Listen to Jonell Mosser just once in concert and you’ll be an instant believer. She sings with all-out passion and heart. No frills. No games. Just a soulful intensity that makes you realize you’re in the presence of the real thing, not some manufactured, corporate-approved diva of the sort littering the landscape these days.

 By STEVE MORSE, former staff writer at the Boston Globe for nearly 30
years, who has also written for Billboard and served on the nominating
committee of the Rock and Roll Hall of Fame.

Jonell is as honest as they come, both in her personal life and in her music. Her voice is stunning in its raw power, scope, and ability to take you places where you’ve never been. In addition to her four official album releases, she will be releasing a new album this year.  

Jonell's Music Journey Past

Jonell started singing at a young age, rising to do jazz standards in piano bars in her childhood home of Louisville. Her dad, a retired Air Force Master Sargent, had died of a heart attack when she was 3, so she was brought up by her mother, Joy, who loved jazz. “I listened to all the big band stuff,” Jonell recalls. “I loved Rosemary Clooney, Nat King Cole and Billie Holiday. She bought me 45s and albums from the time I was 5 or 6. Later on, my brother had great records by Jethro Tull, Al Green and Dobie Gray.” And what about Janis Joplin, to whom she has been compared? “I didn’t like her at first. Janis seemed unattainable. And on the other side, Aretha Franklin seemed unattainable. So I was drawn more to men’s voices, like when I heard Otis Redding for the first time. And James Taylor, of course. I adored him and Jackson Browne and Dan Fogelberg. And then I found Lowell George and Little Feat.” She also loved Texas singer-songwriter Townes Van Zandt {whom she first met in Bowling Green around 1978 or ’79} and her debut album was a 1996 compilation of Townes covers called “Around Townes.”

Her second album was “So Like Joy” in 2000, a smart, sophisticated batch of songs that Jonell wrote with John Hall (of Orleans fame) and Johanna Hall. They have been major believers in her. The disc included the high-arcing ballad “Do You Love Me” and the stylish title track, about letting go of regret. It is a connoisseur’s record. Next up was “Enough Rope,” a 2001 album that Allmusic.com proclaimed had “enough class, muscle and tough grace to stand out from the pack.” Then a lull followed as Jonell turned to raising her sons, before her “powerful “Trust Yourself” CD came out. The title track was a Dylan song given new heft by Jonell, while other stand outs were three co-writes with the Halls, and a sax-laced soul version of Harlan Howard’s “The Chokin’ Kind.” And perhaps the most intriguing project she’s been involved with in the last few years or so is being one of the Freedom Singers, who perform under the auspices of the First Amendment Center headed by former USA Today editor Ken Paulson. They feature songs that were once banned or censored, such as George M. Cohan’s “You’re a Grand Old Rag” (later changed to “Grand Old Flag”) and the controversial Billie Holiday tune, “Strange Fruit. ”It adds up to a highly unique career with no end in sight. “I’ve made a lot of mistakes in this business, but I feel successful as a human being,” says Jonell. I play and sing every day” “I’ve gotten to sing with Mavis Staples. I’ve gotten to sing with Levon Helm, and with Sam Moore, Bruce Cockburn, Waylon Jennings and Kris Kristofferson. I’ve gotten to meet and play music with so many great people, most of whom I feel I can call my friends” “That means everything to me” Now it could be Jonell’s moment to grab the spotlight. “I feel a tidal wave coming,” she says hopefully. “I just don’t want to get buried by it. I want to ride it.

From his piano lessons at age 5 to his medal-winning french horn performance at the Ithaca College Music Festival, from his folk days of singing Weavers, Peter Paul and Mary, and Bob Dylan songs, from his obsession with the Ventures, Beach Boys, Beatles and Jimi Hendrix, John Hall learned three things: Play, Write, Listen. 

Congressman John Hall represented Mew York's 19th district until 2011, when he returned to private life, and a life of music. After the Fukushima meltdowns in March 2011, he wrote and recorded the song "I Told You So," which he recorded and later performed with Bonnie Raitt, Jackson Browne and others as part of a MUSE/No Nukes concert in Mountainville CA. 

Since reuniting with Orleans in August 2013, John has crossed the country half a dozen times, sharing the stage with artists including Christopher Cross, Firefall, Al Stewart, Player, Robbie Dupree, Gary Wright, and Ambrosia.. A book detailing his journey from rocker to representative is also in the works. More details here when available.

After a three-and-a-half year stint as a professional musician, he returned to school, but only briefly. Flip-flopping between touring and trying to hold down a "respectable" job, the pianist jumped at the chance to work as part of Lee Roy Parnell’s band. Kevin moved to Nashville with Lee Roy, in 1994, and began working with Delbert in 1997.   

Kevin McKendree is a keyboardist, guitarist, producer, songwriter and engineer. His playing can be heard on hundreds of commercial recordings, including more than a dozen Grammy winning or nominated albums. He has toured and/or recorded with Delbert McClinton, Lee Roy Parnell, Brian Setzer, Brooks & Dunn, John Oates, Joe Bonamassa, George Benson, Buddy Guy, Little Richard, Etta James, Black Stone Cherry, John Hiatt, Hal Ketchum, George Thorogood, Seven Mary Three, The Kentucky Headhunters and many others.