For more than two decades, Langhorne Slim has been a fearless voice in modern Americana, known for his raw emotion and rule-breaking spirit. On his ninth album, The Dreamin’ Kind, the Nashville-based songwriter plugs in his electric guitar and dives headfirst into big-hearted, 1970s-style rock & roll. Produced by Greta Van Fleet’s Sam F. Kiszka, the record pairs power chords and soaring hooks with the vulnerable storytelling that’s long defined Slim’s work. “It felt like I was blowing some old shit up so I could plant some new flowers,” he says. “I love folk music, but rock & roll tickles the same part of my soul. I wanted to explore that.” The collaboration began after Slim opened for Greta Van Fleet, leading to loose, inspired sessions with Kiszka and drummer Danny Wagner. Together they built songs that move from the propulsive rush of “Rock N Roll” and the swagger of “Haunted Man” to the tender sweep of “Dream Come True” and “Stealin’ Time.” Recorded over a year in Nashville, The Dreamin’ Kind bridges Slim’s rootsy past with a louder, more expansive present. It’s a record of freedom and discovery, equally at home in rock clubs and around campfires — proof that Langhorne Slim, ever the dreamer, still finds new ground to break with every song.

Independent rock n roll from the gutters of Nashville, Tennessee. Laney Jones and the Spirits have big f*cking heart. It's undeniable watching Jones who usually performs live as a trio on her gnarly 1960s Sears Roebuck Silvertone guitar with her life and musical partner (Brian Dowd) holding the heartbeat on the drums. They're "everything that’s good about rock and roll” says GRAMMY- winning icon Lucinda Williams. And like Williams, Jones's road has been hard fought. Cutting their teeth on mics literally and metaphorically across the US for the past decade, Jones's free-wheeling, do-it-yourself lifestyle is the stuff of modern folklore. With few prospects when the Florida-raised couple first moved to Nashville in 2017, they made rent by stacking beers at the local Piggly Wiggly. A chameleon of a songwriter, Jones has since found other ways to pay the bills, licensing songs for pop projects to the likes of Guinness and Google, but the music the couple creates cuts deeper than that. It's personal. And nothing shows more clearly the spirit of their work than one of their latest self-produced and mixed release, the aptly titled “Feel Something” “If everything was perfect, and we lived just like a king, I don’t know if it would matter, babe, I don’t know if I could sing. It’s the ripping of my heart out – the flicker of a dream – that binds us to tomorrow and makes us feel something.” Catchy, yet raw and arrestingly sincere, it's no wonder Jones's cult following has been steadily growing since the release of their seminal record Stories Up High (2022) produced by Andrjia Tokic (Alabama Shakes, Langhorne Slim) of the famed Bomb Shelter in East Nashville. Though the record wrestles with themes of depression and the meaning of life, the vibes are more bittersweet than sad. Jones says “Stories Up High was me writing what I needed to hear. It taught me to let go. Let my ego die...it was deeply healing and freeing. It's where I live now". From a youth growing up with kangaroos in swampy central Florida to opening for bands like Kurt Vile and the Heartless Bastards, to officially showcasing at this year's SXSW, Laney Jones is not someone you can put in a box. Nor should you try with the music. The crew’s live punk energy and heart-on-their-sleeves mentality is something that you just gotta witness for yourself.