“There’s a mad genius living in Oklahoma City who possesses the manic drive of a classical composer”… “A creative tour de force”… “Theater kids and pop-punk aficionados, gather ‘round.” Since 2016, Johnny Manchild has led an ever-evolving lineup, affectionately dubbed the Poor Bastards, in the pursuit of conveying the noise in his head. A noise that gets louder everyday, and is never quite the same with each iteration. Amassing over 400,000 listeners over the last decade, collaborating with Adrian Young and Todd Foreman of No Doubt and Sublime respectively,  performing alongside the Dresden Dolls, and independently assembling a 48 show, six week tour of house shows for over 3000 ravenous attendees (hosted by equally ravenous fans themselves), Johnny Manchild has broken down every conventional method in this pursuit of creating and exposing his music.  With five albums under his belt, and his new self-produced album, “Side Effects” slated for 2026, Johnny Manchild has shown no sides of resting until the noise subsides; though the odds of that happening anytime soon are growing smaller everyday.

You can’t help but be excited when talking about Orlando singer songwriter Cat Ridgeway.  Her infectious energy and contagious enthusiasm in everything she creates is electric, while her passion and commitment to her music radiate through her fiery blend of indie-rock and punk with hints of dream pop and folk.  A skilled lyricist and melodist, Ridgeway is a self-taught multi-instrumentalist who can play guitar, harmonica, trumpet, trombone, drums, piano, mandolin, and bass - sometimes playing three instruments at once!  Ridgeway, along with the revolving members of her touring band, The Tourists, create a sweaty, energetic, exciting party with each live show. It’s not uncommon to see them play musical chairs as they switch places and instruments on stage. Expect the unexpected. With Sprinter, Ridgeway’s upcoming 2025 album release, she draws the listener in as she strives to understand life’s trials and emerge with a better sense of perspective and self. Ridgeway, along with Mike Savino (Kishi Bashi, Tall Tall Trees), played multiple instruments on the album. Mastered by Joe LaPorta (David Bowie, Foo Fighters) and mixed by Dan Molad of Lucius and Coco (JD McPherson, Here We Go Magic), Sprinter features all-star players including Claude Coleman, Jr. (Ween) and Josiah Wolf (WHY?) on drums, and Adam Schatz (Sylvan Esso, Japanese Breakfast) on sax, among others.  Her first single “Epilogue,” is a stomp and holler-esque punk rock explosion hinging off a recklessly played, overdriven banjo.  Named Orlando’s “Best Singer-Songwriter” three years running and “Best Rock Act” twice by Orlando Weekly, Ridgeway has played many notable stages and festivals (30A Songwriters Festival, Okeechobee Music and Arts Fest, and House of Blues Orlando), supporting and sharing bills with acts like Lucy Dacus, Sylvan Esso, Houndmouth, and Arcade Fire, among others. With Sprinter, Ridgeway is poised to catapult herself onto the national stage.