G. Love's Pre Show Pop Off

Thu Jan 23 2020

5:00 PM (Doors 4:30 PM)

Brooklyn Bowl

61 Wythe Avenue Brooklyn, NY 11211

$99.00

Ages 21+

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Doors for GA Ticket Holders open at 6:00pm EST. G. Love’s Pre-Show Pop Off includes a general admission ticket with early entry, access to a pre-show performance and Q&A with G. Love at sound check, group photo on stage with G. Love and a limited edition poster autographed by G. Love. You will receive instructions via email 4-7 days before each show with event information.  Please note that this event will take place before doors are open so it will be just you and a few others for a very intimate and interactive performance with G!!

For all tickets purchased prior to October 1 on TicketFly, those tickets are still valid and able to be scanned at the door upon entry. Just pull up your ticket on your phone or bring your print-out. Starting October 1 all Brooklyn Bowl tickets will be available on TicketWeb.

G. Love's Pre Show Pop Off

  • G. Love & Special Sauce

    G. Love & Special Sauce

    Alternative Rock

    “I’ve been in the game a long time, but I’ve always considered myself a student,” says
    G. Love. “Finishing this album with Keb Mo’ felt like graduation.”
     
    Recorded in Nashville with a slew of special guests including Robert Randolph, Marcus
    King, and Roosevelt Collier, ‘The Juice’ is indeed diploma-worthy. Co-produced and
    co-written with GRAMMY-winning icon Keb Mo’, it’s an electrifying collection, one that
    tips its cap to more than a century of blues greats even as it offers its own distinctly
    modern pop spin on the genre, mixing programmed beats and hip-hop grooves with
    blistering guitar and sacred steel. G. Love’s lyrics are both personal and political here,
    artfully balancing his appreciation for the simple joys in life with his obligation to
    speak out for justice and equality, and his performances are suitably riotous and
    rousing to match, with infectious call-and-response hooks and funky sing-along
    choruses at every turn. Easy as it is to succumb to cynicism these days, the songs on
    ‘The Juice’ refuse, insisting instead on hope and determination in the face of doubt
    and despair.
     
    “I’ve always tried to make music that’s a force for positivity,” G. Love explains. “It
    was important to me that this album be something that could empower the folks who
    are out there fighting the good fight every day. I wanted to make a rallying cry for
    empathy and unity.”
     
    Born Garrett Dutton in Philadelphia, PA, G. Love grew up equally enthralled with folk,
    blues, and rap, devouring everything from Lead Belly and Run D.M.C. to John
    Hammond and the Beastie Boys. After migrating to Boston, he and his band, Special
    Sauce, broke out in 1994 with their Gold-selling self-titled debut, which earned
    widespread critical acclaim for its bold vision and adventurous production. Over the
    next twenty-five years, G. Love would go on to release seven more similarly lauded
    studio studios albums with Special Sauce (plus four solo albums on his own), solidifying
    his place in music history as a genre-bending pioneer with a sound The New York
    Times described as “a new and urgent hybrid” and NPR called a “musical melting pot.”
    G. Love’s magnetic stage presence, meanwhile, made him a fixture on festival lineups
    from Bonnaroo to Lollapalooza, and his relentless appetite for tour and collaboration
    landed him on the road and in the studio with artists as diverse as Lucinda Williams,
    Dave Matthews, The Avett Brothers, Jack Johnson, and DJ Logic.
    While G. Love has covered considerable sonic ground during his prolific career, he’s
    always found himself drawn back to the blues, and to one bluesman in particular.
    “Keb Mo’ and I got signed to the same label at the same time back when I first started
    out, and we toured together early on in my career,” G. Love remembers. “He used to
    introduce me onstage as ‘a true American original,’ and I could tell that he got a kick
    out of what I did. We didn’t see each other for a while after that, but a few years ago
    we reconnected and did a co-headline tour, which was really special for me.”
    Two decades after they’d first hit the road together, the unlikely duo picked up right
    where they left off, and after a couple late-night jam sessions, G. Love pitched Keb
    Mo’ on producing his next album. The pair decided to test the waters with a writing
    session first, teaming up with GRAMMY-winner Gary Nicholson (famed for his work with

