On Dawn in the Distance, Wells’ voice still packs a Kentucky-sized punch, but his solo debut takes a look beyond the Southern stomp of his former band. Call the new sound Americana. Call it blue-collar country. Call it fiery folk. While recording the album, Wells was simply concerned with serving the songs, teaming up with producer Duane Lundy (Sunday Valley, Joe Pug, Vandaveer) and creating Wells’ most affecting album to date. Songs like “Going Down Grinnin’” (which Wells describes as “embracing failure with a smile”) and “Three Quarters Gone” (inspired by the retirement of the singer’s father) are layered with pedal steel guitar, auxiliary percussion, and keys. 

On the album’s front cover, a beat-up suitcase sits beside a door. For years, that suitcase carried Fifth on the Floor’s merchandise. Now, it serves a different purpose, connecting Wells’ past with his next destination. He’s still traveling, still writing songs, still spending long evenings behind the wheel. He’s just pointed at a different horizon.