As a musician with a nomadic lifestyle, Nick Carpenter often enters spaces as a stranger and
leaves with lifelong friends. The creator of Medium Build possesses a connective charisma that
shows in his songs and performances—which can seem like equal parts concerts, testimony,
and stand-up comedy. That gift and yearning for connection has been amplified during a
transformative season for Nick. In 2023, Medium Build signed with slowplay / Island Records,
toured with Lewis Capaldi, and reached the Billboard charts for the first time collaborating with X
Ambassadors. Life was pulling him away from his home, dog, and sense of belonging in
Anchorage to Nashville. Nick spent his drives looking, listening, and reflecting. This inner and
outer journey led to Country, the thematic album draws from Carpenter’s roots as much as it
considers his future—while exploring genre. His music is as vast and unique as his backstory,
but “if you slow all of my songs down, they’re just three-cord bummer Country tunes,” he admits.
Evident in the video single “Cutting Thru The Country,” this collection packs for a trip that
explores wide open spaces, musical frontiers, and oneself.

Medium Build began as the name Nick Carpenter attached to four-track recordings a decade
ago. The storyteller applied aspects of a middle-class church-going Georgia childhood and a
Tennessee education to truths learned along the way—ultimately delivering the queer extrovert
to find a community in Alaska. There is duality and dichotomy in Medium Build’s life and
music—but it is drenched in authenticity. The music has endured, resonated, and connected
with a growing base. “Now I’m realizing that my career can last longer than five seconds and I
can kind of just breathe and show one thing at a time,” Nick shares. His dynamic catalog mirrors
the people who have shown up in his corner: Elton John, Boygenius, John Mayer, and Noah
Kahan, to name a few. 2019’s somber and synth-tinged “Be Your Boy” and 2022’s therapeutic
“Never Learned To Dance” are fan favorites amid the kaleidoscope of sounds and moods.
Country seems much more focused, even if birthed by uncertainty.

Now in his thirties, Nick says he only recently learned about his father’s poor rural South
Carolina upbringing. As a result, Country music was something Nick’s dad covered up—along
with the poverty and corresponding shame of his past. “I had no sense of identity as far as
place,” the artist admits. Lately, the father and son began talking about the past and sharing
Country tunes—exchanging culture and heritage. As an understanding of his DNA developed,
perhaps the twang and American in Medium Build’s songs stood out. However, his Country is
something unsurprisingly personal. “It feels self-soothing,” Nick says of the opener, “Beach
Chair,” which is a love letter to self in a time of need. “Crying Over U” is deeply specific but
conjures emotions in us all—when confronted by closure and what remains in the rearview.

Written on the road, Country was fittingly recorded on Nashville’s Music Row. Carpenter and
creative partner Jake LiBassi, aka Laiko, embraced experimentation. “We made the album we
wanted to make,” he says joyfully and confidently. “It’s so easy to get back in touch with yourself
if you can throw off the heavy cloak of duty and just do something that feels good.” At a time
when people take the same photo a dozen times in search of a curated aesthetic, Medium Build
captures the snapshot. The lyrics and the spirit of Country embrace both wandering and
wondering. “I want this to feel lived-in,” Nick says. “It’s sort of me finding a defined place.”

On his new album USA, Chicago-bred singer/songwriter Petey bares his soul about all the endless
things that keep him up at night. As he muses on everything from masculinity to anxiety to the very
nature of human existence, the Los Angeles-based artist drifts between warmhearted sincerity and
delightfully warped humor—a deeply affecting dynamic that also defines the absurdist alt-comedy
that’s earned him a massive following on TikTok. Built on his idiosyncratic but viscerally charged
breed of alt-pop/rock, Petey’s Capitol Records debut ultimately brings a gloriously strange
convergence of comfort, catharsis, and unrelenting joy.

The follow-up to his 2022 debut Lean Into Life, USA finds Petey working with co-producers John
DeBold (Wallows, Remi Wolf) and Aidan Spiro to piece together what he refers to as “an origin
story of a typical American male in their 30s.” While the album includes decidedly autobiographical
tracks like “Home alone house”—a real-life account of getting busted smoking weed on the beach
in eighth grade—Petey’s songwriting often takes the form of impressionistic vignettes revealing the
sheer depth and scope of his inner world. On “I’ll wait,” for instance, he delivers an explosive piece
of pop-punk whose lyrics offer a candid perspective on mental health. “It’s a song from the mindset
of an anxious man who’s acutely aware of the resources available to him, but for whatever reason
decides to just wait it out,” Petey explains. “There’s some recognition that doing nothing will make
the problem drag out longer, but there’s also an understanding that the uncomfortable moment will
eventually end—just like everything else in life.”

Mainly recorded at Gold-Diggers Sound in L.A., USA came to life with equal parts intention and
spontaneity. “For me making music has always been like throwing spaghetti at the wall, and working
with John and Aidan allowed me to be reckless and experimental while giving each song the care it
deserved,” says Petey, who plays guitar, bass, drums, and synth on USA. “It helped me fulfill the
only real goal I had for the album, which was to make sure every single song would be super-fun to
play live.” To that end, “Family of six” unfolds in dance-ready grooves as Petey shares a fantastically
surreal meditation on gender expression. “We hear so much today about toxic masculinity, so the
idea behind that song is trying to reclaim masculinity in a way that’s actually positive and helpful,” he
says. “Each stanza is imagining a parallel universe where the laws of physics are different, and
therefore I’m the best version of a man that I could be.” On “Did mention I’m sorry?,” USA takes
on a combustible urgency as Petey captures the kind of all-consuming insecurity that tips into self-
indulgence. “It’s about someone who’s so self-conscious that it becomes almost narcissistic, because
they can’t stop obsessing about their own anxiety,” he says. And on “I tried to draw a straight line,”
Petey cycles through a whirlwind of existential questions, offsetting the track’s uneasy bewilderment
with sweetly lilting rhythms and majestic guitar work. “That song’s an overview of my mental state
when I’m over-analyzing everything,” he says. “It ends with wondering if we’re living in a
simulation, and all the paranoid but also calming thoughts that come with that.”

At turns philosophical, introspective, and wildly playful, the lyrics to USA mostly emerged as Petey
hiked the trails surrounding an abandoned gold mine in the San Gabriel Mountains. “Hiking has
become a really good creative vessel for me,” he says. “Once you get used to a trail it becomes
second nature, which leaves space for your brain to think in different ways.” A longtime musician
who previously played drums in Chicago-based indie-rock band Young Jesus, he first started writing
songs at the age of 27 after making his way through a series of dead-end jobs. “I never earned more
than minimum wage, and I never felt like I was capable of exceling at anything within the realm of
American capitalism,” he says. “But then I wrote a song and put it on Spotify, and that somehow
ended up being the thing that worked.” A bittersweet but exuberant breakup song, Petey’s debut
single “Apple TV Remote” soon led to his signing to indie label Terrible Records, who later released
Lean Into Life and helped pave the way for his signing to Capitol Records in 2022.

With the release of USA, Petey hopes that exposing his deepest neuroses might have a liberating
impact on the listener. “So much of life is out of our control, which is really scary, but hopefully
these songs will help people feel a little better and less alone in their struggle,” he says. “I hope
everyone can find some kind of solace in recognizing that life is incredibly complicated for
everyone—so instead of spending too much time ruminating on a mistake you’ve made or
something that went wrong, maybe the best thing is to go easy on yourself and let it go.”