Sat Dec 18 2021

9:00 PM (Doors 8:00 PM)

The Nick

2514 10th Ave S Birmingham, AL 35205

$12 ADV - $15 DOS

Ages 21+

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The Nick is a Private Club - Membership Card Required ($5 Per Year) & Valid ID - 21 + Up to Enter. Per artist request, proof of Covid-19 vaccination or negative PCR Covid-test taken within 72 hours will be required. 

Lee Bains III & The Glory Fires- Early Show! Doors 8pm

  • Lee Bains III & The Glory Fires

    Lee Bains III & The Glory Fires

    Rock & Roll

    The real Alabama rock-and-roll from Birmingham AL

    On June 30th, Don Giovanni Records will release Youth Detention///(Nail My Feet Down to the South Side of Town), the third full-length album by Lee Bains III & the Glory Fires.

    Call it Youth Detention for short.

    A double LP spanning 17 songs, it is the band's most ambitious work to date -- a sprawling and visceral record given to both deep introspection and high-volume spiritual uplift.

    Where The Glory Fires' previous LP Dereconstructed (2014) sought to dismantle one-dimensional notions of Southern identity and culture, Youth Detention has a similar, but more personal intent. "It's about dismantling myself and the narratives that I've taken on," explains Bains. "It's an examination of youth and the processes through which we begin to consider ourselves, our identities, and what various communities we belong to or are in tension with." Often, the songs detail moments in which cultural boundaries and biases become apparent -- scenes in which systems of privilege and oppression become visible, particularly as they relate to race, class, and gender. Everyday settings -- a church, a ballpark, a cafeteria -- are revisited again and again, to explore these fleeting moments of revelation from different perspectives and roles. It's a record defined by accumulation. Stories, images, and thoughts pile up to create confusion and cacophony in the narrative.

    Recorded in Nashville, Tennessee at Battletapes with engineer Jeremy Ferguson and producer Tim Kerr, Youth Detention captures the band in raw form. Each song was cut live to tape, with the four performing in the same room without headphones or baffling. The result is thoroughly human, Lynn Bridges' mix retaining the band's live energy and looseness at the expense of a few out of tune strings. The Glory Fires' music draws deeply from punk, but also soul, power pop, country, and gospel. It's equal parts careful curation and geographic inheritance. "It's the sound of my place," says Bains. "I want to know it. I want to argue with it. I don't want to be a band from anywhere that could be doing anything. For me, that's what punk is about -- figuring out who I am and how to be the best version of myself. I can't do that by pretending to be something I'm not."

    The songs are deeply rooted in Bains' experience of his hometown, Birmingham, AL. Youth Detention depicts a Southern city in the decades surrounding the turn-of-the-millennium: in the throes of white flight, urban disinvestment, racial tension, class struggle, gentrification, gender policing, homophobia, xenophobia, religious fervor, deindustrialization, and economic upheaval.

    The lyrics could ring true anywhere, though. The South exists in the world and, like the South, the world is increasingly beholden to many of these same tensions and forces. The songs on Youth Detention are meant as small acts of resistance to those systems. Documenting minor moments -- the refusal to sit quietly through a display of bigotry, the act of quieting down and listening to somebody's struggle, sticking up for friends targeted for their difference -- that, hopefully, serve as the beginnings of a more profound awakening.

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

limit 10 per person
General Admission

$12.00

Delivery Method

ticketFast
Will Call

Terms & Conditions

This event is 21 and over. Any Ticket holder unable to present valid identification indicating that they are at least 21 years of age will not be admitted to this event, and will not be eligible for a refund.

Lee Bains III & The Glory Fires- Early Show! Doors 8pm

Sat Dec 18 2021 9:00 PM

(Doors 8:00 PM)

The Nick Birmingham AL
Lee Bains III & The Glory Fires- Early Show! Doors 8pm

$12 ADV - $15 DOS Ages 21+

The Nick is a Private Club - Membership Card Required ($5 Per Year) & Valid ID - 21 + Up to Enter. Per artist request, proof of Covid-19 vaccination or negative PCR Covid-test taken within 72 hours will be required. 
Lee Bains III & The Glory Fires

Lee Bains III & The Glory Fires

Rock & Roll

The real Alabama rock-and-roll from Birmingham AL

On June 30th, Don Giovanni Records will release Youth Detention///(Nail My Feet Down to the South Side of Town), the third full-length album by Lee Bains III & the Glory Fires.

Call it Youth Detention for short.

A double LP spanning 17 songs, it is the band's most ambitious work to date -- a sprawling and visceral record given to both deep introspection and high-volume spiritual uplift.

Where The Glory Fires' previous LP Dereconstructed (2014) sought to dismantle one-dimensional notions of Southern identity and culture, Youth Detention has a similar, but more personal intent. "It's about dismantling myself and the narratives that I've taken on," explains Bains. "It's an examination of youth and the processes through which we begin to consider ourselves, our identities, and what various communities we belong to or are in tension with." Often, the songs detail moments in which cultural boundaries and biases become apparent -- scenes in which systems of privilege and oppression become visible, particularly as they relate to race, class, and gender. Everyday settings -- a church, a ballpark, a cafeteria -- are revisited again and again, to explore these fleeting moments of revelation from different perspectives and roles. It's a record defined by accumulation. Stories, images, and thoughts pile up to create confusion and cacophony in the narrative.

Recorded in Nashville, Tennessee at Battletapes with engineer Jeremy Ferguson and producer Tim Kerr, Youth Detention captures the band in raw form. Each song was cut live to tape, with the four performing in the same room without headphones or baffling. The result is thoroughly human, Lynn Bridges' mix retaining the band's live energy and looseness at the expense of a few out of tune strings. The Glory Fires' music draws deeply from punk, but also soul, power pop, country, and gospel. It's equal parts careful curation and geographic inheritance. "It's the sound of my place," says Bains. "I want to know it. I want to argue with it. I don't want to be a band from anywhere that could be doing anything. For me, that's what punk is about -- figuring out who I am and how to be the best version of myself. I can't do that by pretending to be something I'm not."

The songs are deeply rooted in Bains' experience of his hometown, Birmingham, AL. Youth Detention depicts a Southern city in the decades surrounding the turn-of-the-millennium: in the throes of white flight, urban disinvestment, racial tension, class struggle, gentrification, gender policing, homophobia, xenophobia, religious fervor, deindustrialization, and economic upheaval.

The lyrics could ring true anywhere, though. The South exists in the world and, like the South, the world is increasingly beholden to many of these same tensions and forces. The songs on Youth Detention are meant as small acts of resistance to those systems. Documenting minor moments -- the refusal to sit quietly through a display of bigotry, the act of quieting down and listening to somebody's struggle, sticking up for friends targeted for their difference -- that, hopefully, serve as the beginnings of a more profound awakening.

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

Ages 21+
limit 10 per person
General Admission
$12.00

Delivery Method

ticketFast
Will Call

Terms & Conditions

This event is 21 and over. Any Ticket holder unable to present valid identification indicating that they are at least 21 years of age will not be admitted to this event, and will not be eligible for a refund.