Mason Jennings, Cheyenne Mize

Fri May 9 2014

8:00 PM (Doors 6:00 PM)

3rd and Lindsley

818 3rd Ave. S Nashville, TN 37210

All Ages

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Tickets available at door.

 

Before setting to work on his latest album, Mason Jennings was looking for a new approach to writing. At the advice of a friend, the Minnesota-based singer/songwriter/multi-instrumentalist holed up in the back room of his wood-nestled cabin studio with just a guitar, electric piano, bookshelf, notebook, tape recorder, and one 90-minute cassette—then wrote all winter long. Emerging with the notebook and tape full of about 30 new songs, Jennings decided to skip his standard approach of self-recording and called on producer Bo Ramsey (Greg Brown, The Pines, Iris DeMent), as well as a wish-list-plucked lineup of guest musicians that includes DeMent and Neil Young drummer Chad Cromwell. The result of those “dream collaborations” and his own hard-won inspiration, ‘Always Been’ proves to be Jennings’s most radiant and refined effort of his career.

 

Recorded at Minneapolis studio The Terrarium, ‘Always Been’ builds on the rugged, acoustic-guitar-driven indie-folk of Jennings’s earlier work (from his 1998 self-titled debut to 2011’s highly acclaimed Minnesota) with sunnier melodies and more hi-fi sonics. While Jennings credits the album’s joyful spirit in part to “letting go and getting help from all these great musicians”—including Greg Brown upright-bassist Gordon Johnson, string virtuoso David Mansfield, singer/songwriter Pieta Brown, and several members of The Pines—at the heart of Always Been’ is an undeniable sense of the wonder he rediscovered during his winter-long writing session. “Staying open to the feeling of awe, the feeling of being moved by things—that’s the most important part of songwriting for me,” says Jennings. “When I’m able to stay in a childlike state that’s more about the heart than the head, that’s when the songs really come in.”

 

With the songwriting and recording of ‘Always Been’ so wholly charmed, Jennings says his main ambition is for the album to uplift its listeners. “Music’s always been very transformative for me. I remember hearing ‘I Want to Hold Your Hand’ as a kid and having it hit me in a really deep way,” he says. Noting that the medicinal quality of DeMent’s albums was a major influence on the mood of ‘Always Been,’ Jennings adds that he ultimately aims to create music with its own healing effect. “I started making music because music saved my life when I was little—it was something I could go to and always have a feeling of connection, even when times were hard,” he says. “Above all else, I want to make sure I always remember that trying to give other people that sort of feeling is the major purpose behind what I’m doing.”

3rd and Lindsley
Mason Jennings with Cheyenne Mize

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3rd and Lindsley

Mason Jennings with Cheyenne Mize

Fri May 9 2014 8:00 PM

(Doors 6:00 PM)

3rd and Lindsley Nashville TN
Mason Jennings, Cheyenne Mize
  • Sorry, you missed this event.
  • Check out other similar events on TicketWeb.

All Ages

Tickets available at door.

 

Before setting to work on his latest album, Mason Jennings was looking for a new approach to writing. At the advice of a friend, the Minnesota-based singer/songwriter/multi-instrumentalist holed up in the back room of his wood-nestled cabin studio with just a guitar, electric piano, bookshelf, notebook, tape recorder, and one 90-minute cassette—then wrote all winter long. Emerging with the notebook and tape full of about 30 new songs, Jennings decided to skip his standard approach of self-recording and called on producer Bo Ramsey (Greg Brown, The Pines, Iris DeMent), as well as a wish-list-plucked lineup of guest musicians that includes DeMent and Neil Young drummer Chad Cromwell. The result of those “dream collaborations” and his own hard-won inspiration, ‘Always Been’ proves to be Jennings’s most radiant and refined effort of his career.

 

Recorded at Minneapolis studio The Terrarium, ‘Always Been’ builds on the rugged, acoustic-guitar-driven indie-folk of Jennings’s earlier work (from his 1998 self-titled debut to 2011’s highly acclaimed Minnesota) with sunnier melodies and more hi-fi sonics. While Jennings credits the album’s joyful spirit in part to “letting go and getting help from all these great musicians”—including Greg Brown upright-bassist Gordon Johnson, string virtuoso David Mansfield, singer/songwriter Pieta Brown, and several members of The Pines—at the heart of Always Been’ is an undeniable sense of the wonder he rediscovered during his winter-long writing session. “Staying open to the feeling of awe, the feeling of being moved by things—that’s the most important part of songwriting for me,” says Jennings. “When I’m able to stay in a childlike state that’s more about the heart than the head, that’s when the songs really come in.”

 

With the songwriting and recording of ‘Always Been’ so wholly charmed, Jennings says his main ambition is for the album to uplift its listeners. “Music’s always been very transformative for me. I remember hearing ‘I Want to Hold Your Hand’ as a kid and having it hit me in a really deep way,” he says. Noting that the medicinal quality of DeMent’s albums was a major influence on the mood of ‘Always Been,’ Jennings adds that he ultimately aims to create music with its own healing effect. “I started making music because music saved my life when I was little—it was something I could go to and always have a feeling of connection, even when times were hard,” he says. “Above all else, I want to make sure I always remember that trying to give other people that sort of feeling is the major purpose behind what I’m doing.”