"I don't think you can get this sound unless it's borned in ya," said bluegrass legend Ralph Stanley, when asked about what he called "old-time mountain music." When Melissa Carper heard those words, something jumped inside her. While staying in the country with a friend, she found an old DVD of Down From the Mountain, the documentary and concert film of the "O, Brother Where Art Thou'' soundtrack that featured this particular Stanley interview. She immediately jotted down "borned in ya" on a piece of paper. "I knew I had to write that song," she recalls. In the Spring of 2023, Carper went back to East Nashville's Bomb Shelter — the same "analog wonderland" where she'd recorded Ramblin' Soul and its predecessor, Daddy's Country Gold, and enlisted the help of her trusted co-producers — Dennis Crouch and Andrija Tokic. "Borned In Ya" would become the title track of the new album, out July 19th via Mae Music/Thirty Tigers. Like much of her writing, the song applies a homespun sensibility — and a bit of humor — to questions about life's journeys. "I was turning over in my mind what it means to have something 'borned in ya,'" she said. "The song evolved as I was writing it to be more about having your soul 'borned it ya,' and the more life experience you have, you hopefully grow to embody the highest version of yourself that you can be." "Borned In Ya" could certainly stand as a reflection on Carper's life in music. "Authentic" might be an overused word to describe an artist's appeal, but there's something so natural and true about Carper's musicality that she must have been born with it: An easy sway to her singing, a precise, but laid back sense of timing. A feel. And, lyrically, she has an instinctive sense for storytelling, both observant and intuitive. As with the message of "Borned In Ya," these traits have been sharpened by life experiences — including early music influences and the many turns of her career as a performer. Carper, born into a music-loving family, was raised on roots music, immersing herself in a family record collection that featured Hank Williams Sr., Loretta Lynn, Patsy Cline, Ray Charles, Johnny Cash, Elvis Presley, and more. The public school music curriculum in her home state of Nebraska gave Carper an opportunity to learn upright bass. "I remember wanting to play bass, to play the biggest string instrument, " she recalls. Carper performed in her school orchestra — and also in her family's country band. Led by her mother, the group played a mix of classics and the new country of the 80's, but it was the old stuff that stuck with the young bassist. Along the way, Carper's father gave her a collection of Jimmie Rodgers recordings, which made a defining impact. "He combined country and blues and jazz," she recalls. "All of those elements, and the rawness of those recordings… I can't quite put a finger on it, but I was obsessed." Carper earned a music scholarship to attend the University of Nebraska-Lincoln. College didn't quite take, but while there, she spent hours in the music library, drawn to jazz vocalists like Billie Holiday, Ella Fitzgerald and Frank Sinatra, and she discovered seminal blues artist Lead Belly. You'll hear all of these influences in the music Carper has made over the years as a member of numerous touring acts and as a solo performer. Classic country and Western Swing sounds come to the fore on Daddy's Country Gold, Carper's 2021 album. Country roots and old-time jazz are at the heart of 'Ramblin' Soul' too, but the album also ventures confidently into R & B and Soul territory. Those albums helped Carper establish a growing fan base and earn accolades from music reviewers. One writer lauded her "cool jazz-infused hillbilly serenades that linger in the air like fresh-cut hay." Rolling Stone Country praised both her writing and musical stylings: "Singer-bassist Melissa Carper sounds like a voice from a bygone era . . . evoking the cool, smoky croon of a lounge singer, Carper gives some winking commentary about having a good time." Perhaps the most meaningful praise for Carper's music has come from the world-class musicians she's worked with onstage and in the studio. One is multi-instrumentalist Chris Scruggs. He's a veteran of Nashville's studio world, has played with influential roots-country-rockers BR-549, and currently tours as a member of Marty Stuart and the Fabulous Superlatives. Scruggs has been proud to contribute to Carper's albums, including her recent 'Borned In Ya' sessions. "She's as good as it gets," he said, "She has a quality that really transcends time and fashion." It was Scruggs who dubbed Carper "Hilbillie Holiday" — an admiring nod to her marriage of country and jazz vocal styles. " I stand by that," he said. "She can sing Hank Williams and then handle these old pop tunes, and the great thing is how natural she is — she doesn't even really change her delivery." Borned In Ya showcases Carper's long-standing influences as well as her artistic growth and sense of adventure. The old-time jazz sounds we came to know on Daddy's Country Gold are back in full force along with the R&B and Soul of Ramblin' Soul. Perhaps, the least 'country' of her albums, the country roots are still felt as you can never remove the 'hillbilly' from Carper's sound. In addition to her familiar blend of country with jazz, blues, soul, and R&B, the new album sees Carper exploring a more subtle and expert crossing of these genres and with a matured lyrical depth. The title track kicks things off with a gospel-style vocal chorus before settling into an impeccably funky groove. "Evil Eva" recalls the classic R&B of the 50s and 60s, and "Let's Stay Single Together" puts Carper's crooning vocal to a delightful jazz-tinged country soul feel. "There'll Be Another One" sounds like classic Roy Orbison with Carper floating atop the bed of ever growing emotion, fueled by the stunning string arrangement from fiddler, Rebecca Patek. "Somewhere Between Texas and Tennessee" is straight out of the honky tonk and "Lucky Five" is reminiscent of an old Frank Sinatra swinger. Carper rounds out this album with covers of two classics, "That's My Desire," crossover jazz/country tune from the 30s, and a beautiful rendition of Cole Porter's "Everytime We Say Goodbye." In addition to Scruggs, Borned In Ya features a cast of top-flight musicians like bassist Dennis Crouch (Johnny Cash, Gregg Allman, Alison Krauss, Robert Plant), pianist Jeff Taylor (The Time Jumpers, Riders in the Sky), fiddle master Billy Contreras (Ricky Scaggs, Buddy Spicher, George Jones), and multi-instrumentalist Rory Hoffman (Ricky Skaggs, Kathy Mattea, John Cowan). This is Carper's first album featuring horns; Doug Corcoran, from JD McPherson's band, plays trumpet and saxophone. And there are soulful backup vocals by Kyshona Armstrong, Nickie Conley and Maureen Murphy, as well as beautiful harmonies by Carper's longtime music pal and bandmate, Jenn Miori Hodges (Carper Family). Carper penned the majority of the album's 12 songs herself, though she co-wrote three tunes with friend and bandmate, Brennen Leigh (Wonder Women of Country). "Brennen is just brilliant with lyric ideas and we always have a good time writing together, " Carper said. Carper is eager for the release of Borned In Ya, and hopes it will resonate with fans of her earlier work while establishing an artistic step forward. "People call me retro or throwback, and I've been OK with that," she says. "But, I feel like I'm still creating something new. I'm taking styles and blending things in a way that maybe hasn't been done before. And, in the process, I'm evolving in my own way."

Fog Holler is a bluegrass band with an edge. What gives them that edge is a topic of hot debate. For some, it’s musicianship - these bluegrass cats shred. For others, it’s the songwriting, traditional in style but topical in substance. Sometimes, they undeniably snare people with the squad factor - folks see 4 grown adults in matching monochrome, and they get curious. The secret, according to Fog Holler, is simply that they write and play bluegrass in 2024, with similar intention but very different context from the genre’s originators. Inspired by a range of influences from The Stanley Brothers to Buck Owens to Meshuggah, Fog Holler breathes fresh life into well worn forms like the murder ballad and the power waltz. Described by two-time Grammy Award Winner Cathy Fink as “The next generation of the many shades of grass”, Fog Holler’s captivating tunes and coordinated outfits are quickly enthralling longtime bluegrass fans and newcomers alike.