From his beginnings in Hendersonville, North Carolina (population 15k), to opening for The Kid LAROI on The First Time tour last year, glaive has become a name synonymous with a scene that redefines pop, not by distancing itself from tradition but by forging a new, innovative style. His previous works, including cypress grove, all dogs go to heaven, and then i’ll be happy, have all cemented him as a standout artist, lauded by the likes of The New York Times, Vulture, GQ and The FADER.  His 2nd studio album released in late 2024, May It Never Falter, was hailed as a genre-defying body of work that marked the beginning of an independent chapter in his artistry. Working closely with a tight-knit team of collaborators including John Cunningham (XXXTENTACION, Kanye West), Ralph Castelli (Dora Jar, The Neighbourhood), and Jeff Hazin (Kali Uchis, renforshort) the album served as a coming-of-age narrative set against the backdrop of adolescence and self-discovery. May It Never Falter was recorded in the remote landscapes of Iceland and Wales, continuing the Sigur Rós-inspired approach to isolated, immersive recording environments that began with his debut album i care so much i don’t care at all (2023). The album was listed as one of the best of 2024 by Vogue Magazine and was supported by a North American and European tour in spring of 2025. 

Tiffany Day has quickly emerged as one of the most compelling voices in hyper-digital pop, blending emotional chaos, internet-born edge, and forward-thinking production into a sound entirely her own. Born in Toronto and raised in Kansas, Tiffany first broke through with a viral cover of “Hallelujah,” building a YouTube audience of over 500,000 subscribers before graduating high school. She began releasing original music in college, quickly developing a devoted fanbase drawn to her wit, vulnerability, and genre-fluid instincts. A self-directed creative force, Tiffany has made her live show a defining pillar of her artistry, fusing choreography, visuals, and electronic-driven transitions that push her beyond traditional pop performance. In 2024, she independently funded and sold out several headline shows across a North American tour. She later expanded into the DJ scene, launching BASSFLUFF, a series of standalone events that generated viral moments DJing everywhere from gyms to nail salons. Her 2025 releases marked a sharp sonic evolution, leaning into electroclash and hyperpop textures. Singles like “BREAKUP,” “TELL ME WHAT I DID, ” and “START OVER” generated millions of views across platforms and earned coverage from NME, Ones to Watch, On The Radar, and beyond, positioning her at the forefront of a new wave of digital-native pop artists. That momentum culminates in her album HALO, released April 3, 2026 via Broke Records. The project debuted at #1 on the Apple Music Electronic chart and #25 on the Billboard Electronic/Dance Albums Chart, drawing early co-signs from artists like Laufey and Yunjin (LE SSERAFIM) alongside coverage from Pitchfork, The FADER, NYLON, LA Times, and more. To mark the release, Tiffany staged three headline shows - each of which sold out in under five minutes. With her production across nearly every track, HALO marks Tiffany's most cohesive and ambitious work to date, solidifying her not just as an artist to watch, but as a defining voice in the next era of hyperpop.