Hayes Carll w/ Caroline Spence

Thu Nov 18 2021

8:00 PM (Doors 7:00 PM)

The Basement East

917 Woodland St Nashville, TN 37206

$25 ADV / $28 DOS / $100 VIP

Ages 18+

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VIP PACKAGE INCLUDES: 
  • One GA ticket
  • VIP early entry into the venue – 1 hour before doors
  • Exclusive meet & greet with Hayes Carll
  • Personal Photograph with Hayes Carll
  • Access to a private pre-show soundcheck performance
  • Exclusive tour poster – signed by Hayes Carll
  • Meet & Greet Laminate
  • Merch Shopping before doors
  • On-site host, provided by On Location to handle check-in of VIP, posters & laminates and running Meet & Greet

By purchasing tickets for this event, I confirm that at the time of the event I will have been fully vaccinated (14 days past final vaccination dose), OR will have received a negative Covid-19 test (PCR or antigen) within 48 hours prior to the event. Children under 12 years of age or fans not vaccinated will be required to present a COVID-19 test result in accordance with these guidelines. Security will check vax cards / test result documentation prior to entry into the venue. Mask wearing will be strongly encouraged.

Effective August 15, 2021 until future notice,  all patrons, artists and staff entering both venues are required to present either proof of a full course of COVID-19 vaccination, with their final dose at least fourteen days prior to the show or proof of a negative COVID-19 test taken in the prior 48 hours.  We will continually assess the information and recommendations provided by the CDC and update our policy as needed. For more info visit thebasementnashville.com

Hayes Carll w/ Caroline Spence

  • Hayes Carll

    Hayes Carll

    Alternative Country

    The chorus to the title track on the new Hayes Carll album, What It Is, is a manifesto.

     

    What it was is gone forever / What it could be God only knows.

    What it is is right here in front of me / and I’m not letting go.

     

    He’s embracing the moment. Leaving the past where it belongs, accepting there’s no way to know what’s ahead, and challenging himself to be present in both love and life. It’s heady stuff. It also rocks.

     

    With a career full of critical acclaim and popular success, Carll could’ve played it safe on this, his sixth record, but he didn’t. The result is a musically ambitious and lyrically deep statement of an artist in his creative prime.

     

    Hayes Carll’s list of accomplishments is long. His third album, 2008’s Trouble In Mind, earned him an Americana Music Association Award for  Song of the Year (for “She Left Me for Jesus”). The follow-up, KMAG YOYO was the most played album on the Americana Chart in 2011 and spawned covers by artists as varied as Hard Working Americans and Lee Ann Womack, whose version of "Chances Are" garnered Carll a Grammy nomination for Best Country Song. 2016’s Lovers and Leavers swept the Austin Music Awards, and was his fourth record in a row to reach #1 on the Americana Airplay chart.  Kelly Willis and Kenny Chesney have chosen to record his songs and his television appearances include The Tonight Show, Austin City Limits, and Later w/Jools Holland. Carll is the rare artist who can rock a packed dancehall one night and hold a listening room at rapt attention the next.

     

    “Repeating myself creatively would ultimately leave me empty. Covering new ground, exploring, and taking chances gives me juice and keeps me interested.”

     

    He knew he wanted to find the next level. On What It Is, he clearly has.

     

    It wasn’t necessarily easy to get there. Carll’s last release, 2016’s Lovers and Leavers was an artistic and commercial risk — a bold move which eschewed the tempo and humor of much of his previous work. The record revealed a more serious singer-songwriter dealing with more serious subjects — divorce, new love in the middle of life, parenting, the worth of work. What It Is finds him now on the other side, revived and happy, but resolute — no longer under the impression that any of it comes for free.

     

    “I want to dig in so this life doesn’t just pass me by. The more engaged I am the more meaning it all has. I want that to be reflected in the work.”

     

     

     

     

    And meaning there is. Carll sings “but I try because I want to,” on the album’s opening track, “None’Ya.” He’s not looking back lamenting love lost, rather, finding joy and purpose in the one he’s got and hanging on to the woman who sometimes leaves him delightedly scratching his head. “If I May Be So Bold,” finds him standing on similar ground

    — lyrically taking on the challenge of participating fully in life rather than discontentedly letting life happen.

     

    Bold enough to not surrender bold enough to give a damn

    Bold enough to keep on going or to stay right where I am

    There’s a whole world out there waiting full of stories to be told

    I’ll heed the call and tell’em all if I may be so bold

     

    There’s no wishy washy here and he’s not on the sidelines. In fact, he’s neck-deep in life. On the rambunctious, fiddle-punctuated, “Times Like These,” he laments political division in America while delivering a rapid-fire plea to “do my labor, love my girl, and help my neighbor, while keeping all my joie de vivre.” Carll’s signature cleverness and aptitude for so-personal-you-might-miss-it political commentary is as strong as ever. The stark, “Fragile Men,” co-written with singer-songwriter Lolo, uses humor and dripping sarcasm to examine his gender’s resistance to change in less than three minutes of string-laden, almost Jacques Brel invoking drama. It’s new musical territory for Carll, and the result is powerful. His voice is strong and resonant on these songs, and it’s thrilling to hear him use it with a new authority. He is alternately commanding and tender, yet always soulful.

