Greensky Bluegrass with The Wood Brothers

Thu Aug 18 2022

5:30 PM (Doors 4:30 PM)

Salvage Station - Outdoor Stage

468 Riverside Drive Asheville, NC 28804

$45.00

Ages 12+

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Greensky Bluegrass with The Wood Brothers

  • Greensky Bluegrass

    Greensky Bluegrass

    Country

    Since their 2000 formation in Kalamazoo, MI, the quintet—Anders Beck [dobro], Michael Arlen
    Bont [banjo], Dave Bruzza [guitar], Mike Devol [upright bass], and Paul Hoffman
    [mandolin]—have unassumingly progressed into a phenomenon on their own terms with the
    undying support of a devout audience. Rolling back and forth across North America on
    successive tours, they recently sold out 3 nights at Red Rocks, a feat unheard of in their genre.
    During 2019, All For Money marked their second #1 debut on the Billboard Top Bluegrass
    Albums Chart and third straight Top 3 entry. They’ve also earned critical acclaim from Billboard,
    Parade, NPR, and Rolling Stone who hailed them as “representing the genre for a whole new
    generation.”
    As always, the band embrace tradition, while ushering bluegrass forward on their eighth
    full-length offering, Stress Dreams.
    “Greensky is and always has been very unique in our world,” observes Paul. “We put our love,
    energy, and focus into what we appreciate about our music. We come together as a band in a
    way that’s organic. We take a lot of pride in how we grow and challenge each other too. We’re
    maturing together. I think we get more Greensky all of the time.”
    They took advantage of the time to become “more Greensky” in 2020. After touring ceased in
    the face of the Global Pandemic, the band hunkered down and compiled demos individually at
    first, sharing emails and voice notes. In July 2020, they got together for the first time in four
    months, dedicating rehearsals to the development of the new material. Once circumstances
    safely permitted, they recorded what would become Stress Dreams during a session in Gilford,
    VT and two sessions in Asheville, NC. The band co-produced with frequent collaborator “and
    old friend” Dominic John Davis (Jack White’s touring and studio bassist) and “wizard engineer”
    and grammy winning producer Glenn Brown. They preserved the hallmarks of their sound,
    while widening its expanse.
    “It didn’t feel like we were squeezing this project into the schedule,” says Mike. “The lack of gigs
    gave us the freedom to get together solely to work on this. It was a relaxed environment. There
    wasn’t the pressure of time; the songs got space to breathe.”
    “For all of our records, we always take more time to explore and experiment,” Paul elaborates.
    “We finished ideas and kept going, thinking everything all the way through. We really put energy
    into each specific song and made it the best it could be.”
    The single “Grow Together” blossoms into a patchwork of nimble banjo, acoustic guitar, and
    mandolin as the dobro (routed through a Marshall amplifier) teems with fuzzy heart. Meanwhile,
    Paul delivers an intimate live vocal performance capped off by the hook—“That we can grow old
    together, if we can find the time”— and an evocative electric guitar solo.
    “It was the first tune I had written in a really long time,” states Paul. “My daughter was just born.
    When she was five-weeks-old, I sat down on the floor with her and spit this one out. It was an
    appreciation for my wife and what it meant to become a father. I had never been so moved in
    the studio as I was when we recorded it. A lot of my songs have come from an open place of

