The Legendary Shack Shakers’ hell-for-leather roadshow has earned quite a name for itself with its unique brand of Southern Gothic and swampy "hillbilly blues" that is all-at-once irreverent, lyrical, dangerous, and fun. Led by their charismatic, rail-thin frontman and blues-harpist JD Wilkes, the Shack Shakers are a four-man wrecking crew from the South whose explosive interpretations of swamp blues, rock n' roll and hillbilly music have made fans, critics and legions of potential converts into true believers. Between intermittent hiatuses to work on other projects (including JD's sideshow banner-style artwork for acts like The Squirrel Nut Zippers and Marty Stuart...plus his two published books The Vine That Ate the South and Barn Dances & Jamborees Across Kentucky), the band is constantly re-inventing and re-mobilizing, much to the excitement of many a Shack Shakers fanatic. Despite Wilkes' extracurricular projects, the Shakers' reputation for intense entertainment endures. On stage, JD has been compared to the likes of Iggy Pop, David Byrne, and Jerry Lee Lewis. The Nashville Scene named Wilkes “the best frontman in Nashville”, while former Dead Kennedys frontman Jello Biafra has called JD “the last great Rock and Roll frontman.” Guitar virtuoso, Gary Siperko (Pere Ubu, Rocket from the Tombs) intones a variety of strains, from garage blues to gypsy jazz, while the rhythm section rounds out with Preston Corn (The Dirt Daubers) on percussion and Fuller Condon (Two Man Gentlemen Band) thumping the upright bass. Although not necessarily "legendary" upon being named, the band has grown into its reputation the last several years due to their heavy tour schedule, seven critically acclaimed studio albums, and songs that have been featured on television shows such as HBO’s True Blood, CBS’s The Unit , Swamp Loggers, and movies like Julia Roberts’ Duplicity. Past tour mates and fans include Sturgill Simpson, Reverend Horton Heat, Rancid, The Black Keys, Slim Cessna’s Auto Club, and Hank Williams III. Robert Plant is also a noted Legendary Shack Shakers fan, and picked the band to open for him on his 2005 tour of Europe. Plant named the band's third album Believe as one of his favorite records of 2005. The list of esteemed admirers goes on to include horror novelist Stephen King, who listed “CB Song” as among his iPod’s Top Five in a 2008 Entertainment Weekly article. Such a wealth of devoted, cult-like fans over the years has only added to the mystique that the Legendary Shack Shakers possess, carrying them down the road toward new creative pursuits and intense new tunes.

From the city by the lake comes Chicago’s own Mystery Actions. An all-female lineup delivering punk rock ‘n’ roll music with everything they’ve got and more. Capturing the feel of 70’s punk rock and modernizing the Runaways, these ladies are bound to grab your attention with the first note. Inspired through a broad range of influences covering the Avengers to the Damned these gals are ready to rock. They have shared the stage with Cock Sparrer, the Buzzcocks, Lower Class Brats, the Queers, Protex, Go betty Go, Murphy’s Law, Peter and the Test Tube Babies, Shonen Knife and the Freeze! This is only the beginning…

Robert Rolfe Feddersen is a singer/songwriter from Chicago who currently resides in Crown Point, Indiana.  Robert’s songwriting style is very open, honest, reflective, humorous and topical.  He has a well-crafted seven album catalog of songs, the last two of which were recorded in Chicago by Steve Albini (Nirvana, Pixies, Cheap Trick).  Formerly the frontman of well-known mid-90s Chicago band LOUDMOUTH, Robert is a gold selling artist penning the hit song “Fly” from the film Varsity Blues.  His songs have also appeared in numerous movies, movie trailers and TV shows. Robert’s songwriting has been compared to early Springsteen/Steve Earle/Woody Guthrie and his live shows are entertaining, engaging and audience-inclusive.

Taking the stage like Bela Lugosi on a mechanical bull, Royal Son of a Guns belt out rip snorting acid western voodoobilly with heavy doses of surrealism. These bar stool smashing miscreants take Americana on a psycho-cathartic hayride through the thorny nettles of the American roots music underbelly with primitive guitars, electrified washboard and a bedrock of bass that will rattle your teeth.