He’s won recognition from the MN state arts board, recorded alongside “Spider” John Koerner, and made it onto Daytrotter’s list of best songs in 2014. His 2016 release Shadows in the Sunset has been praised as “an eminently satisfying, slow rolling, Country/Blues album” by No Depression and made it onto Saving Country Music’s list of 2016 essential albums.
From the moment I first stepped on stage I was hooked, there was no going back, I sold everything I had and promptly dropped out of college in the year 2006. I spent the next six years more or less on the road with nothing to my name but a backpack and a martin guitar. I hitchhiked all across the north and south west, entertained the life of an ex-patriot while spending a year in Spain and Italy, slept under the stars on blue beaches, traded songs for dollar bills, loitered on countless street corners from San Francisco to New York, and mostly did a whole lot walking. I used to tape my right hand pinky and ring fingers together for weeks at a time while I taught myself finger-style guitar. I would learn at least a song a day. Some days it was a rockabilly tune by Eddie Cochrane, other days a folk song by Woody Guthrie, maybe a country tune by Hank Williams the next. The first song I wrote was to the tune of “Big Iron” by Marty Robbins. Soon enough I started to write my own melodies putting words and stories to them.
I returned home to Minneapolis in 2012. I decided to stick around for a little while and put together a band. Over the next few years I began playing festivals, bars and events across the Midwest. With my meager spoils I made plans to do a live recording on site at a 100 year old church in Viroqua, WI. Tom Herbers (Low, Trampled by Turtles, the Jayhawks) jumped at the opportunity to engineer the effort. The result is the 2016 release Shadows in the Sunset. It holds in its grooves ten thousand miles of asphalt, about eight pairs of good shoes, and the generosity of a thousand strangers. It’s a collection of stories about the beauty of blazing sunsets, the art of saying goodbye, and letting endings turn into new beginnings.
After a couple years of peddling Shadows in the Sunset, I made up a new collection of songs that called for a different sound and a different band. I called up my old buddy John James Tourville (The Deslondes) to play electric guitar and pedal steel. Casey McDonough (NRBQ) lent his bass skills, and Alex Hall (JD McPherson, The Cactus Blossoms, Robbie Fulks) not only engineered the sessions but also played drums and percussion. After 10 days at Reliable Recorders in Chicago, IL, It Ain’t the Same began to reveal itself. It’s been amazing to watch these tunes come to life and I can’t wait get them out into the world.It Ain’t the Same will be available on Sept. 27th on Yep Roc Records.