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In The Round with Tyler Braden, Jon Decious & Sam Martinez
Wed, 14 May, 9:00 PM CDT
Doors open
8:30 PM CDT
The Bluebird Cafe
4104 Hillsboro Pike, Nashville, TN 37215
TICKET SALES TERMINATED
Tickets are currently unavailable on TicketWeb
Description
THIS IS A PREPAID SHOW, REFUNDS ARE NOT AVAILABLE.
There are 18 tables, 8 bar seats and 8 church pew seats available for reservation. The remaining pew seats for this show are not reserved in advance. These seats are available on a first come/first served basis when doors open.
Ticket reservations at The Bluebird Cafe are an agreement to pay the non-refundable cover charge and applicable taxes/fees and to meet the $12.00 per seat food and/or drink minimum.
Note: When making reservations, choose the table you would like and then add the number of seats you need to your cart by using the + button. You are NOT reserving an entire table if you choose 1 (by choosing 1, you are reserving 1 seat). We reserve ALL seats at each table. If you are a smaller party at a larger table, you will be seated with guests outside your party.
Event Information
Age Limit
All Ages
Refund Policy
Ticket holders may cancel their reservation for a full refund of the ticket price and applicable tax (excluding ticketing fees) if the cancellation is made at least 48 hours before the scheduled showtime. Cancellations made within 48 hours of the show are non-refundable. To cancel, please email info@bluebirdcafe.com or call 615-383-1461.

Country
Tyler Braden
Tyler Braden
Country
A rising Country star with a Rock & Roll soul, Tyler Braden makes raw and heartfelt music that’s built for massive stages. With over 630 MILLION global streams to date, the Alabama-bred singer/songwriter is kicking off a bold new era with his forthcoming debut album a devil and a prayer due May 16. The widely anticipated LP is a 19-song tour de force that fully captures the formidable energy of his live show, as shown on the first released track “DEVIL YOU KNOW” (an undeniable hit that amassed over 10 MILLION views across social media in just two weeks). Hailed as a “country powerhouse” by American Songwriter, Braden grew up in the small community of Slapout and started playing four-hour cover sets as a teenager, then continued honing his chops in between shifts as a firefighter in both Montgomery and Nashville. After signing with Warner Music Nashville, he dropped his 2023 debut EP Neon Grave and broke into the scene with lead single “Try Losing One”—an aching piano ballad that hit No. 1 on SiriusXM The Highway’s Hot 30 Countdown and earned praise from the likes of Billboard, who noted that Braden boasts “[o]ne of the most moving vocal deliveries in country music right now.” With his catalog also including standouts like tender but anthemic “GOD & GUNS N’ ROSES,” he’s shared bills with plenty of Country superstars over the past few years, including Luke Bryan, Brooks & Dunn, Dierks Bentley, and more. On the heels of his recent headline run (2025’s DEVIL YOU KNOW TOUR) and a series of dates supporting Brothers Osborne in the UK and Ireland, Braden is now gearing up to hit the road stateside with Warren Zeiders this spring and will join Darius Rucker this fall in Canada.

Country
Jon Decious
Jon Decious
Country
Currently based in Nashville, Jon Decious is an in-demand songwriter, with three co-writes on Lainey Wilson’s monumental album, Whirlwind, including “4x4xU,” “Counting Chickens,” and “Ring Finger.” Today’s Country Magazine praised “4x4xU” for its “crafty songwriting, core country storytelling, and crisp descriptives.” Whirlwind debuted in the Top 10 on the Billboard 200 and at #3 on Top Country Albums. Decious also co-wrote the lead-off track “Armadillo” from Miranda Lambert’s highly anticipated forthcoming album, Postcards from Texas. In addition, he has worked with Tyler Halverson on his upcoming project, Western Amerijuana Pt 2, coming this October. Decious has also collaborated with a range of country artists including Ashley McBryde, The Oak Ridge Boys, Kylie Morgan, Anderson East, Paul Cauthen, and Lola Kirke, among others.
