Hayes Carll

Fri Mar 17 2023

9:00 PM (Doors 8:00 PM)

Tipitina's

501 Napoleon Ave New Orleans, LA 70115

$22.00

Ages 18+

Share With Friends

Share
Tweet
GET YOUR VIP TICKET HERE!

VIP Experience Includes
:

- Please note: Purchase of a General Admission Ticket is Required Separately and is NOT Included in the VIP Experience Package
- Early Venue Entry
- Acoustic Performance and Q&A with Hayes
- Photos and Signatures with Hayes
- 10% Off Merchandise at the Show
- Limited Edition Poster
- Tour Laminate

Tipitina's Presents
Hayes Carll

  • Hayes Carll

    Hayes Carll

    Country

    The country simplicity that imbues Hayes Carll’s songs can sometimes hide the social conscience and sharp humor that also runs through them, but if you want to find those things, they are there. In fact, Carll has spent over 20 years having a conversation about what it is we’re all doing here with anyone who will listen. He makes us laugh––but then he makes us cry. We judge a song’s protagonist, only for Carll to spin us around to commiserate with them.

    “I like to tug at heartstrings, find commonality with others, reflect on my own life, and sometimes I do it in a lighthearted way,” says Carll. “A lot of musical styles found their way onto this record, but my first and most formative influences came from country music. This is a country singer-songwriter record. It’s just unapologetically me.”

    Carll is talking about You Get It All, his eighth album. His voice, rich but worn, has never sounded better. As a songwriter, he is in top form, turning droll confessions, messy relationships, motel room respites, and an exasperated, hitchhiking God into modern nuggets.

    The New York Times likened Carll’s ability to undergird humor with a weightier narrative to Bob Dylan. When Carll talks about the sounds that are in his own head, he mentions Randy Travis. That juxtaposition defines the singularity of Carll’s career: He exists in a space of his own, informed by John Prine, Tom Waits, and Dylan but also by Travis, Kenny Rogers, and Hank Williams, Jr.

    Those influences may have made him hard to pigeonhole, but he’s still been embraced. Two Americana Music Awards, a Grammy nomination for Best Country Song, and multiple Austin Music Awards line his resumé́. He’s had the most-played record on Americana radio twice. His songs appear on the screen regularly and have been recorded by Kenny Chesney, Lee Ann Womack, and Brothers Osborne, to name a few.

    You Get It All was produced by Allison Moorer and guitar legend Kenny Greenberg. Carll credits his partnership with singer, songwriter, and artist Moorer, his wife, as a force that helps both clarify what he wants and challenge self-imposed limits. “She’s a world-class artist who has a way of helping me articulate my vision,” he says.

    Opener “Nice Things” layers a laugh-out-loud narrative exposing humanity’s botched stewardship of Earth––and one another––over vintage country cool. In the song written with the Brothers Osborne, God comes down to check on us––and she is not impressed. “It’s social commentary, but it’s not dour,” Carll says. “I hope the song can make people sing along, laugh a bit, and maybe recognize that we can do better.”

    The title track is classic Carll—a front-porch singalong with a deeper message for those who want it. Self-deprecating and sweet, the song is an ode to bringing one’s whole self to a relationship––the good and the bad. “I’m at a point in my life where that rings true to me,” says Carll. “What I want, and what I think a lot of people want, is to feel like they’re getting the real thing.”

    “Help Me Remember” is a feat of storytelling that tackles an underrepresented topic in art: dementia from the perspective of the patient. “It’s a visual song. To tell this story, we had to put the listener right there,” Carll says. “I was thinking about how scary and sad it is for the person who is suffering from it, and how heartbreaking and frustrating it is for the friends and family going through it with them.”

    Among Carll’s co-writers is singer-songwriter Brandy Clark, who helped him pen and perform “In the Mean Time,” a gorgeous, honky-tonk waltz which perfectly depicts the damage couples can inflict on each other when they’re at their worst. The multi-dimensionality of relationships is a thread woven throughout the entire album. “When we’re our weakest or most afraid, real damage can be done to our relationships, as well as our spirits,” says Carll. “You can love somebody, everything can be as good as you could’ve imagined, but when your traumas or fears come out, all that love can disappear in an instant.”

    Rollicking through snarling 80s country guitar licks, “To Keep From Being Found” is an escape to a motel room with a TV on wheels, a bath, and line after delectable line.

