“This all started as a series of jam sessions in the kitchen,” says Joe Funk, bassist for the breakout progressive bluegrass band Kitchen Dwellers. “We were getting together to play covers and traditional music and old-time tunes for fun after school, and everything else just evolved from there.”   For Kitchen Dwellers, "everything else,” as Funk so modestly puts it, has been nothing short of remarkable. In the near-decade they’ve been together, the Montana-based four-piece has performed for thousands at Red Rocks, shared bills with the likes of Railroad Earth, The Infamous Stringdusters, and Twiddle, graced festival stages from Northwest String Summit to WinterWonderGrass, and transcended traditional genre boundaries, blending virtuosic bluegrass wizardry with ecstatic rock and roll energy and adventurous psychedelia. With their spectacular new album, ‘Muir Maid,’ the group has come fully into their own, seamlessly blending the past, present, and future of string band music to create their most daring and collaborative work yet.    “This is the first record with all four of us contributing to the writing together,” says guitarist Max Davies, “and the songs really reflect that. You can hear each of our different backgrounds and influences in the music, and you can also hear how much we’ve grown in the last few years on the road, both as individuals and as a band.”   Produced by The Infamous Stringdusters’ Chris Pandolfi, ‘Muir Maid’ is built around live performances that capture the intoxicating energy of band’s concerts and showcase their dazzling musicianship, airtight harmonies, and transportive storytelling. Lightning-fast fretwork and brilliant solos abound on the record, but far from showing off, the instrumental pyrotechnics here always come in service of the song, a guiding principle for the group.   “The person who wrote a particular tune isn’t always the one who ends up singing it,” says Davies, who shares vocal duties with all three of his bandmates. “We base every decision off of what’s going to be best for the track, and to me, that’s the true definition of collaboration.”   ‘Muir Maid’ follows Kitchen Dwellers’ acclaimed 2017 LP, ‘Ghost In The Bottle,’ which was produced by Leftover Salmon’s Andy Thorn and featured a slew of special guests, including Little Feat’s Bill Payne and Greensky Bluegrass’s Anders Beck. Tracks from the record racked up more than a million streams on Spotify and garnered rave reviews across the board, with The Huffington Post hailing the band as “a bluegrass phenomenon” and Relix praising the unique way the group’s songwriting “embrac[es] their love of electronica, metal…and everything in between.”   Kitchen Dwellers are: Max Davies – Guitar Joe Funk – Bass Torrin Daniels – Banjo Shawn Swain - Mandolin

Out of the rich roots music traditions of the Southern Blue Ridge Mountains comes the authentic sound of Fireside Collective. A band steeped in the technical proficiency of bluegrass music, their sound draws on blues, country, and folk traditions while being interpreted through the exciting instrumental interplay of an American jamband. Energetic, inspired solos featuring mandolin, dobro, and acoustic guitar are woven tastefully atop the rock-solid rhythm section of electric bass and drums. Formed in Asheville, NC in 2014, the ensemble has been winning over audiences across the country with their soaring vocals and heartfelt original music.   

Arkansauce calls forth melodies of the Ozark Mountains' rolling hills and raging rivers with their distinct blend of newgrass. This progressive string quartet features Tom Andersen on bass, guitarist Zac Archuleta, Ethan Bush on mandolin, and Adams Collins on banjo. Their music features improvisational string leads matched with complex melodies, intriguing rhythms, and deep thumping bass grooves. Each member sings lead and harmony parts as well as contributes to the lyrics, which offer authentic, intelligent songwriting with hard-hitting hooks. Music Mecca’s Spencer Nachman calls them a “fiery, finger-picking string band... What is apparent at any Arkansauce show is their positivity and desire to uplift the audience’s spirit, no matter the circumstance.” They are a band inspired not only from their home state of Arkansas, but also throughout their travels. “We are a band that spends most of our time in the back of a van hurtling toward long nights, good times, and a destiny unknown,” says Ethan. “Our inspiration is gathered by events unfolding in our own adventures in real time. These days, the desire to create, inspire, and redefine within our scene seems to be the main driving force behind our music. From a young age we were huge fans of live music and