    serious personal emotions, but this one was different. Instead of fighting against weakness and
    pain, it’s romantic, happy, heartfelt, and uplifting.”
    The opener “Absence of Reason” borders on mystical with its psychedelically-wrung whale
    moans on the dobro and JJ Cale-inspired fleet-fingered chicken-pickin’, making for what the
    guys agree is a “positive creative experiment.” Meanwhile, “guitarmonies” uphold the towering
    refrain of “Monument”—co-written by Anders and Chris Gelbuda.
    “‘Monument’ meant more once quarantine happened,” recalls Anders. “It’s about how our lives
    changed so much when we were locked up at home. We were trying to harness the feeling of
    everything being taken away in an instant. At the same 6me, the energy reflects the feeling of
    getting back on stage and playing in front of 10,000 people post-COVID.”
    Penned by Mike, the eight-minute tittle track “Stress Dreams” leans into a fascinating 6/8 time
    signature underscored by piano and an ethereal mandolin-led crescendo.
    “It was quite literally about having weird dreams,” says Mike. “There’s a circular pattern to being
    stressed and repeating your thought process. In our job, we operate with some level of
    predictability. Our schedule is booked out a year in advance. Once the Pandemic hit, we didn’t
    know when we would see each other and play again. Now we are playing again, but we don’t
    know if it’s going to be taken away in a moment’s notice. It gives added value to the present
    moment. To make music with my friends for five weeks was such a gift. A lot of the album
    speaks to this y.”
    The closer “Reasons To Stay” ends the album on a lighthearted and funky note with its
    surprisingly sexy climax as Paul assures, “You’re just made of reasons to stay.”
    “It’s about the physical attributes of the person you’re spending the night with,” Mike goes on.
    “Paul sings it way sexier than I ever could. If my wife asks, it’s a love song,” he laughs.
    In the end, the story of Greensky Bluegrass just keeps getting better as well.
    “There’s a duality to this band,” Anders leaves off. “On one hand, we improvise and go outside
    the box on stage. The studio brings out our artistic side. We grow every time we make a record.
    I hope you hear and see the evolution.”
    “We just can’t wait to play shows, hug our friends, and play music with other musicians we love
    and respect,” Paul concludes. “Besides, we’ve got 13 new songs to add to the set list!”
  • The Wood Brothers

    The Wood Brothers

    Music

    Kingdom In My Mind

     

     

    “Everyone has these little kingdoms in their minds,” says Chris Wood, “and the songs on this album all explore the ways we find peace in them. They look at how we deal with our dreams and our regrets and our fears and our loves. They look at the stories we tell ourselves and the ways we balance the darkness and the light.”

     

     

    That balance of darkness and light is at the heart of Kingdom In My Mind, The Wood Brothers’ seventh studio release and their most spontaneous and experimental collection yet. Recorded over a series of freewheeling, improvised sessions, the record is a reckoning with circumstance, mortality, and human nature, one that finds strength in accepting what lies beyond our control. Thoughtfully honing in on the bittersweet beauty that underlies our doubt and pain, the songs grapple with the power of our external surroundings to shape our internal worlds (and vice versa) through vivid character studies and unflinching self-examination. The lyrics dig deep here, but the arrangements always manage to remain buoyant, drawing from across a broad sonic spectrum to create a transportive, effervescent listening experience that’s indicative of the trio’s unique place in the modern musical landscape.

     

     

    “My brother came to this band from the blues and gospel world, and my history was all over the map with jazz and R&B,” says Chris Wood, who first rose to fame with the pioneering trio Medeski Martin & Wood. “The idea for this group has always been to marry our backgrounds, to imagine what might happen if Robert Johnson and Charles Mingus had started a band.”

     

     

    Kingdom In My Mind follows The Wood Brothers’ most recent studio release, 2018’s One Drop Of Truth, which hit #1 on the Billboard Heatseekers Chart and garnered the band their first GRAMMY Award-nomination for Best Americana Album. NPR praised the record’s “unexpected changes and kaleidoscopic array of influences,” while Uncut hailed its “virtuosic performances and subtly evocative lyrics,” and Blurt proclaimed it “a career-defining album.” Tracks from the record have racked up roughly 8 million streams on Spotify alone, and the band took the album on the road for extensive tour dates in the US and Europe, including their first-ever headline performance at Red Rocks, two nights at San Francisco’s legendary Fillmore (captured on their 2019 release, Live At The Fillmore), and festival appearances everywhere from Bonnaroo to XPoNential.

