Eyelids, LYLAS

Thu Feb 14 2019

9:00 PM (Doors 8:30 PM)

The Basement

1604 Eighth Ave South Nashville, TN 37203

$8 ADV/ $10 DOORS

Ages 21+

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Eyelids, LYLAS

  • Eyelids

    Eyelids

    Indie Rock

    For years, Moen and Slusarenko played and wrote in the company of some of the most legendary songwriters of indie rock including Robert Pollard (Guided by Voices), Stephen Malkmus (Pavement/Jicks), Coli n Meloy (The Decemberists) and Elliott Smith. In 2014 they decided that it was time to finally start writing and recording together, adding the talents of guitarist/vocalist Jonathan Drews (Sunset Valley, Damien Jurado). The end result was their thirteen song debut album, 854, which gained positive notes from A/V Club, Brooklyn Vegan, BBC6 Radio and MOJO magazine. NPR called them “Portland’s best kept secret”.

    That secret was short lived. Over the course of the next two-and-a-half years, the band has issued recordings at a prolific clip: They’ve released five 7”s and a 12” EP (which was labeled “EP/single of the year” by legendary East Coast freeform radio station WFMU ). They toured in the States and overseas, as headliners and as openers for Drive-By Truckers & The Charlatans UK (after hearing 854 Charlatans leader Tim Burgess asked to release the album overseas via his O Genesis label).

    “With the first album we quickly realized that we were not just a studio project but a band, that wanted to play these songs live,” Slusarenko says. Eyelids wasted no time enlisting Paul Pulvirenti (No. 2, Elliott Smith) and Jim Talstra (The Minus 5, Dharma Bums) as their rhythm section. The band’s live action led directly to the band’s new album, or. “We wanted to make the second album with all five of us from the beginning and it was pretty exciting to see that come to full bloom,” Slusarenko says.

    With or, the band’s second full-length LP, Eyelids has created their most emotional record yet. Produced by Peter Buck of R.E.M. and mixed by Thom Monahan (Peter, Bjorn and John, Devandra Banhart, Fruit Bats), or is liberally sprinkled with the hooks, melodies, and charming wordplay that make a certain kind of rock & roll fan fall madly in love with an LP. It’s all evident in the opening song, “Slow It Goes” — is that a play on Vonnegut or Nick Lowe? Somehow both feel appropriate — the kind of classic easily slotted between Superchunk and the Raspberries on a mixtape, locked and loaded with a perfectly winsome expression of angst: “She says, ‘If I can keep from sighing, why can’t you?’” From there, the sequence dives deeper and deeper into Slusarenko and Moen’s love of underground pop: listen to those sparkling “Starry Eyes”-worthy guitars on “Falling Eyes,” the psychedelic swirl of “My Caved In Mind,” and the Dream Syndicate mysticism of “Tell Me You Know.”

    or marks the first time of having an outside producer and having Peter Buck in that role proved a steady presence, along with his encyclopedic rock know-how. “Peter brings a certain calm to the studio at an Eyelids session,” Moen says. “I think he helps us get the best out of ourselves in a timely way, as he doesn’t like belaboring a point.”

    Joined by guests Jay Gonzales (Drive-By Truckers), Jonathan Segel (Camper Van Beethoven) and Buck himself, the record demonstrates what happens when a group of old friends get into a room and truly collaborate. With friendships stretching back to their teens, Slusarenko and Moen bring out the best in each other as writers, resulting in a creative tension between their respective lyrical outlooks (dark/sunny). With or, collaboration was key. Take for instance the song “Moony,” which began as a sketch by Slusarenko. “It had a kind of pretty looping cyclical feel,” he says, but Moen and Drews began adding Marquee Moon-style guitars on the spot, and the rhythm section of Pulvirenti and Talstra hit on a Black Sea-era XTC beat. Suddenly, it became a whole new beast. “It was a new language for the band,” Slusarenko says. “We’re all pretty different stylistically, so it’s always cool to see where we push and pull each other.”

    or is the sound of a band realizing its potential, of old friends connecting creatively and sonically, creating exuberant, nuanced, pop music.

  • LYLAS

    LYLAS

    Folk

    The songs of shapeshifting folk ensemble lylas are sparkling bits of unusual pop. Like a coffin shaped candy bin, lylas populates its world with bloody nightgowns, suburban dissatisfaction, friendly demons, and pre-teen princesses with a penchant for the macabre. Here, silent ghosts of Flannery O'connor and Jeffrey Eugenides watch you accidentally ride your bike into a neighborhood that at first seems a little too shiny - until one of its peculiar populace takes you by the hand and shows you around. Too much candy isn't good for you; lylas knowingly weaves dark strings and unusual instrumentation in and out of its seemingly innocent songs so that even if you don't catch the lyrics at first, the listener has a hint that something sinister is afoot. lylas is not for everyone. There is no outright political or social rage here, no condemnation. But rather the creation of a self-enclosed world. Understanding that is essential to understanding this music. Like a beautiful nightmare - it's the lovely she-vampire, the enticing succubus... you have to be willing to step into the lylas kingdom. It won't shout at you, but like a vampire it will love you to death.

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Eyelids, LYLAS

Thu Feb 14 2019 9:00 PM

(Doors 8:30 PM)

The Basement Nashville TN
Eyelids, LYLAS

$8 ADV/ $10 DOORS Ages 21+

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

Ages 21+
limit 4 per person
GA
$8.00

Delivery Method

Mail
UPS
Will Call

Terms & Conditions

This event is 21 and over. Any Ticket holder unable to present valid identification indicating that they are at least 21 years of age will not be admitted to this event, and will not be eligible for a refund.