In middle Tennessee there lies a collaborative retreat for musicians and audio engineers driven by the primary instrumentation, structure, and lyrics of singer/songwriter/producer Ethan Samuel Brown. Ethan is a neofolk lyricist combining elements of traditionalist european folk and appalacian newgrass to contrive a melodic concoction of modern, unique folk music. Ethan's impressionable years were spent in his birth place of the Appalachian slag heaps in Eastern Kentucky. Ingesting nights of moonshine soaked bluegrass parties through the young eyes of sobriety, he became obsessed with studying the poems and lyrics of folk musicians and authors who experienced a similar, timeless upbringing. After jumping across the commonwealth and eventually landing on the other side of the Ohio river in Cincinnati, he embarked on a rigorous study of stringed instruments. At 18, he made the move to Nashville. Here, He studied music production under many successful industry professionals on historic Music Row. After spending a couple of years mingling through the east side of music city as an audio engineer and a concert promoter, he began pursuing a career as a solo artist, performing consistently at venues across the country. He later returned to Nashville and hand selected a core of music city professionals to back his centralized vision. Ethan is currently writing and recording his debut album in Nashville, TN at Yellow Box Sound Studios and APTKB.

For Birmingham native Hays Ragsdale, songwriting became second nature early on, however it was a creative outlet that he mostly kept to himself. His outlook changed, however, after moving to Nashville in the fall of 2014, when family friend and Nashville music veteran Chas Williams convinced him that his songs had an audience. So Hays decided to seek out a group of experienced musicians and naturally turned to fellow Nashville transplants formerly involved in Birmingham's tight-knit music community. Luckily, he found some familiar faces: Longtime friend and bassist Parker McAnnally was recruited first, who soon suggested accomplished guitarist Jack Thomason and his college classmate, Houston-raised drummer John Wood. All drawn to the musical environment in Nashville for similar reasons, the four-piece quickly discovered a common vision and formed The Prescriptions.  While The Prescriptions may come by their Southern style of narrative storytelling honestly, they refuse to rest on the laurels of their musical heritage. Songs like “She Is Waiting” prove that they’re just as comfortable launching into a heavy, alt-country breakdown as they are a world-weary lyrical stream of consciousness. The Prescriptions channel a broad range of influences, from the aching, unaffected honesty of ‘70s folk titans like Neil Young, to the guitar-driven melodies of The Strokes’ early recordings and the experimental energy of Wilco. The band is set to start recording their first full length album at the legendary Sound Emporium Studios this spring. It’s clear that The Prescriptions are somewhat of a rarity in the modern musical landscape: a group of close friends that are more concerned with pushing each other’s creative boundaries rather than pushing a sound you’ve heard before. - Hilli Levin

Brought up on the music of 70's balladeers and deeply inspired by American roots music, Zach Torres writes, sings, and plays from an old soul. Born and raised in Houston, TX but currently in Nashville playing locally and working looking toward the next record.