     

     

    On past records, the band -- brothers Oliver and Chris Wood, and Jano Rix -- would often write a large batch of songs and then deliberately capture them all at once, but when it came to making Kingdom In My Mind, The Wood Brothers began recording without even realizing it. At the time, the trio thought they were simply breaking in their new Nashville recording studio/rehearsal space, laying down a series of extended instrumental jam sessions with engineer Brook Sutton as a way to learn the lay of the land. Some rooms, they found, were spacious with natural reverb, others were tight and dry; some recording setups required a gentle touch, others encouraged blistering energy.

     

     

    “We weren’t performing songs,” explains Oliver. “We were just improvising and letting the music dictate everything. Normally when you’re recording, you’re thinking about your parts and your performances, but with these sessions, we were just reacting to each other and having fun in the moment.”

     

     

    There was something undeniably alive and uninhibited about those performances, and after listening back, the band realized they’d never be able to recreate such spontaneous magic. So, like a sculptor chipping away at a block of marble, Chris took the band’s sprawling improvisations and carefully chiseled out verses and choruses and bridges and solos until distinctive songs began to take shape, songs that reflected influences and elements of the band (like Jano’s smoldering piano work and Chris’s affinity for Latin and African music) that had never shone through in quite the same way before. From there, the brothers divvied up the material that spoke to them most, penning lyrics both separately and together as they pondered what it takes to know contentment in our chaotic and confusing world.

     

     

    The jaunty “Little Bit Sweet,” which was born from the band’s very first session, learns to appreciate the ups and downs in the circle of life, while the soulful “Cry Over Nothing” and hypnotic “Little Blue” playfully meditate on ego and perspective, and the funky “Little Bit Broken” celebrates the imperfections that make us human. Tracks like the bluesy “A Dream’s A Dream” and hypnotic “Don’t Think About My Death,” meanwhile, grapple with separating truth from fiction, ultimately coming to terms with the fact that our brains will always find new ways to blur those lines. Though the album advocates for acceptance, it’s not a passive brand the brothers sing about, but rather one rooted in strength and empowerment. To understand exactly what that means, look no further than album opener “Alabaster,” which paints a deeply empathetic portrait of a woman who’s broken free from the shackles of her old life and started over fresh.  

     

     

    “At the same time we were making this album, we were looking for some sort of philanthropic organization we could support with our music and in a bit of synchronicity, we came across this great group called Thistle Farms, which was based just down the street from our studio,” says Oliver. “Their goal is to help women who have been victims of sex trafficking or prostitution or addiction to get off the street and into safe housing where they can participate in therapy and job training. The work they were doing was so inspiring and it felt like such a fit with the kind of album we were writing that we teamed up with them to donate a portion of ticket sales from all our shows. It’s our way of using what we’ve got to do whatever good we can in the world.” 

     

     

    More than anything, it’s that mindset, that recognition that we’ve all been dealt our own particular hand of cards and life is in the way we play them, that defines Kingdom In My Mind. As Oliver sings on the captivating “Satisfied,” which finds its narrator wondering about the glories of the afterlife before ultimately deciding to make the most of his time on Earth, “I’ve got nothing left to be afraid of / Because I will be satisfied.” With an album this remarkable, The Wood Brothers have plenty to be satisfied about.

     

     

    For more info on The Wood Brothers, please contact:
    Kevin Calabro at Calabro Music Media: 917.838.4613 / kevin@calabromusicmedia.com

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Greensky Bluegrass with The Wood Brothers

Thu Aug 18 2022 5:30 PM

(Doors 4:30 PM)

Salvage Station - Outdoor Stage Asheville NC
Greensky Bluegrass with The Wood Brothers

$45.00 Ages 12+

Please correct the information below.

Select ticket quantity.

Complete the security check.

Access Code

Select Tickets

Ages 12+
limit 10 per person
General Admission
$45.00

Delivery Method

ticketFast
Will Call

Terms & Conditions

This event is 12 and over. Any Ticket holder unable to present valid identification indicating that they are at least 12 years of age will not be admitted to this event, and will not be eligible for a refund. No refunds. All shows happen rain or shine.

*If a show is rescheduled by the artist or the venue, tickets are valid for the rescheduled date. Refunds are only available for rescheduled shows within 7 days of the new date announcement.