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La DisputeTummyache
Sun, 7 Sep, 8:00 PM EDT
Doors open
7:00 PM EDT
Grog Shop
2785 Euclid Heights Boulevard, Cleveland Heights, OH 44106
TICKET SALES TERMINATED
Tickets are currently unavailable on TicketWeb
Description
Sunday, September 7
La Dispute LIVE at Grog Shop
with Glitterer and Tummyache
Doors 7 PM | Show 8 PM
ALL AGES
$30 advance / $35 day of show
+ $3 at door if under 21
It’s been six years since La Dispute released their last album, Panorama. Since then, the Michigan post-hardcore band—made up of Jordan Dreyer on vocals, Brad Vander Lugt on drums, Chad Morgan-Sterenberg and Corey Stroffolino on guitar, and Adam Vass on bass—dealt with the stagnance of the pandemic, celebrated the ten-year anniversaries of Wildlife and Rooms Of The House, and began working on No One Was Driving The Car. The fifth studio LP is the first entirely produced by the group, and it came together in Grand Rapids and Detroit, the United Kingdom, Australia, and the Philippines: “I think the change in environment was really helpful to breathing new life into the process each time we came back to it,” Dreyer says.
Partly inspired by the 2017 psychological thriller First Reformed, No One Was Driving The Car reckons with malaise in the shadow of the looming apocalypse, which has noticeably been worsened by the advancement of tech. The title comes from a quote from a police officer Dreyer read in a news article about a lethal self-driving Tesla crash, an absurd event which raises questions about the amount of control we have in our own lives. In fourteen dynamic tracks, the band grapples with the existential topic and the human need to find comfort and a sense of security in an existence where we’re often thrust into chaos without permission. Dreyer yells with a more primal sense and sings in a more refined way, and the guitars have a sharper edge than ever before. “As much as I don’t enjoy the creative process because it’s taxing and often not fun, I also think it’s the most fun that I ever have,” Dreyer contemplates. “It’s the revelations you make, the breakthroughs. It’s banging your head against a wall and suddenly something clicks in a way that feels almost divine, like it came from somewhere else.
Event Information
Age Limit
All Ages

Post-Hardcore
La Dispute
La Dispute
Post-Hardcore
It’s been six years since La Dispute released their last album, Panorama. Since then, the Michigan post-hardcore band made up of Jordan Dreyer on vocals, Brad Vander Lugt on drums, Chad Morgan-Sterenberg and Corey Stroffolino on guitar, and Adam Vass on bass—dealt with the stagnance of the pandemic, celebrated the ten-year anniversaries of Wildlife and Rooms Of The House, and began working on No One Was Driving The Car. The fifth studio LP is the first entirely produced by the group, and it came together in Grand Rapids and Detroit, the United Kingdom, Australia, and the Philippines: “I think the change in environment was really helpful to breathing new life into the process each time we came back to it,” Dreyer says.
Partly inspired by the 2017 psychological thriller First Reformed, No One Was Driving The Car reckons with malaise in the shadow of the looming apocalypse, which has noticeably been worsened by the advancement of tech. The title comes from a quote from a police officer Dreyer read in a news article about a lethal self-driving Tesla crash, an absurd event which raises questions about the amount of control we have in our own lives. In fourteen dynamic tracks, the band grapples with the existential topic and the human need to find comfort and a sense of security in an existence where we’re often thrust into chaos without permission. Dreyer yells with a more primal sense and sings in a more refined way, and the guitars have a sharper edge than ever before. “As much as I don’t enjoy the creative process because it’s taxing and often not fun, I also think it’s the most fun that I ever have,” Dreyer contemplates. “It’s the revelations you make, the breakthroughs. It’s banging your head against a wall and suddenly something clicks in a way that feels almost divine, like it came from somewhere else.

Grunge
Tummyache
Tummyache
Grunge
Tummyache is a project that blurs the line between band and personal confession, a raw and enigmatic expression crafted by songwriter and multi-instrumentalist Soren Bryce. Since its inception in 2018, Tummyache has carved out a space in the DIY scenes of both the United States and the UK, resonating with listeners who feel the weight of systemic struggles and societal expectations. Bryce’s music pulls no punches; her lyrics confront issues of class, privilege, and inner conflict, inviting listeners to face the harsh realities she lays bare.
In 2020, Tummyache expanded its lineup when UK-based bassist Linus Fenton joined as a key creative contributor, adding new depth to Bryce’s already evocative soundscapes. A year later, Bianka Baranova, from Slovakia by way of the UK, joined the live band and soon after contributed creatively to the project. Arthur James began drumming with the trio early 2024, after the dissolving of Brighton’s own cult-status hardcore band Negative Measures. Together, the four have infused Tummyache with new perspectives, creating a dynamic interplay that has only deepened the intensity of their music.
Their sophomore album, Egosystem, released in 2024, is a provocative exploration of ego within the structure of Western society. This album builds on the raw emotion of Soak, as Bryce and her bandmates dissect the roles ego plays in shaping relationships, ambition, and self-identity. As much a philosophical journey as a musical one, Egosystem offers listeners a powerful reflection on personal and societal frameworks, challenging them to confront their own assumptions and desires.
A third release is set for fall 2025, exploring the psychological and social impact of technology — and how we might begin to dismantle it.