From the Grand Ole Opry, to releasing 10 albums by the age of 20, EmiSunshine has proven she’s a force to be reckoned with. Her raw talent, heartfelt lyrics, and magnetic stage presence have made her a favorite among fans of all ages. Emi isn’t just a performer—she’s a storyteller. Whether she’s writing a poignant ballad or delivering an electrifying performance, her music resonates deeply, weaving tales of life, love, and the human experience. With accolades from critics and fans alike, EmiSunshine has earned her place in the spotlight. And she’s just getting started. “A very talented young lady, ...EmiSunshine is taking the nation by storm, and if you ever get the chance to see them, by all means...you must.”—No Depression

With a closet full of boots, a heart full of wander and a soul full of songs, the charming and multi-talented Kentucky “Wonky Tonk” woman releases her debut album Stuff We Leave Behind in hopes of continuing her Wonky ways with a lighter heart in lieu of finding the Neverland in all of  Jasmine Lorraine “Wonky Tonk” Poole grew up in the hard scrabble portion of the American heartland. Kentucky, to be precise. Her world of loss and longing is familiar terrain for lovers of country, bluegrass and folk music but, just as Kentucky can be viewed as a bridge between north and south, Wonk’s music blends elements of Indie/Alternative rock with old school country. It’s hard to separate the wonk from the tonk. Nor should you try.  Wonk’s influences, John Prine, Guy Clark, Modest Mouse and Loretta Lynn among them (especially Loretta), are apparent but her music is not derivative. Loretta, Skeeter Davis, Iris Dement and Jenny Lewis come to mind but none of her comparables quite pin her down. Wonk is her own cowgirl. “Cowgirls get up in the morning, decide what to do and do it”, she was told as a child. Fiercely independent but naturally shy Jasmine uses her alter ego and blue cowgirl boots to deal with the notion of impossibly cruel but equally exhilarating existence.  One byproduct of youthful innocence is a constant disappointing, bewildering surprise:  You used to call me baby  You used to call me darlin’  Now you don’t call me at all  Another is vulnerability and manipulability:  In the greasy ballroom  You whispered in my ear  Darlin’ life is a gamble, romance a drug  The whole world is dancin'  Won’t you give in and love  Her eleven song debut release Stuff We Leave Behind deals with the necessity of moving on at critical points in your life. Stuff that once seemed important must be cast aside, ex-lovers relegated to the shadows. “Heartbreak makes the jukebox play”, she was once told. Her song titles reflect her wandering spirit and a fascination with time and place. “Cleveland." “Denmark." “Tennessee." “Montague Road." A veteran troubadour at such a tender age, Wonk has toured Europe with the same restless drive as her native Northern Kentucky.  Tom Robbins told us that even Cowgirls Get the Blues but all is not remorse and regret. Jangly sunshine pops through the clouds unexpectedly, such as in “Parkland Avenue” (arguably the best track). Though softly. Without the glare.  Wonk’s lyrics are worth a read even without the music. The album tracks her evolution as an artist and a person. The gravel, rutted road to an emerging wisdom.  Tennessee didn’t you hear  Money’s not real and neither is fear  Pay attention to Wonk. Not just because she is talented and beautiful. Pay attention because she has an important purpose. To help you remember. To help you forget. Or to help you remember why you chose to forget.  With love from Kentucky,  Wonky Tonk