    B.B. King, Buddy Guy, Willie Nelson, and Ringo Starr among others) for a week in
    Nashville, where they penned a handful of tunes based on phrases G. Love had saved
    in his phone or rough demos he’d recorded at home on Cape Cod. Those tracks quickly
    became fan favorites on the road, and G. Love knew he was on to something special.
    “I got wrapped up in touring and in my Jamtown project with Donovan Frankenreiter
    and Cicso Adler after that first session, and even though I really enjoyed working with
    Keb Mo’ and Gary, it was a year-and-a-half before I was able to get back down to
    Nashville to finish writing the album with them.”
    When it came time to record, Keb Mo’ was meticulous, working closely with G. Love in
    the studio on nearly every aspect of his performances. While G. Love was used to
    creating raw, loose albums by the seat of his pants, Keb Mo’ worked in a much more
    deliberate, methodical fashion, building songs up like a hip-hop producer. He’d create
    a beat on his keyboard, lay down a bass line, and then coach G. Love through the
    tracks sometimes line-by-line.
    “He was always impressing on me where to place the emphasis and how to phrase my
    lyrics and guitar playing in relation to the beat,” G. Love explains. “He’d tell me to
    sing like I had a shovel in my hands and I was digging on the one.”
    The resulting mix of G. Love’s idiosyncratic style and Keb Mo’s old-school influence
    proves intoxicating on ‘The Juice,’ which opens with the shuffling, anthemic title
    track. “We got the juice / We got the love / We got the dreams / We had enough,” G.
    Love sings, setting the stage for an album all about recognizing your power to impact
    the world around you in ways both big and small. The infectious “Birmingham,” for
    instance, is an ode to perseverance when , while the funky “Go Crazy” cuts loose in
    the face of our maddening 24-hour news cycle, and the relentless “Shake Your Hair”
    rattles off a head-spinning list of modern ills before declaring “donate, don’t wait,
    spread love don’t hate.”
    “I’ve never been the kind of guy who thinks he’s going to change the world with his
    guitar,” reflects G. Love. “But maybe I can write the kind of songs that give strength
    and encouragement to the people who are out there doing the work to make this
    planet a better place. Those are the people I want to lift up with my music.”
    When G. Love sings about making the world a better place, he’s not just singing about
    politics, though, and ‘The Juice’ serves as a beautiful exploration of the ways we can
    brighten our own little worlds and the worlds of those we care about on a daily basis.
    The gritty “SoulBQue” is a celebration of community and friendship, while the rootsy
    “She’s The Rock” pays tribute to all the little ways lovers can lift each other up, and
    the breezy “Diggin’ Roots” spins cultivating a garden into a metaphor for the
    importance of tending to your home and family and neighbors.
    “I was going through a tough time in my life when I met my fiancé, but my whole
    world seemed to turn around after that,” says G. Love. “I started meditating, we had
    a son, and we moved out to the Cape. That’s when I stopped writing breakup songs
    and started writing love songs and family songs and friendship songs.”

    Life is good for G. Love these days, and he’s not taking a moment of it for granted. In
    fact, in just the past few years alone he’s launched his own beer collaboration with
    Oregon’s Good Life Brewery (The Juice IPA), started his own festival in Massachusetts
    (The Cape Cod Roots & Blues Festival), and founded his own record label,
    Philadelphonic, which he aims to use as an outlet for curating both music and visual
    art (the cover of ‘The Juice’ features a brand new work G. Love commissioned from
    renowned painter Greg Haberny).
    “I’m more inspired right now than I’ve ever been before,” G. Love reflects. “I feel
    more thoughtful, seasoned, marinated, confident. I’m making the records I’ve always
    wanted to make.”
    Cue “Pomp and Circumstance.”

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

limit 10 per person
General Admission

ncludes a general admission ticket with early entry, access to a pre-show performance and Q&A with G. Love at sound check, group photo on stage with G. Love and a limited edition poster autographed by G. Love.