     

    Carll returned to trusted producer Brad Jones (producer of 2008’s Trouble in Mind and 2011’s KMAG YOYO) and Alex the Great Studio in Nashville, Tennessee, to record What It Is, and recruited singer-songwriter, author, and fiancee Allison Moorer as co-producer. The production is adventurous while keeping the focus on the singer and his songs and providing a path for him to go where he wants to go. Where that is, is forward.

     

    That’s evident in the songwriting. Carll continues to hone his singular voice, but is also a flexible co-writer. Matraca Berg, Charlie Mars, Adam Landry, and Moorer have co-writing credits here, but it was Moorer’s inspiration that provided the largest impact.

     

    “On the songwriting front she’s just a pro. She helps me cut through the noise and she does it with wit and style.”

     

    Carll’s own wit and style has never been more evident. Whether it’s with the put-you-in-picture detail of, “Beautiful Thing,” the not quite sheepish enough, dude-esque defense of dishonesty in, “Things You Don’t Wanna Know,” or the strong as a tree trunk declaration of love on, “I Will Stay,” he displays an increasing command of his poetic lexicon.


    Writers most often wrestle with experience and expectations, either romanticizing the past or telling us how good it’s going to be when they get where they’re going. What It Is is a record that is rooted solidly in the present, revealing an artist in the emotional and intellectual here and now.

     

    For press information on Hayes Carll, please contact Jim Flammia at

    All Eyes Media  jim@alleyesmedia.com or (615) 227-2770

  • Caroline Spence

    Caroline Spence

    Singer-Songwriter

    Caroline Spence is enamored with words and songs. Though countless singer-songwriters boast the same simple claim, few have been lifted up by their passion the way Caroline has. Her passion led the Virginia native on a pilgrimage to Nashville, where the 25-year-old honed her writing and her coy, dusky soprano across folk, Americana and alt-country genres. That same passion resonates throughout every track on her first full-length solo debut, the magical and meditative Somehow, set for release on March 3rd 2015.

    With songs that wrap the truths of life up into personal vignettes of clever wordplay and catchy hooks, it’s no wonder that in 2013 Caroline wonAmerican Songwriter Magazine’s June/July lyric contest as well as the Rocky Mountain Folks Fest songwriter competition later that year. Caroline also had her songs recorded by up-and-coming independent singer songwriters Andrew Combs (“Heavy”) and Annalise Emerick (“A Good One” and “Somewhere In Between”). But when American Songwriter named her the grand prize winner out of all song submissions for all of 2013, she began to feel her passions validated.   

    Photo by Marge Curtis.

    So, with help from producer Michael Rinne, Spence selected 13 original songs out of about 30 to record at Farmland Studios with some of her favorite musicians, including Danny Mitchell (Kim Richey) on keys, Kris Donegan on electric guitar (Matthew Perryman Jones, Amy Speace), Daniel Parks (Kelsey Waldon, Lucy Hale) on acoustic guitar, mandolin and banjo, Michael Rinne on bass (Rodney Crowell, Steelism) on bass, Christian Sedelmeyer (Jerry Douglass, 10 String Symphony) on fiddle, Justin Schipper (Josh Turner) on pedal steel, Evan Hutchings (Escondido, Rayland Baxter) on drums and Andrew Combs, Erin Rae and Anderson East all providing additional vocals.

    The album opening “Trains Cry” sets the album’s reflective, almost reverent tone with an insight Spence weaves throughout her songs – time inevitably marches forward, and we must take all the joy as well as the sadness that brings. Spence’s unabashedly honest approach also means acknowledging her tough side, with songs like “Don’t Call” and “Kissing Ain’t The Same As Talking,” two songs that refuse superficial relationships. She also acknowledges the need for bold female singer-songwriters in a landscape dominated by men. “Women are expected to write emotional music, but when a man writes emotional music, its profound and its praised. I just feel like that’s bullshit and I think that the only music that should be made is emotional music.”

    Meanwhile the band lives and breathes with Spence’s guitar and vocals, masterfully navigating a breadth of genres with a perfect sense of intimacy and style, at times with the rock of Tom Petty’s Heartbreakers, the twang of Lower Broadway, or the sensitivity of swelling pedal steel and simple percussion. 

    Once the album was finished, Spence went on to win the Kerrville Folk Fest songwriting contest in May and in August was one of the headlining acts at the Rocky Mountain Folks Fest alongside The Stray Birds, Hooray for the Riff Raff, John Fulbright, Josh Ritter, and Brandi Carlisle. She also visited the acclaimed Daytrotter studios in September to record an exclusive acoustic set.  

