Fri Jan 10 2020

8:00 PM (Doors 7:00 PM)

Music Box

1337 India Street San Diego, CA 92101

$22.00

Ages 18+

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Joyce Manor's sound is in the way co-founding guitarist Chase Knobbe can somehow make a song sadder and tougher at the same time, or the way Johnson mixes minor and major chords to invoke a precise kind of overpowering melancholy. 

Not on the e-mail list for Presales? CLICK HERE to sign up to be a Music Box VIP and you will never miss a chance to grab tickets before they go on sale to the general public again!

Genre: Pop Punk

Ticket Price: $22 advanced / $22 day of show 

PARKING: Street parking and paid lot parking available.

TABLE RESERVATION / VIP: vip@musicboxsd.com / (619) 836-1847

STALK US: Twitter + Instagram: @musicboxsd | facebook.com/MusicBoxSD | MusicBoxSD.com | The Music Box (619) 795-1337.

BOX OFFICE HOURS Monday - Friday 11:00am - 4:00pm

MUSIC BOX IS STANDING ROOM ONLY UNLESS OTHERWISE NOTED

Joyce Manor, Oso Oso, Peach Kelli Pop

  • Joyce Manor

    Joyce Manor

    Pop Punk

    Let’s start the story of Joyce Manor’s Million Dollars To Kill Me at the end of Million Dollars To Kill Me—at the last not-even two minutes of “Wildflowers,” a song about light and beauty and wonder that ends the record like a sunrise after a long exhausting night. It’s not a sing-along single or a bleaked-out slow-burner. It’s brief, understated, and simple but sophisticated as it says what it needs to say in seven sharp lines. And it ends the album with a question instead of an answer, because on an album like this, questions are more honest. If 2016’s Cody was about growing up, then Kill Me is about what happens next—the reckonings with love, money, doubt and confusion, and the hope that persists despite it all. That’s where “Wildflowers” comes in. Says Barry Johnson, band co-founder/guitarist/vocalist: “‘Wildflowers’ is my favorite song on the record—maybe my favorite song I’ve ever written. It’s about how something can be so beautiful it breaks your heart.”

    That’s Million Dollars To Kill Me: an album that glides across that tension between two perfectly opposite feelings. That’s even how the guitars fit together. It’s in the way co-founding guitarist Chase Knobbe can somehow make a song sound sadder and tougher at the same time, says Johnson, or the way Johnson mixes minor and major chords to invoke a precise kind of overpowering melancholy. (“I like when songs have a feeling of yearning,” says Johnson. “It just feels good to me. Makes you wanna cry.”) It’s even in the way the album was made because it didn’t start as a Joyce Manor album at all.

    After Cody, Johnson contacted Impossibles’ guitarist/vocalist Rory Phillips—“One of my musical heroes,” he says—to produce the next Joyce Manor album. Phillips couldn’t fit the commitment between work and family, but another idea materialized: what if Johnson and Phillips made a new band together? Over email, of course, since they were thousands of miles apart? So Johnson would send his half, and Phillips would send a whole song back, and it worked well. (“It was just really exciting to mail away for a song,” says Johnson.) Then it worked too well. When Johnson asked Knobbe to add some guitar—on the original “Wildflowers,” actually—he understood what was happening. What he’d thought of as “weird songs that were created with fake drums between two guys who were never in the same room with each other” were revealing themselves as the start of a new Joyce Manor record.

    So they made a new Joyce Manor record. With Knobbe, new drummer Pat Ware—“Awesome new drummer,” adds Johnson—and longtime bassist Matt Ebert, they wrote enough songs to fill a full-length, and then worked to get the ones lifted from emails to match the ones written at full volume. (“Bedroom charm versus live rock band,” Johnson explains.) Their next step was a new step: their first time recording outside their L.A. hometown, at Converge’s Kurt Ballou’s GodCity studio in Salem, Massachusetts. They recorded daily 10-to-6 so Ballou could spend dad time with his kids at night, and then slept right upstairs in bunk beds: “Kinda felt like camp,” says Johnson. “It was a pleasure—I would recommend it to anyone.”

    Kill Me kicks off with “Fighting Kangaroo,” part Jawbreaker wit and part Jawbreaker grit, while follow-up “Think I’m Still In Love With You” digs deep into that pit between pleasant memory and unpleasant present. (Or is that what “Friends We Met Online” does?”) There’s the instantly catchy “Silly Games,” the deadpan blue album Weezer-style pop song where Johnson and Phillips started everything, and the Britpop-py (or Teenage Fanclub-by) title track, with a final line that lands like a boulder toppling off a cliff. There’s the acoustic “I’m Not The One,” with equal connections to Big Star, Billy Bragg and San Pedro hometown hero Todd Congelliere, who could make a sing-song playground melody sound profound. There’s a little studio-inspired experimentation: e-bow on “I’m Not The One” and glockenspiel on “Silly Games,” both Joyce Manor firsts. (“I never once suggested putting glockenspiel on anything but I think it works!” says Johnson.) And finally there’s “Wildflowers,” that unexpected inspiration for turning weird songs with fake drums into real songs with real drums and real everything, really. That’s how Kill Me began, and that’s how it ends—clear, honest, direct and true. Which is about all you could ask for, whether you’re starting a record or finishing it. Or listening to it.

  • Oso Oso

    Oso Oso

    Pop Punk

  • Peach Kelli Pop

    Peach Kelli Pop

    Music

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limit 8 per person
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General Admission
$22.00

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This event is 18 and over. Any Ticket holder unable to present valid identification indicating that they are at least 18 years of age will not be admitted to this event, and will not be eligible for a refund.

Joyce Manor, Oso Oso, Peach Kelli Pop

Fri Jan 10 2020 8:00 PM

(Doors 7:00 PM)

Music Box San Diego CA
Joyce Manor, Oso Oso, Peach Kelli Pop

$22.00 Ages 18+

Joyce Manor's sound is in the way co-founding guitarist Chase Knobbe can somehow make a song sadder and tougher at the same time, or the way Johnson mixes minor and major chords to invoke a precise kind of overpowering melancholy. 

Not on the e-mail list for Presales? CLICK HERE to sign up to be a Music Box VIP and you will never miss a chance to grab tickets before they go on sale to the general public again!

Genre: Pop Punk

Ticket Price: $22 advanced / $22 day of show 

PARKING: Street parking and paid lot parking available.

TABLE RESERVATION / VIP: vip@musicboxsd.com / (619) 836-1847

STALK US: Twitter + Instagram: @musicboxsd | facebook.com/MusicBoxSD | MusicBoxSD.com | The Music Box (619) 795-1337.

BOX OFFICE HOURS Monday - Friday 11:00am - 4:00pm

MUSIC BOX IS STANDING ROOM ONLY UNLESS OTHERWISE NOTED

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

Ages 18+
limit 8 per person
General Admission Standing
General Admission
$22.00

Delivery Method

ticketFast
Will Call

Terms & Conditions

This event is 18 and over. Any Ticket holder unable to present valid identification indicating that they are at least 18 years of age will not be admitted to this event, and will not be eligible for a refund.