Singer-songwriter, Giulia (Julia) Millanta, is a native-born Italian from Florence who now calls Austin, Texas home. A creative and prolific artist, she has released seven solo albums, touring nationally throughout the USA and internationally. An accomplished guitarist, Giulia also plays ukulele and sings in four languages. She has been called smart, pensive and cool and credited with psychedelic grooveability whilst “baring her clairvoyant soul” to “deliver musical mojo.”   Giulia began her life in music as a child of eight years when taught to play guitar by her father she began to perform traditional folk songs. She continued to sing and began writing songs and making records. Performing at the Acoustic Guitar Meeting in Sarzana in the spring of 2010 her accomplished guitar style and songs earned her the “New Sounds Of Acoustic Music” award. This led to an endorsement by the renowned guitar makers Eko, choice of the most famous 60’s-80’s era singer-songwriters throughout Italy.   In 2008, she debuted with “Giulia and the Dizzyness” (Cavern Jatt Records.) Then, in 2011, she released “Dropping Down” (Ugly Cat Music/Audioglobe) distinguished by her maturing skills as musician, producer, writer and arranger.   Deciding to expand her musical borders in 2012 she moved to Austin where she was soon embraced by the music community and its fans as a writer, collaborator and performer in the scene’s most prestigious singer-songwriter venues. Shortly after she released “Dust and Desire” (Ugly Cat Music/Audioglobe.) Just a couple of years later in 2014 she broke new ground with “The Funambulist” (Ugly Cat Music) Surrounded by a host of new friends and fellow musicians as “between the lines” she conceptualizes the tightrope walk she has been through, writing and singing of all she has experienced, learned and become.   In 2016, Giulia released her fifth solo album “Moonbeam Parade”, 13 self-penned tunes fueled by a new direction on electric guitar. Produced by Giulia herself on her own label “Ugly Cat Music”, with her friend and producer George Reiff, with a stellar band featuring some of the best musicians in Austin, such as Charlie Sexton (Bob Dylan), Howe Gelb (Giant Sand), Glenn Fukunaga (The Dixie Chicks), Gabriel Rhodes (Willie Nelson),David Pulkingham (Patty Griffin) and many more.   ​In 2018 Giulia releases “Conversation with a Ghost” produced by herself and Gabriel Rhodes. The record also features talents like Marc Ribot (Tom Waits) on electric guitar, Joel Guzman (Paul Simon) on accordion, John Mills (David Byrne) on horns.   ​2018 was also a great year for awards for Giulia, since she won the Premio Ciampi for “Not You”, her version of Piero Ciampi’s song "Tu no" and was awarded with the Doc's Blues Awards 2018 as BluesWoman of the year by Severn Fm Radio.   After 2 years of collaborations and after touring extensively in the US and Northern Europe, Giulia returns in the studio in early 2020 to record a new album. “Tomorrow is a Bird”, once again co-produced with guitar player and poli-instrumentalist Gabriel Rhodes, features some of the most influential musicians in the Austin music scene. The album is about re-evaluating life, about endings and beginnings, failures and opportunities, about changing direction, trusting that the wind will support your wings and get you where you need to go.   A self-published book entitled “Between the Strings” explores the other side of being a musicians, her life on and off the road, and marks Giulia’s debut as a writer.   In the summer/fall of 2021 Giulia records “Woman on the Moon” (released in April of 2022)   The record was almost entirely performed by Giulia and Gabriel with the exception of drum parts. Some odd instruments were used in these recordings: a wet towel in the bathroom sink, puppet legs against a wooden box, various guitars played with cello bow, Giulia’s naked thighs … The record is a journey of separation and unity, through the masculine and feminine inside of us.   In the Spring of 2022, Giulia published her first novel “Fratture” with an Italian publishing company names Porto Seguro.   In April 2024, Millanta released her ninth solo album (her sixth in the US), Only Luna Knows, along with an Italian cookbook, “Dinner with Giulia - Flavors, Songs and Stories of a Florentine Troubadour”.   In the past few years Giulia has performed in some of the best rooms in the US and Europe such as: The Kessler Theatre in Dallas, TX (opening for 10,000 Maniacs)The Heights Theatre in Houston, TX (opening for 10,000 Maniacs and Squirrel Nut Zippers)The 04 Center in Austin, TX, Club Passim in Cambridge, MA, Tin Angel, Philadelphia PA, An Die Musik, Baltimore, DE, Rockwood Music Hall, NYC, The Blue Door, Oklahoma City, OK, The Mucky Duck, Houston, TX, Opera House, Telluride, CO, Walnut Room, Denver, CO, In the Woods, Leusden, NL, De Harmonie, Edam, NL, Mandy’s Lounge, Homburg, DE, Teatro Romano di Fiesole, Florence, IT and more...

