Born in 1984 in Portland, Oregon, esperanza spalding is an eaabibacliitoti* artist, trained and initiated in the North American (masculine) jazz lineage and tradition. Her work interweaves through various combinations of instrumental music, bass playing, improvisation, singing, composition, poetry, dance, therapeutic research, storytelling, teaching, regenerative agriculture, urban land & artist-sanctuary custodianship, and growing in love as a daughter, sister, cousin, niece, auntie, great-auntie, friend, while collaboratively decolonizing within and through her hometown community. She founded and Co-Directs Prismid Sanctuary, a non-profit that creates and stewards free artist residency, performance, and workshop space in Portland, Oregon (Prismid.org).

Milton + esperanza is spalding’s first new album release since 2021's songwrights apothecary lab, which along with 2019’s 12 Little Spells, both won GRAMMY Awards (Best Jazz Vocal Album). Last year spalding released a protest song entitled “Não Ao Marco Temporal” that was recorded in Rio and addresses the Temporal Framework, an initiative in Brazil that threatens Indigenous Brazilians’ land rights and poses a major risk to the Amazon rainforest. A 5-time GRAMMY winner and 11-time nominee, spalding has previously released 8 full length albums and in addition to working with her heroes including Nascimento and Shorter, she has collaborated with Q-Tip, Janelle Monae, Robert Glasper, Terri Lyne Carrington and many others.

esperanza continues to develop a mockumentary titled “NIGREDO” in collaboration with brontë velez // to research, develop and share liberation grammars in jazz and black dance // creative consults and collaborates for upcoming productions of the opera “…(Iphigenia)” (music by Wayne Shorter, libretto by spalding) // and through the Songwrights Apothecary Lab collaborates with practitioners in various fields relating to sound, healing, and cognition to develop music with enhanced therapeutic potential.

With her dance project “Off Brand gOdds” and her therapeutic music incubator “Songwrights Apothecary Lab” she co-leads performance, teaching, workshop, and therapeutic-arts research residencies in collaboration with colleges and arts venues across the Americas and throughout the world. She is a 2024 recipient of the Doris Duke Foundation Artist Award and a 2016 Ford Foundation “Art of Change” Fellow.

*European-African ancestored being influenced by American cultures living in Indigenous Territories of Turtle Island