Jessi Alexander is a chart-topping, award-winning singer-songwriter known for her honest, vulnerable lyrics rooted in her humble Tennessee upbringing. With a rare ability to balance emotional depth and commercial instinct, she has earned 12 career #1 songs and penned some of country music’s most resonant hits. Her recent run of bell ringers includes Kenny Chesney’s “Carry On,” Morgan Wallen’s “Don’t Think Jesus,” Megan Moroney’s “Beautiful Things” and fan fave “No Caller ID,” Luke Combs’s “Ain’t No Love In Oklahoma,” and Dustin Lynch featuring Jelly Roll’s “Chevrolet.” These songs build on a catalog of era-defining favorites including Blake Shelton’s “Mine Would Be You” and “Drink On It,” Scotty McCreery’s “In Between,” Lee Brice’s “I Drive Your Truck,” Cole Swindell & Lainey Wilson’s “Never Say Never,” and Justin Moore & Priscilla Block’s “You, Me, and Whiskey.” Beyond country radio, Alexander co-wrote the global anthem “The Climb,” performed by Miley Cyrus, earning an MTV Movie Award for Best Song from a Movie and further cementing her reputation as a cross-genre storyteller. Alexander was named MusicRow’s Female Songwriter of the Year in both 2023 and 2024 and was honored as the 2024 NMPA Gold & Platinum Gala Top Female Songwriter. At the 67th Annual Grammy Awards, she received nominations for all-genre Songwriter of the Year and Best Song Written for Visual Media for “Ain’t No Love In Oklahoma.” She was also nominated for Songwriter of the Year at the 60th ACM Awards in 2025. Currently, she has two singles climbing the chart with Riley Green’s “Think As You Drunk,” and Megan Moroney’s “Medicine.”

A GRAMMY, CMA, and ACM Award-winner, Jon Randall has seemingly done it all over his three-plus decades in the music business, working as a songwriter, guitarist, and critically acclaimed producer with some of the biggest names in country, bluegrass, and Americana. Now, 15 years after the release of his last solo album, Randall is returning to his roots and embracing the full spectrum of his artistry with his extraordinary new collection, Jon Randall. Despite being written over a span of a decade, the record is a remarkably cohesive body of work, one that showcases Randall’s profound gifts for evocative storytelling and vivid scene setting. Recorded and co-produced with fellow GRAMMY-winner Brandon Bell (Zac Brown, The Highwomen), the album is both lovely and lonesome, beautiful and broken, a collection steeped in the endless horizons of the wide open Texas landscape and all the possibility and isolation that comes with it. Born and raised in Dallas, Randall caught his first big break after moving to Nashville, where he was invited to join Emmylou Harris’s Nash Ramblers. In the years to come, he would go on to release a series of widely lauded solo records, produce for Dierks Bentley, Dwight Yoakam, Jack Ingram, Pat Green, and the Nitty Gritty Dirt Band, among others, take home ACM and CMA Song of the Year honors, and write with and for the likes of Miranda Lambert, Maren Morris, Blake Shelton, Little Big Town, Guy Clark, Kenney Chesney, Reba McEntire, and countless more.