
Moe's Alley Presents: Jon Spencer w/ Genre Is Death + DJ Archive 65
Sat, 14 Nov, 9:00 PM PST
Doors open
8:00 PM PST
Moe's Alley
1535 Commercial Way, Santa Cruz, CA 95065
Description
Moe's Alley presents the return of Mr. Blues Explosion himself Jon Spencer with special guest Genre Is Death plus DJ Archive 65!
Saturday, November 14, 2026
Doors: 8pm / Show: 9pm
$25 in advance / $30 day of the show
21+
*Tickets on sale Friday, May 15th at 7am PT*
* No Refunds | All sales are final
* Avoid scammers! Only purchase tickets from moesalley.com or ticketweb.com
* Tickets requested by email will be delivered 3 days prior to the event
* Will Call tickets will be available at the door on the day of the event
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JON SPENCER
Jon Spencer is a major figure in noise rock and alternative rock circles known for his gritty, combustible songs, fiercely minimalistic guitar work, and over-the-top performing style. Spencer first made his name in the mid-'80s with combative noise merchants Pussy Galore (best heard on the 1987 album Right Now!), whose raw, purposefully off-putting style and deliberately offensive lyrics made them one of the most polarizing bands of the day. After Pussy Galore's breakup, Spencer launched the Jon Spencer Blues Explosion, whose frantic but wildly energetic style mixed elements of punk, R&B, blues, and garage rock into a raucous, celebratory attack that made them one of the best live acts of their day. The band captured the essentials of their sound on Extra Width (1993) and Orange (1994), while they embraced elements of hip-hop and electronics on Acme (1998). While Spencer's approach was easily recognizable, he was able to fuse his ideas with a variety of collaborators, including the raw R&B sound of Boss Hog, the fractured roots rock of Heavy Trash, and the deep but idiosyncratic blues wailing of Spencer Dickinson. After the breakup of the Blues Explosion, Spencer reintroduced himself first with a solo album, 2018's Spencer Sings the Hits, and then by launching a new band, Jon Spencer & the HITmakers, whose raw, noisy rock was documented on 2022's Spencer Gets It Lit. Spencer teamed up with the bassist and drummer of the Bobby Lees for his third solo effort, 2024's Sick of Being Sick!
GENRE IS DEATH
Genre Is Death, a limitation-destroying noise band formed by Ty Varesi (guitar, vox) and Tayler Lee (bass, vox). Their sound is abrasive yet melodic, using heavy distortion, dissonant riffs, and reverberating vocals to create music that feels both minimal and overwhelming. While comparisons to Sonic Youth, Pussy Galore and Teenage Jesus and the Jerks are inevitable and quite welcome, Genre is Death build’s on NYC’s legacy without repeating it… eschewing nostalgia and nihilism in favor of total sonic liberation.
Event Information
Age Limit
21+
eTicket Delivery
Your tickets will be e-mailed closer to the event date.

Garage Rock
Jon Spencer
Jon Spencer
Garage Rock
Jon Spencer is a major figure in noise rock and alternative rock circles known for his gritty, combustible songs, fiercely minimalistic guitar work, and over-the-top performing style. Spencer first made his name in the mid-'80s with combative noise merchants Pussy Galore (best heard on the 1987 album Right Now!), whose raw, purposefully off-putting style and deliberately offensive lyrics made them one of the most polarizing bands of the day. After Pussy Galore's breakup, Spencer launched the Jon Spencer Blues Explosion, whose frantic but wildly energetic style mixed elements of punk, R&B, blues, and garage rock into a raucous, celebratory attack that made them one of the best live acts of their day. The band captured the essentials of their sound on Extra Width (1993) and Orange (1994), while they embraced elements of hip-hop and electronics on Acme (1998). While Spencer's approach was easily recognizable, he was able to fuse his ideas with a variety of collaborators, including the raw R&B sound of Boss Hog, the fractured roots rock of Heavy Trash, and the deep but idiosyncratic blues wailing of Spencer Dickinson. After the breakup of the Blues Explosion, Spencer reintroduced himself first with a solo album, 2018's Spencer Sings the Hits, and then by launching a new band, Jon Spencer & the HITmakers, whose raw, noisy rock was documented on 2022's Spencer Gets It Lit. Spencer teamed up with the bassist and drummer of the Bobby Lees for his third solo effort, 2024's Sick of Being Sick!

Noise Pop
Genre Is Death
Genre Is Death
Noise Pop
Genre Is Death, a limitation-destroying noise band formed by Ty Varesi (guitar, vox) and Tayler Lee (bass, vox). Their sound is abrasive yet melodic, using heavy distortion, dissonant riffs, and reverberating vocals to create music that feels both minimal and overwhelming. While comparisons to Sonic Youth, Pussy Galore and Teenage Jesus and the Jerks are inevitable and quite welcome, Genre is Death build’s on NYC’s legacy without repeating it… eschewing nostalgia and nihilism in favor of total sonic liberation.
The pair moved to NYC in August of 2023 looking for something more than their mundane lifestyle of day drinking and playing doom metal in friends' basements… Their move to NYC, coupled with their desire to express something, anything, led to the inception of Genre is Death. The pair hit the ground running, playing anywhere and everywhere they could… However, it was only after a chance encounter with 80s noise forerunners Live Skull that the pair was introduced to the strange underbelly of NYC noise and began playing regular gigs with The Art Gray Noizz Quintet and Lydia Lunch. Since then they have toured with Gogol Bordello, embarked on their first East Coast tour, and played gigs with Cherubs, Bush Tetras, and Jon Spencer. In 2026 Genre is Death will be playing Goner Fest, opening up for A Place to Bury Strangers and hitting the west coast with Jon Spencer, and have just released their debut full length record 'Attractive People' May 1st on In The Red Records. Recorded by legendary sound producer Martin Bisi, 'Attractive People', prods and pushes its listener with tongue in cheek lyrics that accuse and indict their audience, cacophonous guitar shrieks of power and madness, and bass lines that oscillate from funky to erratic dissonance.