were introduced to a lot of great music by our families.” Arkansauce independently released their 5th album, OK to Wonder, on April 21, 2023. With 11 original tracks—ranging from upbeat and stimulating to contemplative and encouraging—the collection is filled with songs of revelry, wonder, insight, and whimsy. The album was met to critical acclaim with reviews in Bluegrass Today (“a truly inspired effort”), Ameriana Highways (“this is high-octane stuff, meticulously rendered & with lots of spirit”), Americana UK (“that’s a bluegrass line-up right there – but this isn’t your grandpappy’s bluegrass”), and Blog Critics; premieres by The Bluegrass SItuation and Glide Magazine. Songs from the album are in two official Spotify Playlists: “Indie Bluegrass” and “Fast Grass” and have received airplay on SiriusXM Bluegrass Junction. They’ve also interviewed and performed a few of the new tunes in studio in their homestate with Northwest Arkansas Democrat-Gazette and Little Rock's THV11. The band was founded in 2011 after Zac and Ethan, who had grown up across the street from one another in Johnson County, Arkansas, moved to Fayetteville. Tom and Adams were slowly introduced to them through the tight-knit Fayetteville music community. During a fateful gig at a Riverstomp Music Festival in 2014, the band was down a couple of members, and Adams and Tom filled in on the fly—magic was made on the stage that night, and the lineup was forever changed. Having played shows from California to Connecticut over the last several years in addition to two tours in Europe, the band is no stranger to the road. They supported Yonder Mountain String Band for a leg of their summer tour in 2019, played mainstage spots on festivals with bands (including but not limited to) Greensky Bluegrass, Railroad Earth, The Del McCoury Band, Billy Strings, Leftover Salmon, Tauk, The Wood Brothers, and shared the stage with the legendary Sam Bush as a guest. Arkansauce has a hearty tour schedule lined up for this year including hometime release shows in Oklahoma and Arkansas for (including the Backwoods at Mulberry Mountain Festival). They have Spring shows in Kentucky, Pennsylvania, West Virginia, Missouri, Louisiana, and around the Front Range of Colorado. Further Festivals include Sustain Art & Music Festival (IN), FreshGrass Bentonville (AR),, Weekend at The Cave (IL), Rhythms on the Rio (CO), Lovegrass Music Fest (KS), FreshGrass North Adams (MA), and Annapolis Baygrass Festival (MD), with more shows yet to be announced! LINKS Website : www.arkansaucemusic.com Instagram : www.instagram.com/arkansaucemusic Facebook : www.facebook.com/arkansauce.music Youtube : https://www.youtube.com/channel/UCD5p0v77QXPgtkjntRFQOHg BandsInTown : https://www.bandsintown.com/a/10912205-arkansauce . Arkansauce on Spotify : https://open.spotify.com/artist/0ZVf0TpND6bNaoaaucYaFl?si=dOJCQQJoS_O3KkstHEo1Vw Arkansauce on Apple Music : https://music.apple.com/us/artist/arkansauce/1035403732 . . #arkansauce #bluegrass #jamband #bluegrassandbeyond #fayettevillear PRESS “This is high-octane stuff, meticulously rendered & with lots of spirit... The ensemble vocals add authenticity to the bluegrass fire. Everything is well-played & optimistic... Their compositions have clarity & distinction... they have a whirling, lively groove. The lyrics aren’t cliched & the words are held down by the gravity of the tight melodies... The late Jerry Garcia (The Grateful Dead) who played with Old and In the Way with David Grisman, Vassar Clements & Pete Rowan would feel at home with these boys.” —Americana Highways, Jon Apice “The music sounds both classic and contemporary at the same time, allowing for a sound that’s immediately engaging and easily assured. That unabashed affability comes across in the effortless expression of ‘How Time Flies’, the sprightly sound of ‘Up On the Shelf,’ the comforting caress of ‘I’ll Be Yours,’ and the consistently amiable attitude conveyed through a host of instrumentals interspersed throughout this decidedly solid set of songs. Arkansauce makes a point to put their nimble picking and plucking front and center, helping to assure a good-natured feeling that pervades the album overall.” —Bluegrass Today, Lee Zimmerman “Keeping with Arkansuace’s mission statement to create, inspire, & redefine what it means to be a 21st Century bluegrass act. Each musical breakdown feels like a verse in and of itself, as the instruments find themselves in a shining moment over intriguing rhythms and thumping bass grooves.” —Music Mecca, Adison Nadler “That’s a bluegrass line-up right there – but this isn’t your grandpappy’s bluegrass.” —AmericanaUK, Jonathan Aird “Hot bluegrass ramblers” —The Roanoke