    Subdued album closer “If It Was Up to Me” aches through a list of wishes that seem frivolous at first but build into a portrait of pain that’s far more complicated. Written with Moorer and Sean McConnell, it’s a gorgeous example of one of Carll’s favorite artistic devices: leading listeners to underestimate a character with whom they’ll ultimately empathize. “The way humor and sadness can work together is powerful,” he says.

    Honest and sometimes subversive, but never mean-spirited, Carll keeps writing sad, funny, compelling songs in which nobody’s perfect or predictable––at least not for long. And he can’t quit wishing we’ll all realize that’s the way anything worth having or being has got to go. “I hope this record helps people feel good, laugh a bit, and maybe give them something to lean on when they need it,” he says. “I hope they dance to it, too.”

  • Melissa Carper

    Melissa Carper

    Country Folk

    After the success of her critically-acclaimed 2021 release Daddy' s Country Gold, Melissa Carper, dubbed "HillBillie Holiday" by friend and collaborator Chris Scruggs, was eager to get back in the studio. With co-producers Andrija Tokic (St. Paul & The Broken Bones, Hurray For The Riff Raff) and Dennis Crouch (The Time Jumpers) behind the boards again at Tokic's analog paradise The Bomb Shelter in Nashville, Carper assembled that same crew of magical music makers -- plus a few more -- to embark on her newest effort, RamblinSoul, set for release November 18th via Thirty Tigers.

    Carper's deep, old-timey music roots were firmly planted as a child, playing upright bass and singing in her family's traveling country band in rural Nebraska. Her love of country classics was cultivated as she laid beneath the console listening to her parents' record collection. Hank Williams, Patsy Cline, Loretta Lynn, Ray Charles, Elvis Presley, and more became the soundtrack of her youth. When Carper's father gifted her a collection of Jimmie Rodgers' recordings, she began to find her voice and calling as a songwriter.

    Carper attended the University of Nebraska-Lincoln on a music scholarship, and spent much of her time in the music library, instinctively drawn to the great jazz classics and jazz vocalists such as Billie Holiday, Ella Fitzgerald, Frank Sinatra, and Nat King Cole. She also discovered Lead Belly, uncovering a deep well within when singing his songs. Carper stands firmly on the shoulders of American ramblers, crooners, and songsters -- the building blocks of her musical foundation.

    After two years of college, wanderlust set in, and Carper hit the road in the family's 1980 Dodge Maxi Van, and landed in historic Eureka Springs, Arkansas. There, she was welcomed into the busking community, and found a new home base -- a place to write, reflect, and rejuvenate in years to come. As she belted out the lyrics to "Ramblin' Man" life began to imitate art. Carper put a few hundred thousand miles on her vans and pick-up trucks, playing the streets and clubs of New Orleans, Austin, and even a stint in NYC as a founding member of The Maybelles. Magnetically pulled into the cultural heritage wherever she went, she immersed herself in the music of those who sang on those same street corners, and off the beaten path in times gone by.

    Along the way, she founded award-winning bands like power trio The Carper Family, the perfect outlet for her unique skills and style. The band brought her original work to life in a simple yet dynamic fashion that also served her inspirations -- country, bluegrass, western swing, and old-style jazz, playing festivals and shows across the globe, and on shows like "A Prairie Home Companion." Carper also holds a spot in award-winning Arkansas foursome Sad Daddy, and founded roots duo Buffalo Gals with Sad Daddy bandmate and partner, award-winning fiddler Rebecca Patek.

    In 2020, grappling with the loss of regular gigs, Carper and Patek moved to a friend's farm near Austin, working in exchange for housing, organic vegetables, and fresh, country air. The simpler life afforded Carper the space and rejuvenation needed to channel her muse, and begin writing for her next album.

    "I had a handful of songs about rambling around and living a free life that I wanted to weave through the album," Carper recalls. "I wrote the title track driving back home to Texas, and it felt like the seeds of the next album were planted. I also knew I wanted RamblinSoul to have a different feel than Daddy's Country Gold, with more upbeat and diverse styles and grooves."

    RamblinSoul features a co-write with life long ramblin' buddy and bandmate Gina Gallina, a song penned by friend and frequent collaborator Brennen Leigh; a reimagined classic from folk pioneer Odetta; and ten Carper originals. The album ventures into blues, early rock and roll, and old school soul, along with Carper's signature styles of country, western swing, and jazz.

