At the core of soul music is a vibrant, embracing spirit, one aimed at connecting the dots of humanity that reside on both sides of the microphone. “It doesn’t matter if there are 10 people in the audience or a 1,000,” says Jordan Anderson, lead singer/keyboardist for J & The Causeways. “It’s that sacrifice we make of our art, so that people can feel it that much harder the first time they hear you.” In a serendipitous sequence of events, J & The Causeways was formed at the legendary Maple Leaf Bar in New Orleans. A juggernaut soul/R&B ensemble, the group is filled with heavy backbeats and a soaring horn section, all swirling around the magnetic vocal stylings of Anderson. “We definitely shine live because each and every member of this band loves to be onstage and in that genuine moment of performance,” Anderson says. “New Orleans is home to some of the finest singers and musicians on the planet, which also means you have to bring your A-game to every single show — you’re representing this city and the long history of beautiful music that’s been created here.” As a kid, Anderson was first exposed to the power of music from his grandmother, a piano teacher in his small rural Louisiana hometown. It was her backroom record collection that mesmerized Anderson, where he found himself thumbing through the vinyl and discovering the likes of Otis Redding, Al Green, Queen, and Aretha Franklin. “I learned early on to not fall into the vanilla variety of pitch,” Anderson says. “It’s about finding a certain power that you can harness with the pure emotion of your voice, which is what all of those singers had — finding that spectrum of vocalists who put it all out there for the audience.” With J & The Causeways, Anderson is fronting a band that finds itself mentioned in the same breath as the likes of St. Paul & The Broken Bones, Nathaniel Rateliff & The Night Sweats, and The Marcus King Band — all modern-day entities of passion and purpose, each summoning the pulsating, endless energy of soul/R&B music. “With soul music, it’s those live moments where you feel truly elevated, and you’re bringing the audience along with you to that higher place,” Anderson says. “And you’re creating this space of inclusivity and connectivity — there’s no way you’re leaving that stage without a smile on your face.” For J & The Causeways, it’s about bringing forth a communal sense of self within the greater universe of knowns and unknowns — we’re all in this together, so let’s share in the depths of our raw, honest emotions through the sound and spectacle that is live music. “I like to help people find joy. And I find that a lot of people just don’t know how to be vulnerable enough to find that joy,” Anderson says. “I want our music to help unlock that beauty that resides within each of us, to let out that vulnerability of what it means to be in the presence of live music, and of each other — music has always lifted me up, and I want to lift up the listener every single time I’m on that stage.”

From neworleans.com:Anjelika "Jelly" Joseph is one of the more versatile, powerful singers and entertainers on the scene today, particularly after the smash success of her hit song “Fya” along with HaSizzle. Joseph came late to the table, but has made a meal out of the entertainment business in just a few short years. She grew up in New Orleans with artists like Irma Thomas as role models. After making her performance debut with “O Holy Night” in 12th grade, she soon jumped to Bourbon Street clubs to cut her chops, appeared on “American Idol,” then partnered with friend Tarriona “Tank” Ball in the eclectic, Grammy-nominated upstart band Tank and the Bangas as backing vocalist. Joseph is now commanding audiences around the world as a solo artist, in partnership with HaSizzle and other bounce artists, and, most notably, as lead singer with the funk jazz jam band Galactic. And to celebrate her genre-bending skills, Joseph can also be found singing with the Original Pinettes, the all-female New Orleans brass band. Lately Joseph has been focusing on her solo career, collaborating with on hits like “Getcha Sum” and “Fya” with HaSizzle. Other collaborators include G-Eazy, with whom she co-penned “Get Right or Get Left,” and Cha Wa, with whom she performs the charming, bouncy “Love in Your Heart.”

Brad Walker is one of the most active and sought-after performers in the city of New Orleans. Perhaps best known for his “soaring” (Rolling Stone), “energetic” (NPR), and “tasteful” (Relix) solos on Saturday Night Live, the Grammys, and the Tonight Show with Nashville mega-star Sturgill Simpson, Brad Walker is an active and compelling artist in his own right, with five full-length releases under his own name and a decade of music- making in the Crescent City under his belt. His 2014 debut, ‘Quintet’, received a 4-**** review in DownBeat magazine, and his playing has received praise in Variety, OffBeat Magazine, Gambit Weekly, Dig!, and many others. Since 2009 Walker has performed or recorded with such luminaries as Bernard Purdie, Peter Erskine, John Riley, George Porter, Jr., Zigaboo Modeliste, Anders Osborne, Marcia Ball, Rickie Lee Jones, Valerie June, Better than Ezra, and countless others, and has led the horn sections for Grammy-winner Sturgille Simpson, Blues Award-winner Ana Popovic and OffBeat Award winners Eric Lindell, Johnny Sketch and the Dirty Notes, Honey Island Swamp Band, and Colin Lake. In 2019/2020, Walker was nominated for two ‘Best of the Beat’ Awards (OffBeat Magazine), in the ‘Contemporary Jazz’ category as ‘Best Artist’ and for ‘Best Record’, alongside such international stars as Nicholas Payton, Jon Batiste, Herlin Riley, Christian Scott, and Terence Blanchard. He was also nominated by the ‘Big Easy Awards’ (Gambit Magazine) for ‘Best Contemporary Jazz Artist’. These two award ceremonies are considered among the highest achievements in the New Orleans music community. Brad holds a Bachelor of Music degree in classical saxophone performance (2006) and Master of Music degree in jazz studies (2011), both from Louisiana State University.