High Pulp, Shimmertraps, Greg Kramer, with DJ J-JUSTICE

Thu Oct 6 2022

8:00 PM (Doors 7:00 PM)

Chop Suey

1325 E Madison St. Seattle, WA 98122

$15.00

Ages 21+

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Chop Suey Presents: High Pulp with Shimmertraps and Greg Kramer



“We’re a bunch of outsiders who refused to be kept out,” says High Pulp drummer Bobby Granfelt. “We’ve never had an academic approach to jazz—most of us grew up playing in DIY bands—so it was the rawness and the energy and the absolute freedom of the music that called to us in the first place.”

Drawing on bebop, punk rock, shoegaze, hip-hop, and electronic music, experimental jazz act High Pulp are announcing ‘Pursuit of Ends, their first full-length album with Los Angeles’s ANTI- Records. The frenetic “All Roads Lead To Los Angeles” is the first song from the album they have shared, which hints at the breakbeats of Louis Cole as it reflects the constant barrage of stimuli that define our modern lives.


High Pulp’s music is both vintage and futuristic all at once, hinting at times to everything from Miles Davis and Duke Ellington to Aphex Twin and My Bloody Valentine. The songs on ‘Pursuit of Ends’ balance meticulous composition with visceral spontaneity, and the performances are nothing short of virtuosic, fueled by raw, ecstatic horn runs ducking and weaving their way around thick bass lines and dizzying percussion.

While the Seattle-based collective is centered around a crew of six core members, they also make judicious use of a broad network of collaborators on the album, wrangling special guests like sax star Jaleel Shaw (Roy Haynes, Mingus Big Band), harpist Brandee Younger (Ravi Coltrane, The Roots), GRAMMY-nominated trumpeter Theo Coker, and keyboardist Jacob Mann (Rufus Wainwright, Louis Cole) to help stretch the boundaries of their already-expansive sonic universe. The result is a lush, cinematic collection that’s as unpredictable as it is engrossing, an urgent, exhilarating instrumental album that manages to speak to the moment without uttering a single word.



Music has been more than just medicine for High Pulp these past few years; it’s also been a source of community and meaning. Born out of a loose, weekly jam session hosted at Seattle’s historic Royal Room, the band came together the way a good heist crew might. There was keyboardist Antoine Martel, a mad scientist with a wall of modular synthesizers and a passion for film scores and abstract soundscapes; keyboardist Rob Homan, whose innate ability to process, deconstruct, and reassemble material on the fly bordered on the scary; bassist Scott Rixon, a convert from the metal and hardcore world with impeccable pop sensibilities and a selfless ability to serve the song; tenor saxophonist Victory Ngyuen, a Pharoah Sanders acolyte with an ear for urgent, entrancing solos of the highest order; alto saxophonist Andrew Morrill, whose bold tones and fearless harmonic sensibilities earned him a reputation for pushing the old school into the 21st century; and last but not least, Granfelt, whose hip-hop- and bebop-inspired drumming laid the foundation for the entire project.
 

High Pulp, Shimmertraps, Greg Kramer, with DJ J-JUSTICE

  • High Pulp

    High Pulp

    Alternative

  • Shimmertraps

    Shimmertraps

    Alternative

  • Greg Kramer

    Greg Kramer

    Alternative

  • DJ J-JUSTICE

    DJ J-JUSTICE

    Dance

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limit 10 per person
General Admission

$15.00

Delivery Method

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Will Call

Terms & Conditions

This event is 21 and over. Any ticket holder unable to present valid identification indicating that they are at least 21 years of age will not be admitted to this event, and will not be eligible for a refund.

High Pulp, Shimmertraps, Greg Kramer, with DJ J-JUSTICE

Thu Oct 6 2022 8:00 PM

(Doors 7:00 PM)

Chop Suey Seattle WA
High Pulp, Shimmertraps, Greg Kramer, with DJ J-JUSTICE

$15.00 Ages 21+

Chop Suey Presents: High Pulp with Shimmertraps and Greg Kramer



“We’re a bunch of outsiders who refused to be kept out,” says High Pulp drummer Bobby Granfelt. “We’ve never had an academic approach to jazz—most of us grew up playing in DIY bands—so it was the rawness and the energy and the absolute freedom of the music that called to us in the first place.”

Drawing on bebop, punk rock, shoegaze, hip-hop, and electronic music, experimental jazz act High Pulp are announcing ‘Pursuit of Ends, their first full-length album with Los Angeles’s ANTI- Records. The frenetic “All Roads Lead To Los Angeles” is the first song from the album they have shared, which hints at the breakbeats of Louis Cole as it reflects the constant barrage of stimuli that define our modern lives.


High Pulp’s music is both vintage and futuristic all at once, hinting at times to everything from Miles Davis and Duke Ellington to Aphex Twin and My Bloody Valentine. The songs on ‘Pursuit of Ends’ balance meticulous composition with visceral spontaneity, and the performances are nothing short of virtuosic, fueled by raw, ecstatic horn runs ducking and weaving their way around thick bass lines and dizzying percussion.

While the Seattle-based collective is centered around a crew of six core members, they also make judicious use of a broad network of collaborators on the album, wrangling special guests like sax star Jaleel Shaw (Roy Haynes, Mingus Big Band), harpist Brandee Younger (Ravi Coltrane, The Roots), GRAMMY-nominated trumpeter Theo Coker, and keyboardist Jacob Mann (Rufus Wainwright, Louis Cole) to help stretch the boundaries of their already-expansive sonic universe. The result is a lush, cinematic collection that’s as unpredictable as it is engrossing, an urgent, exhilarating instrumental album that manages to speak to the moment without uttering a single word.



Music has been more than just medicine for High Pulp these past few years; it’s also been a source of community and meaning. Born out of a loose, weekly jam session hosted at Seattle’s historic Royal Room, the band came together the way a good heist crew might. There was keyboardist Antoine Martel, a mad scientist with a wall of modular synthesizers and a passion for film scores and abstract soundscapes; keyboardist Rob Homan, whose innate ability to process, deconstruct, and reassemble material on the fly bordered on the scary; bassist Scott Rixon, a convert from the metal and hardcore world with impeccable pop sensibilities and a selfless ability to serve the song; tenor saxophonist Victory Ngyuen, a Pharoah Sanders acolyte with an ear for urgent, entrancing solos of the highest order; alto saxophonist Andrew Morrill, whose bold tones and fearless harmonic sensibilities earned him a reputation for pushing the old school into the 21st century; and last but not least, Granfelt, whose hip-hop- and bebop-inspired drumming laid the foundation for the entire project.
 

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

Ages 21+
limit 10 per person
General Admission
$15.00

Delivery Method

ticketFast
Will Call

Fees & Charges

Order Fee
$0.00 An order fee applies.

Terms & Conditions

This event is 21 and over. Any ticket holder unable to present valid identification indicating that they are at least 21 years of age will not be admitted to this event, and will not be eligible for a refund.