$99.00

Delivery Method

ticketFast
Mail
UPS

Terms & Conditions

This event is 21 and over. Any Ticket holder unable to present valid identification indicating that they are at least 21 years of age will not be admitted to this event, and will not be eligible for a refund.

G. Love's Pre Show Pop Off

Thu Jan 23 2020 5:00 PM

(Doors 4:30 PM)

Brooklyn Bowl Brooklyn NY
G. Love's Pre Show Pop Off

$99.00 Ages 21+

Doors for GA Ticket Holders open at 6:00pm EST. G. Love’s Pre-Show Pop Off includes a general admission ticket with early entry, access to a pre-show performance and Q&A with G. Love at sound check, group photo on stage with G. Love and a limited edition poster autographed by G. Love. You will receive instructions via email 4-7 days before each show with event information.  Please note that this event will take place before doors are open so it will be just you and a few others for a very intimate and interactive performance with G!!

For all tickets purchased prior to October 1 on TicketFly, those tickets are still valid and able to be scanned at the door upon entry. Just pull up your ticket on your phone or bring your print-out. Starting October 1 all Brooklyn Bowl tickets will be available on TicketWeb.
G. Love & Special Sauce

G. Love & Special Sauce

Alternative Rock

“I’ve been in the game a long time, but I’ve always considered myself a student,” says
G. Love. “Finishing this album with Keb Mo’ felt like graduation.”
 
Recorded in Nashville with a slew of special guests including Robert Randolph, Marcus
King, and Roosevelt Collier, ‘The Juice’ is indeed diploma-worthy. Co-produced and
co-written with GRAMMY-winning icon Keb Mo’, it’s an electrifying collection, one that
tips its cap to more than a century of blues greats even as it offers its own distinctly
modern pop spin on the genre, mixing programmed beats and hip-hop grooves with
blistering guitar and sacred steel. G. Love’s lyrics are both personal and political here,
artfully balancing his appreciation for the simple joys in life with his obligation to
speak out for justice and equality, and his performances are suitably riotous and
rousing to match, with infectious call-and-response hooks and funky sing-along
choruses at every turn. Easy as it is to succumb to cynicism these days, the songs on
‘The Juice’ refuse, insisting instead on hope and determination in the face of doubt
and despair.
 
“I’ve always tried to make music that’s a force for positivity,” G. Love explains. “It
was important to me that this album be something that could empower the folks who
are out there fighting the good fight every day. I wanted to make a rallying cry for
empathy and unity.”
 
Born Garrett Dutton in Philadelphia, PA, G. Love grew up equally enthralled with folk,
blues, and rap, devouring everything from Lead Belly and Run D.M.C. to John
Hammond and the Beastie Boys. After migrating to Boston, he and his band, Special
Sauce, broke out in 1994 with their Gold-selling self-titled debut, which earned
widespread critical acclaim for its bold vision and adventurous production. Over the
next twenty-five years, G. Love would go on to release seven more similarly lauded
studio studios albums with Special Sauce (plus four solo albums on his own), solidifying
his place in music history as a genre-bending pioneer with a sound The New York
Times described as “a new and urgent hybrid” and NPR called a “musical melting pot.”
G. Love’s magnetic stage presence, meanwhile, made him a fixture on festival lineups
from Bonnaroo to Lollapalooza, and his relentless appetite for tour and collaboration
landed him on the road and in the studio with artists as diverse as Lucinda Williams,
Dave Matthews, The Avett Brothers, Jack Johnson, and DJ Logic.
While G. Love has covered considerable sonic ground during his prolific career, he’s
always found himself drawn back to the blues, and to one bluesman in particular.
“Keb Mo’ and I got signed to the same label at the same time back when I first started
out, and we toured together early on in my career,” G. Love remembers. “He used to
introduce me onstage as ‘a true American original,’ and I could tell that he got a kick
out of what I did. We didn’t see each other for a while after that, but a few years ago
we reconnected and did a co-headline tour, which was really special for me.”
Two decades after they’d first hit the road together, the unlikely duo picked up right
where they left off, and after a couple late-night jam sessions, G. Love pitched Keb
Mo’ on producing his next album. The pair decided to test the waters with a writing
session first, teaming up with GRAMMY-winner Gary Nicholson (famed for his work with