    With all the courage, grit and passion that pervade her 13 new tracks, Spence is more than ready to share Somehow and take her place in the world of professional songwriters. Still, she does so without losing touch with her reality: “It just feels like all of this happened somehow, making these songs, this record, just somehow happened, kind of magically. And I know what I want and I just know that somehow I am going to make it happen.”

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

limit 4 per person
G.A.
General Admission (first-come, first-served seating)
G.A.
$25.00
VIP

$100.00

Delivery Method

ticketFast
Will Call

Terms & Conditions

This event is 18 and over. Any Ticket holder unable to present valid identification indicating that they are at least 18 years of age will not be admitted to this event, and will not be eligible for a refund.

By purchasing tickets for this event, I confirm that at the time of the event I will have been fully vaccinated (14 days past final vaccination dose), OR will have received a negative Covid-19 test (administered by a Health Care Professional) within 48 hours prior to the event. AT HOME TESTS WILL NOT BE ACCEPTED! Children under 12 years of age or fans not vaccinated will be required to present a COVID-19 test result in accordance with these guidelines. Security will check vax cards / test result documentation prior to entry into the venue. Mask wearing will be strongly encouraged.

Effective August 15, 2021 until future notice, all patrons, artists and staff entering both venues are required to present either proof of a full course of COVID-19 vaccination, with their final dose at least fourteen days prior to the show or proof of a negative COVID-19 test taken in the prior 48 hours. No at-home tests accepted. We will continually assess the information and recommendations provided by the CDC and update our policy as needed. More Info: https://www.thebasementnashville.com/

ALL PATRONS MUST BRING A VALID FORM OF IDENTIFICATION.

WE ONLY ACCEPT TICKETWEB TICKETS.

BACKPACKS ARE NOT ALLOWED IN THE VENUE
Most shows are standing room only.
Handicap accommodations can be arranged.
ALL ALL AGES and 18+ SHOWS ARE NO RE-ENTRY

Hayes Carll w/ Caroline Spence

Thu Nov 18 2021 8:00 PM

(Doors 7:00 PM)

The Basement East Nashville TN
Hayes Carll w/ Caroline Spence

$25 ADV / $28 DOS / $100 VIP Ages 18+

VIP PACKAGE INCLUDES: 
  • One GA ticket
  • VIP early entry into the venue – 1 hour before doors
  • Exclusive meet & greet with Hayes Carll
  • Personal Photograph with Hayes Carll
  • Access to a private pre-show soundcheck performance
  • Exclusive tour poster – signed by Hayes Carll
  • Meet & Greet Laminate
  • Merch Shopping before doors
  • On-site host, provided by On Location to handle check-in of VIP, posters & laminates and running Meet & Greet

By purchasing tickets for this event, I confirm that at the time of the event I will have been fully vaccinated (14 days past final vaccination dose), OR will have received a negative Covid-19 test (PCR or antigen) within 48 hours prior to the event. Children under 12 years of age or fans not vaccinated will be required to present a COVID-19 test result in accordance with these guidelines. Security will check vax cards / test result documentation prior to entry into the venue. Mask wearing will be strongly encouraged.

Effective August 15, 2021 until future notice,  all patrons, artists and staff entering both venues are required to present either proof of a full course of COVID-19 vaccination, with their final dose at least fourteen days prior to the show or proof of a negative COVID-19 test taken in the prior 48 hours.  We will continually assess the information and recommendations provided by the CDC and update our policy as needed. For more info visit thebasementnashville.com

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

Ages 18+
limit 4 per person
G.A.
General Admission (first-come, first-served seating)
G.A.
$25.00
VIP
$100.00

Delivery Method

ticketFast
Will Call

Terms & Conditions

This event is 18 and over. Any Ticket holder unable to present valid identification indicating that they are at least 18 years of age will not be admitted to this event, and will not be eligible for a refund. By purchasing tickets for this event, I confirm that at the time of the event I will have been fully vaccinated (14 days past final vaccination dose), OR will have received a negative Covid-19 test (administered by a Health Care Professional) within 48 hours prior to the event. AT HOME TESTS WILL NOT BE ACCEPTED! Children under 12 years of age or fans not vaccinated will be required to present a COVID-19 test result in accordance with these guidelines. Security will check vax cards / test result documentation prior to entry into the venue. Mask wearing will be strongly encouraged.

Effective August 15, 2021 until future notice, all patrons, artists and staff entering both venues are required to present either proof of a full course of COVID-19 vaccination, with their final dose at least fourteen days prior to the show or proof of a negative COVID-19 test taken in the prior 48 hours. No at-home tests accepted. We will continually assess the information and recommendations provided by the CDC and update our policy as needed. More Info: https://www.thebasementnashville.com/

ALL PATRONS MUST BRING A VALID FORM OF IDENTIFICATION.

WE ONLY ACCEPT TICKETWEB TICKETS.

BACKPACKS ARE NOT ALLOWED IN THE VENUE
Most shows are standing room only.
Handicap accommodations can be arranged.
ALL ALL AGES and 18+ SHOWS ARE NO RE-ENTRY