcomed into folk music, bluegrass, Americana, and traditional country communities – even as When You’re Ready stretches the boundaries of those genres. Over the past year, Molly has continued to accumulate accolades, winning Folk Alliance International’s honor for Song of the Year for “You Didn’t Call My Name” and taking home her second trophy for the International Bluegrass Music Association’s Guitar Player of the Year (the first woman in the history of the IBMA to win that honor).

JBM Promotions& tSGHR present
Molly Tuttle with Rached Baiman

  • Molly Tuttle

    Molly Tuttle

    Americana

    "One of the greatest performers in the world at this moment." - Bob Harris, BBC Radio

    "...handsomely crafted melodies that gently insinuate themselves into the memory…” - NPR

    “Tuttle effortlessly delivers a mélange of styles to accompany her powerful guitar licks throughout.”   - Rolling Stone

    “The result is an album that’s bigger, brighter and more expressive than her past work while still leaving room to appreciate the incredible individual talent at the core of these songs.”  - PASTE

    “...delightfully dissonant combination of sweet singing and monster-shredder guitar playing…” - EXCLAIM

    “Impressive debut album.... The production, playing and songwriting coalesce into a striking statement that shows an already developed artist well on her way to the next level of her still nascent career.” - AMERICAN SONGWRITER

    “ When You’re Ready proves that Tuttle is a true crossover artist with unbridled ability.” - GUITAR PLAYER

    “…a sort of high-wattage Alison Krauss-Taylor Swift hybrid — Tuttle effortlessly delivers a mélange of styles to accompany her powerful guitar licks throughout.” – Rolling Stone 

    MOLLY TUTTLE When You’re Ready

    A virtuosic, award-winning guitarist with a gift for insightful songwriting, Molly Tuttle evolves her signature sound with boundary-breaking songs on her compelling debut album, When You’re Ready. Already crowned “Instrumentalist of the Year” at the 2018 Americana Music Awards on the strength of her EP, Tuttle has broken boundaries and garnered the respect of her peers, winning fans for her incredible flatpicking guitar technique and confessional songwriting. Graced with a clear, true voice and a keen melodic sense, the 26-year-old seems poised for a long and exciting career. When You’re Ready, produced by Ryan Hewitt (The Avett Brothers, The Lumineers) showcases her astonishing range and versatility and shows that she is more than simply an Americana artist.

    Since moving to Nashville in 2015, the native Californian has been welcomed into folk music, bluegrass, Americana, and traditional country communities – even as When You’re Ready stretches the boundaries of those genres. Over the past year, Molly has continued to accumulate accolades, winning Folk Alliance International’s honor for Song of the Year for “You Didn’t Call My Name” and taking home her second trophy for the International Bluegrass Music Association’s Guitar Player of the Year (the first woman in the history of the IBMA to win that honor).

    “I love so many types of music,” she says “and it’s exciting to be a part of and embraced by different musical worlds, but when I’m creating I don’t think about genres or how it will fit into any particular format – it’s just music.”

    When You’re Ready is infused with an intoxicating wash of drums and electric guitar while still keeping Tuttle front and center. “I wanted to keep the focus on the songs,” she says, “but also make an interesting guitar record.”

    The album opens with “Million Miles,” a song that her songwriting collaborator Steve Poltz brought to her, mentioning that he and Jewel started it in the ‘90s and didn’t complete it. With their blessing, she finished the song and enlisted Sierra Hull to play mandolin and Jason Isbell to sing background vocals. The wistful track sets the tone for an album that offers subtle moments of reflection as well as dazzling musicianship.

    Tuttle wrote or co-wrote all 11 tracks since moving to Nashville, giving the project a unified feeling. “A lot of the songs are more personal than I’ve written before, and many of them are conversational, like one person talking to another,” she says. But, when it comes to the messages of the songs, each one stands apart. “Take the Journey” provides encouragement, even as “The High Road” finds two individuals going their own way. Later, the subdued “Don’t Let Go” concludes with a spaced-out slow groove, while “Lights Came On (Power Went Out)” amplifies the album’s youthful energy. “Sleepwalking,” a gentle love song, may be the album’s most impassioned and emotionally intense moment.

    Tuttle grew up in California in a musical family, performing at festivals with her father and two brothers. As a young girl, she took violin lessons but eventually grew more interested in playing guitar. Fortunately her father Jack Tuttle is a noted instructor in the Bay Area. “My dad brought me home a little guitar and he would sit with me whenever I wanted to play it and show me something,” she recalls. “He was really encouraging, and I think that’s what made me stick with the guitar. I liked having a fun thing to do with my dad and practicing didn’t feel like a chore.”

    By the age of 11, Tuttle was attending bluegrass jams and decided that she wanted to do more singing. She took voice lessons from one of her neighbors, a classical vocal coach who taught proper technique without sacrificing phrasing. As a young woman interested in bluegrass, Tuttle admired bold songwriters like Hazel Dickens and looked up to Bay Area bluegrass musicians such as Laurie Lewis and Kathy Kallick.

    As Tuttle matured, her musical tastes soon ranged from Bob Dylan and Gillian Welch to The Smiths and Neko Case. Because she kept seeing Townes Van Zandt referenced to by songwriters she admired, Tuttle dug into his catalog and found “White Freightliner Blues.” Her own exceptional rendition has become a showcase for her nimble playing, as well as a graceful nod to her musical heroes. And the circle continues; her own instructional videos of the song online have been discovered by the next generation of pickers, who look to her as a role model and for inspiration.

    “I love seeing any young person trying to play one of my songs or just learning something from me,” she says. “One of my goals is to inspire the next generation, especially young girls, to play guitar. I think if girls see a woman doing something, it helps them think, ‘I can do that, too.’”

