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In The Round with Joe Scutella, Futterer & Falzone (duo) Jonathon Stone Phillips, Brian Desveaux
Wed, 21 Dec, 6:00 PM CST
Doors open
5:00 PM CST
The Bluebird Cafe
4104 Hillsboro Pike, Nashville, TN 37215
TICKET SALES TERMINATED
Tickets are currently unavailable on TicketWeb
Description
THIS IS A PREPAID SHOW, REFUNDS ARE NOT AVAILABLE
There are 18 tables, 8 bar seats and 8 church pew seats available for reservation. The remaining pew seats for this show are not reserved in advance. These seats are available on a first come/first served basis when doors open. Please note that you may be seated with persons outside of your party.
Event Information
Age Limit
All Ages
Refund Policy
Ticket holders may cancel their reservation for a full refund of the ticket price and applicable tax (excluding ticketing fees) if the cancellation is made at least 48 hours before the scheduled showtime. Cancellations made within 48 hours of the show are non-refundable. To cancel, please email info@bluebirdcafe.com or call 615-383-1461.

Country
Joe Scutella
Joe Scutella
Country
Joe Scutella is a singer-songwriter and Americana artist. He has cuts by Sony recording artists Nine Days Band, Blue Elan Records recording artists The Mustangs Of The West, Former Asylum recording artist Melodie Crittenden, Atom Records recording artist Donal Hinely, indie artists Ross Falzone, Kent Agee, The Butler Brothers and Republic-MCA recording artist Gabbie Nolan, among others. His recent EP digital release “Ain’t Done Yet" is available on Spotify and Apple Music.

Singer-Songwriter
Futterer & Falzone
Futterer & Falzone
Singer-Songwriter
Erin Futterer and Ross Falzone have been writing and performing together for more than four years. Their duo plays more intimate venues & house concerts, while they appear with their 5-10 pc big band at larger venues and festivals. They also perform and give workshops and masterclasses at universities and other educational institutions on songwriting, performing as a duo, and challenging the expectations of “pop” music as well as what is ‘possible” on the french horn. From the conservatory to the street to the studio, the variety of their musical backgrounds is reflected in their nostalgic “New Kind of Old” sound.