Hannah Bethel grew up on country music and classic rock in the backwoods of Northern Michigan. She spent most of her teenage years traveling the Upper Midwest performing original music at fairs, bars, talent shows, coffee houses, shopping malls and country and western shows. Hannah self-released her first record at 17 and the following year she moved to Nashville, Tennessee. Hannah completely immersed herself in the Nashville songwriting and business community. In 2010 she self-released her second record, “No Stopping, Standing, Parking”, which was recorded at Ricky Skagg’s studio, Skagg’s Place in Hendersonville, TN. Several of the tracks from “No Stopping, Standing, Parking” were featured in independent films and television shows.   In 2011, Hannah connected with producer, Andy Sheridan, who is currently touring with Hunter Hayes, and the two started work on what would be Hannah’s third studio project, “The Freedom EP”. This record brings Hannah’s catchy, unique sound into full light; traditional country music with a quirky, organic pop twist. “The Freedom EP” sparked worldwide attention and rave reviews for Hannah. She received acclaim from such renowned music industry critics as Robert Oermann, “She has a very cool Appalachian vocal style. The upbeat tune is produced perfectly with plenty of open spaces between the fiddle, dobro and steel lines… The accomplished singing is as impressive as the fact that she wrote or co-wrote all five of the EP’s fine songs.” ...and we will fly through a Never Ending Sky, and we'll never have to wonder about the things we never tried... “The Freedom EP” also caught the ear of manager, Rikk Feulner. Hannah and Rikk began working together in late 2012 and and have taken huge strides in spreading Hannah’s music through out the USA, UK, Europe and Japan. Hannah’s debut single, “No Where Left to Roam” received airplay across the US as well as Europe. Hannah’s music videos for “No Where Left to Roam” (created by J Bryan Dill and Hannah Bethel), “Medicine” (created by Kylie Harris and Hannah Bethel) and “If I Don’t Love You Anymore” (Hannah Bethel, Jessica Frech and Tracy Facelli) have received airplay on The Country Network, ZUUS Country, The Nashville Network, GACtv.com, CMT.com and hundreds of retail outlets across the US. “Medicine” reached #11 on the country radio chart in Belgium. “The Freedom EP” was named Independent Country Album of the Year on Examiner.com.   Hannah is an avid writer and co-writer. She has written with some of Nashville’s finest songwriters, from big names to newcomers. One of those newcomers is Momentum Label Group artist, Rachele Lynae. Hannah had her first song cut in 2013 with Rachele’s sophomoric single, “Fishin’ For Something”, which received extensive radio play across the US. She also co-wrote Rachele’s current single, “Whole Lotta Nothing”.   Hannah has spent the last year touring the United States, performing shows from Alaska to New Jersey and everywhere in between. She has shared the stage with such artists as Joe Nichols, Rodney Atkins, Trisha Yearwood, Charlie Worsham, Buddy Jewell, Frankie Ballard, Canaan Smith, Nine Days and Leigh Nash. Hannah’s newest record, “Never Ending Sky”, released in October 2014 and is co-produced with Brennin Hunt. Hannah was named one of CMA Close Up’s Who New to Watch in 2014. 

When Vanessa Olivarez heard Amie Miriello sing “I Want to Know What Love Is” at an all-ladies ‘80s tribute concert in their native Nashville, it was love at first listen.  Olivarez, focused mainly on writing for BMG at the time, set up a songwriting session with Miriello, who writes for Universal. Minutes into their first meeting, it was clear this wasn’t just another labored Music City co-write. And the resulting song, the fiery “Romance Is Dead,” was a far cry from schmaltzy ‘80s balladry. A few years of intense personal growth and a global pandemic later, and the power-duo sisterhood of Boys Club for Girls is finally ready to release their full-length self-titled debut of Americana alt-folk and country-rock on March 24 via Brooklyn Basement Records. Boys Club music is deeply melodic and accessible, but simmers in a moody brew of elegant atmospherics underneath. And the harmonies! Much of the lead vocal is really a duet sung in perfect lush synergy, a feat attributable to both ladies’ stints singing backup for acts like Sugarland, Tanya Tucker, Katy Perry, Zac Brown Band, and many more.  Boys Club for Girls, then, sounds as if Under the Pink-era Tori Amos time-traveled back to ‘70s Laurel Canyon to partner with Linda Ronstadt at her sultriest for a trippier take on the Indigo Girls (with Fleetwood Mac as the backing band). The album was recorded before, during, and after the pandemic at Blackbird Studio with producer Tim Craven (Josh Ritter, Brothers Osborne), and features the singles “Bad Luck Baby,” “Not Just Yet,” “The Weatherman,” and “5 O’Clock Shadow.”