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Gary Louris (solo) w/ Massy Ferguson (duo) (partially seated)
Sun, 4 May, 8:00 PM PDT
Doors open
7:00 PM PDT
Tractor
5213 Ballard Avenue NW, Seattle, WA 98107
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Description
Over the last three decades, singer, songwriter, guitarist and producer Gary Louris has built a deeply compelling body of music whose artistry and integrityhas won the loyalty of an international audience and the respect of both criticsand his peers. Best known for his seminal work with The Jayhawks, he is one ofthe most acclaimed musicians to come out of Minnesota’s vibrant rock scene.
Concurrent with his time in the Jayhawks, Louris has been a charter member of the part-time alt-rock supergroup Golden Smog, which at various times has included members of Soul Asylum, Wilco, the Replacements and Big Star. Louris also formed Au Pair with North Carolina artist Django Haskins in 2015 and re-leased an album that same year.
Along the way Louris has produced records by various artists, contributed songs to Grammy Award-winning albums by the Tedeschi/Trucks Band and The Dixie Chicks; and recorded with acts as diverse as the Black Crowes, Counting Crows, Uncle Tupelo, Joe Henry, John Hiatt, Lucinda Williams, Roger McGuinn, Maria McKee, Nickel Creek, Carrie Rodriguez, Tift Merritt and the Wallflowers.
Louris released his first solo album,Vagabonds, in 2008. His long awaited second solo album, Jump For Joy, came out in June 2021. In 2021 Louris also launched a Patreon page, featuring weekly posts of new and old music, video content, commentary and more.
In the summer of 2024, Louris announced on Patreon that his third solo album would be released in early 2025.Dark Country was released on February 14, 2025 on Sham/Thirty Tigers.
Along with keeping the Jayhawks flame burning, Louris is currently looking to the future and is busier than ever–writing, performing, producing and exploring new collaborative opportunities.
Event Information
Age Limit
21+

Alternative Rock
Gary Louris
Gary Louris
Alternative Rock

Music
Massy Ferguson
Massy Ferguson
Music
Massy Ferguson has long been a staple of the American roots rock scene, expertly blending elements of country twang with hard-charging rock ‘n’ roll. Hailing from Seattle, the band has built a career marked by two decades of sonic exploration, and their seventh album, You Can’t Tell Me I’m Not What I Used To Be, marks the next chapter in their musical evolution.
Where their past records felt like the soundtrack to raucous nights at a dive bar, You Can’t Tell Me I’m Not What I Used To Be ventures into a new realm. This album is Massy Ferguson's cinematic take on Americana, with vintage tones, analog warmth, lush instrumentation, and a more expansive, nuanced sound. The band has always been rooted in sharp songwriting, but with You Can’t Tell Me I’m Not What I Used To Be, they’ve broadened their musical horizon, capturing a deeper, more reflective side of their musical journey.
Produced by Damien Jurado—the celebrated folksinger known for his unpredictable and idiosyncratic style—the album is infused with a sense of intimate, analog production that complements the rich storytelling that Massy Ferguson is known for. Whether it’s the mournful tones of an aching ballad or the cathartic release of a driving anthem, the album unfolds like a film, exploring themes of personal evolution, nostalgia, and the passage of time.
Nearly two decades into their career, the band’s sound is more expansive than ever. While their previous works were steeped in the sweaty, rebellious energy of a good night out, You Can’t Tell Me I’m Not What I Used To Be is a more contemplative, cinematic journey through the roots of American music. The band, led by the distinctive voice and songwriting of frontman Ethan Anderson, is joined by guitarist Adam Monda, drummer Dave Goedde, and keyboardist Fred Slater, each contributing to the album’s lush, dynamic sound.
With You Can’t Tell Me I’m Not What I Used To Be, Massy Ferguson once again demonstrates their uncanny ability to craft emotionally rich, raw rock music that resonates with listeners long after the final chord fades. It’s an album about where we’ve been, where we’re going, and the people we become along the way.