    Album track "Ain't a Day Goes By" breaks your heart, then mends it again in the universal longing for a loved one now gone on. Backed up by Hammond B3 organ (John Pahmer), the emotion is punctuated by the gospel-style harmony stylings of Kyshona Armstrong, Nickie Conley, and Maureen Murphy. "1980 Dodge Van" heralds pulsing electric guitar and a grooving upright bass (Dennis Crouch) in an ode to the loyal family vehicle, while "I Don't Need to Cry" is a Patsy Cline-esque lament showcasing Carper's classic country range and songwriting finesse. The upbeat, tongue-in-cheek "Holding All The Cards" transports us to a smoky New Orleans speakeasy, with wordplay, honky tonk piano, and playful clarinet, while Carper pays an upbeat western swing tribute to her current home state in "Texas, Texas. Texas."

    Carper's lifelong, steadfast listening has come to fruition in the songs on RamblinSoul. Her childhood love of the family record collection planted the seeds of what is her own bountiful orchard today.

    Not unlike Loretta Lynn, Melissa Carper is giving us scenes and stories and vignettes that kind of play out between home and the honky-tonk - NPR"

    Melissa Carper is one of the greatest classic golden era country singers and composers of this generation. A new batch of songs from Melissa Carper is something to smile and rub your hands together about like waiting for permission to cut into an apple pie. - Saving Country Music

    Singer-bassist Melissa Carper sounds like a voice from a bygone era...Evoking the cool, smoky croon of a lounge singer, Carper gives some winking commentary about having a good time. - Rolling Stone Country


    It's a tricky thing that Carper has done. She clearly revels in recreating the music of her heroes, carefully preserving the sense of romance and immediacy of the old classics. Yet by bringing her own experiences into the canon, she is unearthing a history that includes so many more of us, finally allowed to speak out through memories forgotten due to silence and taboo. - No Depression

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

limit 4 per person
General Admission

$22.00

Delivery Method

ticketFast
Will Call

Terms & Conditions

This event is 18 and over. Any ticket holder unable to present valid identification indicating that they are at least 18 years of age will not be admitted to this event, and will not be eligible for a refund.

****Tipitina's Ticket Disclaimer Below****

· Ages 18 and Up

· Must have valid Government-Issued ID -OR- Passport to enter

· All patrons are encouraged to stay up to date on current public health recommendations and be respectful of other attendees around them

· Tipitina's reserves the right to enforce any health policy standard as required or recommended by local/state guidelines, including refusal of entry to-, or removal of-, offending audience member(s) from the venue at any time

· No professional cameras or rigs (cameras with removable lenses)

· Purchaser must be present (with valid photo ID -OR- Passport) to claim Will Call Tickets

· View and manage your order online by following the link provided within the confirmation email sent upon purchase

· Online ticket sales will cease when doors open

· All sales are final



**Tipitina's Box Office is open Monday-Friday 10:00am-4:00pm**

Tipitina's Presents

Hayes Carll

Fri Mar 17 2023 9:00 PM

(Doors 8:00 PM)

Tipitina's New Orleans LA
Hayes Carll

$22.00 Ages 18+

GET YOUR VIP TICKET HERE!

VIP Experience Includes
:

- Please note: Purchase of a General Admission Ticket is Required Separately and is NOT Included in the VIP Experience Package
- Early Venue Entry
- Acoustic Performance and Q&A with Hayes
- Photos and Signatures with Hayes
- 10% Off Merchandise at the Show
- Limited Edition Poster
- Tour Laminate

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

Ages 18+
limit 4 per person
General Admission
$22.00

Delivery Method

ticketFast
Will Call

Terms & Conditions

This event is 18 and over. Any ticket holder unable to present valid identification indicating that they are at least 18 years of age will not be admitted to this event, and will not be eligible for a refund.

****Tipitina's Ticket Disclaimer Below****

· Ages 18 and Up

· Must have valid Government-Issued ID -OR- Passport to enter

· All patrons are encouraged to stay up to date on current public health recommendations and be respectful of other attendees around them

· Tipitina's reserves the right to enforce any health policy standard as required or recommended by local/state guidelines, including refusal of entry to-, or removal of-, offending audience member(s) from the venue at any time

· No professional cameras or rigs (cameras with removable lenses)

· Purchaser must be present (with valid photo ID -OR- Passport) to claim Will Call Tickets

· View and manage your order online by following the link provided within the confirmation email sent upon purchase

· Online ticket sales will cease when doors open

· All sales are final



**Tipitina's Box Office is open Monday-Friday 10:00am-4:00pm**