B.B. King, Buddy Guy, Willie Nelson, and Ringo Starr among others) for a week in
Nashville, where they penned a handful of tunes based on phrases G. Love had saved
in his phone or rough demos he’d recorded at home on Cape Cod. Those tracks quickly
became fan favorites on the road, and G. Love knew he was on to something special.
“I got wrapped up in touring and in my Jamtown project with Donovan Frankenreiter
and Cicso Adler after that first session, and even though I really enjoyed working with
Keb Mo’ and Gary, it was a year-and-a-half before I was able to get back down to
Nashville to finish writing the album with them.”
When it came time to record, Keb Mo’ was meticulous, working closely with G. Love in
the studio on nearly every aspect of his performances. While G. Love was used to
creating raw, loose albums by the seat of his pants, Keb Mo’ worked in a much more
deliberate, methodical fashion, building songs up like a hip-hop producer. He’d create
a beat on his keyboard, lay down a bass line, and then coach G. Love through the
tracks sometimes line-by-line.
“He was always impressing on me where to place the emphasis and how to phrase my
lyrics and guitar playing in relation to the beat,” G. Love explains. “He’d tell me to
sing like I had a shovel in my hands and I was digging on the one.”
The resulting mix of G. Love’s idiosyncratic style and Keb Mo’s old-school influence
proves intoxicating on ‘The Juice,’ which opens with the shuffling, anthemic title
track. “We got the juice / We got the love / We got the dreams / We had enough,” G.
Love sings, setting the stage for an album all about recognizing your power to impact
the world around you in ways both big and small. The infectious “Birmingham,” for
instance, is an ode to perseverance when , while the funky “Go Crazy” cuts loose in
the face of our maddening 24-hour news cycle, and the relentless “Shake Your Hair”
rattles off a head-spinning list of modern ills before declaring “donate, don’t wait,
spread love don’t hate.”
“I’ve never been the kind of guy who thinks he’s going to change the world with his
guitar,” reflects G. Love. “But maybe I can write the kind of songs that give strength
and encouragement to the people who are out there doing the work to make this
planet a better place. Those are the people I want to lift up with my music.”
When G. Love sings about making the world a better place, he’s not just singing about
politics, though, and ‘The Juice’ serves as a beautiful exploration of the ways we can
brighten our own little worlds and the worlds of those we care about on a daily basis.
The gritty “SoulBQue” is a celebration of community and friendship, while the rootsy
“She’s The Rock” pays tribute to all the little ways lovers can lift each other up, and
the breezy “Diggin’ Roots” spins cultivating a garden into a metaphor for the
importance of tending to your home and family and neighbors.
“I was going through a tough time in my life when I met my fiancé, but my whole
world seemed to turn around after that,” says G. Love. “I started meditating, we had
a son, and we moved out to the Cape. That’s when I stopped writing breakup songs
and started writing love songs and family songs and friendship songs.”

Life is good for G. Love these days, and he’s not taking a moment of it for granted. In
fact, in just the past few years alone he’s launched his own beer collaboration with
Oregon’s Good Life Brewery (The Juice IPA), started his own festival in Massachusetts
(The Cape Cod Roots & Blues Festival), and founded his own record label,
Philadelphonic, which he aims to use as an outlet for curating both music and visual
art (the cover of ‘The Juice’ features a brand new work G. Love commissioned from
renowned painter Greg Haberny).
“I’m more inspired right now than I’ve ever been before,” G. Love reflects. “I feel
more thoughtful, seasoned, marinated, confident. I’m making the records I’ve always
wanted to make.”
Cue “Pomp and Circumstance.”

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

Ages 21+
limit 10 per person
General Admission
ncludes a general admission ticket with early entry, access to a pre-show performance and Q&A with G. Love at sound check, group photo on stage with G. Love and a limited edition poster autographed by G. Love.
$99.00

Delivery Method

ticketFast
Mail
UPS

Terms & Conditions

This event is 21 and over. Any Ticket holder unable to present valid identification indicating that they are at least 21 years of age will not be admitted to this event, and will not be eligible for a refund.