Jon Cleary was born in London in 1962… not the first line you expect in a bio about a New Orleans piano great, is it?  Not only that, but he’s a multi-instrumentalist, singer, songwriter, arranger and producer, as well. Guitar was his first love, starting in England at age 5, moving on to performing at 11 and graduating to working as a musician at 14. At age 16 he formed ‘Delta Wing’ with renowned blues slide guitarist Roger Hubbard (of whom Muddy Waters said in 1972:  'Roger Hubbard is as good as any blues guitarist in the UK or the United States’.)  This would be the first of his many brushes with greatness.

As a teen Cleary grew increasingly interested in funk-infused music and discovered that three such songs that he particularly admired – LaBelle’s “Lady Marmalade,” Robert Palmer’s version of “Sneakin’ Sally Through the Alley,” and Frankie Miller’s rendition of “Brickyard Blues”  – were attributed to Allen Toussaint as either the songwriter, the producer, or both. Cleary’s knowledge of Toussaint’s work expanded significantly when his uncle returned home to the U.K., after a two-year sojourn in New Orleans, with a copy of a Toussaint LP and two suitcases full of New Orleans R&B 45s.   

The match was struck. In 1981 Cleary flew to New Orleans for an initial pilgrimage and took a cab straight from the airport to the Maple Leaf Bar, a storied venue which then featured such great blues-rooted eclectic pianists as Roosevelt Sykes and James Booker.  Cleary first worked at the Maple Leaf as a painter, but soon graduated to playing piano— the instrument for which he is known today. His mastery of the New Orleans style landed him gigs playing as a session musician in the bands of local legends Earl King, Johnny Adams, Walter ‘Wolfman’ Washington, Snooks Eaglin, Ernie K-Doe, Jessie Hill and as a guitarist for Mac Rebennack (Dr John).

'Listen, we got a guy by the name of Johnny Cleary who’s been livin’ in N’awlins for a long time. He’s got the spirit. You can’t beat that'.  -Dr. John

1989 saw the release of Cleary’s first album, Alligator Lips & Dirty Rice.  It was also the year he moved briefly to New York and landed the job of providing the backing band for visiting New Orleans artists at leading NY venue, ‘Tramps’. In New York he was able to study Afro Cuban music and, after a temporary move back to London, started traveling regularly to Havana and Santiago in the early 90’s.

‘I love playing with Jon Cleary, he’s the real deal’ -Taj Mahal

Soon after, Rolling Stones guitarist Keith Richards introduced Cleary to musician/record producer John Porter who then hired him to write, record and tour with Taj Mahal - who covered four of Cleary’s compositions. When Porter secured a record deal for Cleary with Virgin, Cleary invested the advance money on recording equipment and set up a studio in New Orleans where he recorded Moonburn, and then two further records for Basin Street Records. He called the studio, aptly, “Funk Headquarters”.