Louisiana born-and-raised singer-songwriter and guitarist Joy Clark is charting her own path with her debut album Tell it to the Wind. As the youngest of five children born into a tight knit, deeply religious family just outside of New Orleans, her release is both a declaration of her independence and a love letter to the traditions that shaped her. The album marks Clark’s arrival on the national stage as a proud, queer, Black woman blending the social consciousness of folk, the rhythms of Southeast Louisiana, and the soul-centered music she grew up with. Joy honed her guitar chops and was introduced to the stage in her parents’ church, leading worship services with her siblings every Sunday in Harvey, Louisiana. While her duties at her parent’s church combined two of her favorite things—her family and music—she knew she just didn’t quite fit. Home schooled for the majority of her childhood, Joy had the freedom to study her craft, but was isolated as a young queer woman growing up in a devout household. While studying at the University of New Orleans, Joy ventured into New Orleans’ legendary music scene, soaking up the city’s traditions—most notably its “do whatcha wanna” attitude, a far cry from her religious home just a few miles from the city center. Her newfound community of queer folks, poets, artists, activists, and people living as their authentic selves combined with her social science studies brought Joy closer to the self she was still defining. Eventually Joy earned herself a regular spot touring with living legend and Grammy winner Cyril Neville. “Over the last several years, I’ve had the privilege of playing music and touring and learning from so many people I admire. And I continue to learn the same lesson—there’s room for all of us and the world is only made more beautiful when we all shine as our unique selves,” said Joy. “Tell it to the Wind is my story of how I learned to shine, and I hope that it might encourage others to stand out as their whole, true selves too.” Joy’s songcraft, paired with sophisticated progressions, and themes of freedom, love and self-acceptance gained her notice on the national folk and Americana scenes just a few years ago with appearances at Americanafest. She caught the attention of Grammy-winner Allison Russell and was offered a regular spot in her backing band The Rainbow Coalition, earning her the chance to jam with superstars Brandi Carlile and the Indigo Girls. Talking to The Tennessean, Russell described Joy as a “a brilliant artist, writer and singer.” Joy teamed up with one of her musical heroes, 4x Grammy-nominated Margaret Becker, to make Tell it to the Wind. Becker’s influence is apparent throughout the album, with her co-writing six of the album’s nine tracks. Joy’s choice to collaborate with Becker is no small achievement. It was Becker’s music that Clark would learn to play and sing in the church where she was closeted.  The magnitude of Becker’s embrace of Joy as a queer artist making music on her own terms, is felt throughout the entire album as it is a soul-wrenching, at times jubilant call to put your stake in the ground and claim your rightful place as an individual. The album’s leading 2 track single, “Lesson,” is an unapologetic demand that we all take our rightful place in the struggle for freedom, and reminds listeners of rock n’ rolls Black, queer, and Southern roots. The B-side track “Guest,” boasts a special appearance on keyboards by Lisa Coleman, known for her time with Prince and the Revolution as well as Wendy & Lisa.