    After graduating from high school in Palo Alto, Tuttle enrolled in Berklee College of Music in Boston, where she studied in the American Roots Music Program, focusing on guitar performance and songwriting. “In my time at Berklee,” she says, I developed much better understanding the fingerboard, so that gave me the freedom to play more of what I heard in my head and to try to play something that was meaningful to me.”

    That sense of freedom and accomplishment carried over to making When You’re Ready, which conveys a true progression of her distinctive talent and musical ambition.

    “This album feels like more of a collaboration with new people I’ve met since moving to Nashville, which is really cool," she says.
  • Rachel Baiman

    Rachel Baiman

    Americana

    In many ways, Shame, the new album from 27-year-old Nashville Americana songwriter and multi-instrumentalist Rachel Baiman, is an exploration of growing up female in America. “I wasn't necessarily trying to write songs that would be easy to listen to,” Baiman says of the project. “I wanted to write about reality, in all of its terror and beauty.” From the title track about abortion politics, to love, sex and abuse in relationships, to classism and inequality in her rewrite of Andy Irvine's working class anthem “Never Tire of the Road,” the album is ambitious in its scope, yet remains cohesive through Baiman's personal perspective. Despite the serious subject matter, the overall feeling of the album remains light, with the tongue-in-cheek “Getting Ready to Start (Getting Ready)” and feel-good anthem “Let Them Go To Heaven.” A departure from her stripped-down work with progressive folk duo 10 String Symphony, Shame is lush and varied in instrumentation and musical texture. Inspired in equal parts by John Hartford and Courtney Barnett, Baiman's influences span a wide range, but years spent playing traditional music shine through in the album’s firmly rooted sound. For recording and production, Baiman turned to the talents of Mandolin Orange's Andrew Marlin. “At the time that I was writing the music for this record, I was listening to all North Carolina-made albums, including Mandolin Orange and the album Andrew produced for Josh Oliver (Oliver is also featured heavily on Shame)." Shortly after reaching out to Marlin, Baiman traveled to Chapel Hill, NC for three intensive days in the studio. "The energy was amazing," Baiman says. "It became clear that we were making something really special that needed to be finished.”

    Added to the musical intensity was the context of the material they were recording - namely, how the songwriting on Shame sits within the current American political climate. "I think what is happening in the country right now has really shifted my career priorities, and brought the folk music community together. We are all suddenly seeing our purpose come into focus, and feeling a renewed responsibility to be a voice of unity and resistance.” In addition to the release of her new solo album, Baiman is the co-founder of a new political group called Folk Fights Back, a musician-led national organization that puts together benefit concerts and awareness events in response to the Trump administration.    

    Baiman is no newcomer to activism. Raised in Chicago by a radical economist and a social worker, she was surrounded by social justice issues her entire life. “If I wanted to rebel against my parents, I could have become a finance banker or a corporate lawyer,” she says of her childhood. While her classmates went to church or temple on Sunday mornings, Baiman attended the Ethical Humanist Society of Greater Chicago, a non-religious community formed around discussions of morality and current events. “That was always a tough one to explain at school,” she says with a laugh.    

    As a teenager, Baiman found music to be a welcome escape from worrying about global politics. “I often found the constant discussion of seemingly unsolvable problems to be intense and overwhelming, and when I moved to Nashville to pursue music it felt like something positive, beautiful, and productive that I could put into the world. Now that I've had some years to devote to music,”-- Baiman has been recording and touring internationally for the past 4 years with 10 String Symphony, and has played fiddle for numerous other artists including Kacey Musgraves and Winnipeg folk band Oh My Darling--“I find it hard to escape from the values that I grew up with, and I feel compelled to write politically, to speak out about things that I've experienced or seen. Songwriting is a unique opportunity to do that, because it avails a more emotional vehicle for discussion. I love the political tradition of folk music, from Woody Guthrie to Tupac, and my hope is that this record adds another voice to it.” 

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limit 10 per person
General Admission

Seating behind the Gold Circle section

$22.00

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JBM Promotions& tSGHR present

Molly Tuttle with Rached Baiman

Sat Aug 15 2020 8:00 PM

(Doors 7:00 PM)

The Southgate House Revival - Sanctuary Newport KY
Molly Tuttle with Rached Baiman

$30-$22 All Ages

A virtuosic, award-winning guitarist with a gift for insightful songwriting, Molly Tuttle evolves her signature sound with boundary-breaking songs on her compelling debut album, When You’re Ready. Already crowned “Instrumentalist of the Year” at the 2018 Americana Music Awards on the strength of her EP, Tuttle has broken boundaries and garnered the respect of her peers, winning fans for her incredible flatpicking guitar technique and confessional songwriting. Graced with a clear, true voice and a keen melodic sense, the 26-year-old seems poised for a long and exciting career. When You’re Ready, produced by Ryan Hewitt (The Avett Brothers, The Lumineers) showcases her astonishing range and versatility and shows that she is more than simply an Americana artist.

Since moving to Nashville in 2015, the native Californian has been welcomed into folk music, bluegrass, Americana, and traditional country communities – even as When You’re Ready stretches the boundaries of those genres. Over the past year, Molly has continued to accumulate accolades, winning Folk Alliance International’s honor for Song of the Year for “You Didn’t Call My Name” and taking home her second trophy for the International Bluegrass Music Association’s Guitar Player of the Year (the first woman in the history of the IBMA to win that honor).

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

All Ages
limit 10 per person
General Admission
Seating behind the Gold Circle section
$22.00

Delivery Method

Will Call