"I love song craft," says Mason Jennings, a longtime folksinger who has spent over two decades honinghis craft both on stage and in the studio. "A song is like a boat on the water, and you're trying to make itfloat with as few pieces as possible. If you do it right, a song can be very healing." For Jennings, songwriting has always been about creating a personal connection, both with his audienceand with himself. Over the years, he’s become known for his unpretentious, emotive approach to folkmusic, combining introspective lyrics with acoustic melodies. He’s drawn comparisons to the greats of thegenre, including Nick Drake, John Fahey, and Tom Waits, but Jennings' sound is distinctly his own, onethat blends vulnerability with strength, simplicity with complexity. Born in Honolulu and raised in Pittsburgh, Jennings’ musical journey began with a move to Minneapolis inthe late 1990s, where he released his debut album and quickly gained attention for his raw, authenticsound. His contemporary take on classic folk resonated with listeners and fellow musicians alike, earninghim fans like Jack Johnson and Isaac Brock of Modest Mouse. Over the years, his steady output ofalbums has solidified his reputation as one of the leading voices in the folk and Americana scenes. Though his early work focused on solo acoustic arrangements, Jennings has also embraced moreadventurous, genre-crossing projects. His collaboration with the synth-based supergroup Painted Shieldmarked a departure from his usual style, incorporating electronic elements and a more expansive sound.“Being in that band really freed me up as a solo artist,” he reflects. “It allowed me to experiment andreturn to the acoustic, stripped-back music that first inspired me.” At his core, Jennings is an artist constantly evolving, and his music reflects a deep personal journey.Themes of healing, growth, and self-acceptance have been central to his songwriting, especially in recentyears. Following a challenging period of personal upheaval, Jennings explored themes of trauma,recovery, and reconciling his past in his 2018 albumSongs From When We Met. His music became away to process his experiences and find peace within himself, a journey that continues today. For Jennings, songwriting is about much more than just creating music. It is a path toward emotionalclarity and personal transformation. "I've learned that it's OK to be my real self," he shares. "These songsreflect the struggle to take care of myself and be the person I truly am. It’s about accepting where I comefrom, and working to heal old wounds, so I can move forward in a healthier way." As he continues to write and record, Jennings remains deeply connected to his roots in folk music whileembracing new textures and ideas. His work, whether with a band or solo, reflects an ongoing explorationof sound, emotion, and the human experience. For him, the process of creating is just as important as thefinal result, an ever-evolving conversation between the artist and his audience, and between the artist andhimself.

In her debut album MOONFLOWER, Seattle-based artist Larsen Gardens paints an intimate portrait of transformation. Blossoming with the warmth and care required to look within, the work really becomes an alchemical reflection of what it’s like to shine light into a shadowy place. And transforming into what, we learn, is hardly as important as respecting the path by which to get there. After a decade spent living in Nashville and surviving a life-altering stint working for a major label, a move back to the West coast in 2017 proved grounding and distinctly necessary to a slow but powerful unleashing of self. And with all the myriad colors and dreamscapes with which to paint any unfolding, MOONFLOWER is as lush and pleasant as it is powerful and boldly embraces the mysteries of self-dimensionality in its many intimate and shifting flavors. With the serious talents of veteran producers and players Jen Gunderman (Sheryl Crow, Jayhawks) and Joe Pisapia (KD Lang, Guster), engineers Dan Knobler (Lake Street Dive, Erin Rae and the Meanwhiles) and Johnny Bregar, the result is a dreamy, hopeful kaleidoscope of mellotron, washy guitars, twinkling piano, and, in some tracks, lo-fi apartment-recording and producing. It showcases both the raw and well-executed and gives the listener a sense that surviving something hard can be transformed into that which is beautiful.