Massy Ferguson has long been a staple of the American roots rock scene, expertly blending elements of country twang with hard-charging rock ‘n’ roll. Hailing from Seattle, the band has built a career marked by two decades of sonic exploration, and their seventh album, You Can’t Tell Me I’m Not What I Used To Be, marks the next chapter in their musical evolution.

Where their past records felt like the soundtrack to raucous nights at a dive bar, You Can’t Tell Me I’m Not What I Used To Be ventures into a new realm. This album is Massy Ferguson's cinematic take on Americana, with vintage tones, analog warmth, lush instrumentation, and a more expansive, nuanced sound. The band has always been rooted in sharp songwriting, but with You Can’t Tell Me I’m Not What I Used To Be, they’ve broadened their musical horizon, capturing a deeper, more reflective side of their musical journey.

Produced by Damien Jurado—the celebrated folksinger known for his unpredictable and idiosyncratic style—the album is infused with a sense of intimate, analog production that complements the rich storytelling that Massy Ferguson is known for. Whether it’s the mournful tones of an aching ballad or the cathartic release of a driving anthem, the album unfolds like a film, exploring themes of personal evolution, nostalgia, and the passage of time.

Nearly two decades into their career, the band’s sound is more expansive than ever. While their previous works were steeped in the sweaty, rebellious energy of a good night out, You Can’t Tell Me I’m Not What I Used To Be is a more contemplative, cinematic journey through the roots of American music. The band, led by the distinctive voice and songwriting of frontman Ethan Anderson, is joined by guitarist Adam Monda, drummer Dave Goedde, and keyboardist Fred Slater, each contributing to the album’s lush, dynamic sound.

With You Can’t Tell Me I’m Not What I Used To Be, Massy Ferguson once again demonstrates their uncanny ability to craft emotionally rich, raw rock music that resonates with listeners long after the final chord fades. It’s an album about where we’ve been, where we’re going, and the people we become along the way.