Times “Snappy bluegrass cut” [“My Home in Arkansas”] —Americana Music Association “[The songs] bear the hallmarks of quintessential Arkansauce tunes: They're fun to sing along with and give each member of the band time to flex his considerable picking skills.” WATCH Arkansauce interview about OK to Wonder & perform 3 songs: “Up on the Shelf,” “My Home in Arkansas,” and “Coldiron.” —Northwest Arkansas Democrat-Gazette, Monica Hooper LISTEN to The Mandolins and Beer Podcast interview with Ethan Bush about songwriting, practicing, the studio, touring and more. MORE ABOUT ‘OK TO WONDER’ Fiery finger-picking String band, Arkansauce, independently released their 5th album, OK to Wonder, on April 21, 2023. The album’s 1st single, “Up on the Shelf,” was premiered by Glide Magazine who says, “Strong lyricism, warm harmonies, and impressive solos abound throughout this track.” Ethan describes it as, “a rowdy song about a wild night out that gradually became a much more in depth picture of the ups and downs of a relationship; I aimed to maintain the spirit of the original concept, while trying to depict the stress that partnerships may bring through an honest and unique lens.” After the song’s release, “Up on the Shelf” was almost immediately placed into Spotify’s “Indie Bluegrass” Playlist and has received airplay on SiriusXM Bluegrass Junction. Uptempo bluegrass number “My Home in Arkansas,” the album’s 2nd single, was premiered by The Bluegrass Situation, called a “snappy bluegrass cut” by the Americana Music Association in their weekly newsletter, is on Spotify's “Fast Grass” Playlist, and is listed in The Alternate Root Magazine’s Top Ten Songs of the Week. Andersen says, “The song came to me after a Bill Monroe bender. It’s a straight-forward bluegrass song about the road and the yearnings for home—with a few twists and turns on the arrangement, as any road worth traveling would have.” “First Night of the Tour” sings the result of the band learning the “rules of the road” through trial and error on their first few tours. The stimulating “Coldiron” was inspired by a close friend of the band who uprooted himself at an early age to move to a remote, old family property where he didn’t know a soul and ambitiously forged a bountiful and fulfilling life. A song of reflection and reminiscing, the title lyrics can be heard in the Hartford-esque “How Time Flies.” My oh my how time flies... Is this the way I wanted things to be... I simply cannot decide... Who in the hell is behind those eyes... I guess it’s okay to wonder until the day I die... Hold on to what you got for now and let time take care of the rest.” The song is meant to help us find some peace in the space between trying to chase down our dreams and deciding to alter our path. “I'll Be Yours” gives encouragement to the underdogs of the world while the empathetic and anthemic “Early Bird” shines and welcomes you to join in. Zac says, “Written during the heat of the pandemic after my father-in-law, a truck driver whose CB handle was ‘Early Bird,’ passed away from covid. Everything seemed so dark that I wanted to write a song about light and hope with a lot of harmonies and uplifting melodies. My dad actually passed away a few months after, and it ended up being a song for myself in a way.” “Big City Chicken” is the first of four instrumentals on the album, and it celebrates getting back on the road after the first year of the pandemic. Ethan says, “It was written while watching my chickens peck around my backyard during those first few weeks of quarantine. Performing on the road later felt as if I was finally weaponizing the creativity birthed in that time and space.” Americana Highways’ Jon Apice calls the song “searing & saturated with backwoods vibrancy. The inter-picking shimmer of the notes is invigorating. Flatt & Scruggs would be proud.” Adams composed the other three instrumentals and says, "At some point, I became obsessively interested in how a four-piece bluegrass group might emulate various styles of drum grooves and rhythms. ‘Bim Batta’ is influenced by 80s electro and hip hop, while ‘The Funky Gorilla’ is influenced by Stanton Moore's New Orleans funk approach.” The delightful “Air Bender” leads the listener into a magical country western jaunt with its undulating banjo as the album's final track. OK to Wonder ‘s 11 tracks were recorded in Fayetteville at Crisp Recording Studio with engineer Darren Crisp, James Tuttle [Leftover Salmon, The String Cheese Incident, Hot Rize, Michael Franti, Cary Morin] on the mix, and Brad Sarno [Son Volt, Jay Farrar] for the mastering. Previous albums include All Day Long (2015), Hambone (2016), If I Were You (2017), and Maybe Someday (2019).