With the soul of a poet, the heart of a rock icon, and the diamond-hard vision of an auteur, Goldie Boutilier is an absolute master of turning mythmaking into self-salvation. On Goldie Boutilier Presents Goldie Montana, the independent singer/songwriter offers an intimate glimpse of her alter ego: a fiercely glamorous outlaw-provocateur created by Goldie as a source of strength during her some of her most difficult times. A glorious smash cut juxtaposing moments of lust and danger and hard- won transcendence—all soundtracked by her lavish brand of guitar-driven noir-pop—the album ultimately finds Goldie taking charge of her destiny by fully living her truth and ultimately inspiring others to find their own “Goldie Montana” within. Arriving on the heels of an acclaimed run of EPs—2022’s Cowboy Gangster Politician, 2023’s Emerald Year, 2024’s The Actress— Goldie Boutilier Presents Goldie Montana marks the critically acclaimed artist’s most bravely confessional body of work to date. Reaching more than 50 million total streams on Spotify, her single “King of Possibilities” is the opening theme of the huge hit Netflix series THE HUNTING WIVES. The new album also includes the singles “Goldie Montana,” "I Can’t" and "Neon Nuptials." Goldie was recently tapped to open for Katy Perry on her “Lifetimes” Arena Tour in the U.K. and was just named by Billboard Canada as one of their “Artist Spotlights” for their annual Women in Music 2025 list. Goldie has earned praise from the likes of Zane Lowe and Elton John and played such iconic festivals as Bonnaroo and Lollapalooza. Kelly Clarkson recently covered Goldie’s song on her show and just played All Things Go festival in New York, sharing the bill with Lola Young and Doechii. Galore magazine said Goldie “is poised for a major breakout” and Ladygunn magazine said, “Goldie Boutilier is heartbreak’s high priestess….channeling the spirit of Patsy Cline and the melancholia of Lana Del Rey.”

Syd Taylor's debut solo LP, After the Fact, emerged after a three-month period of intensive creation in her Los Angeles apartment. This marked a departure from her lifelong collaboration with her twin sister in their band, a change that compelled Taylor to explore her individual identity as both an artist and a person. Having spent years prioritizing others, she dedicated herself to creating something truly personal. This introspection fueled the rawly honest lyrics of After the Fact, an album entirely written and produced by Taylor as she discovered her unique voice and gained newfound confidence. “It’s the first time I’ve been able to sit down and make something truly for me. No one telling me what genre to lean into, what producer to hand my demos to, or even how to present myself. I know I’m not perfect, so why pretend to be some perfectly polished pop version of myself? I wanted to get as far away from that as possible. And in doing that, I made something that feels perfect to me — which is imperfect.”