Ellis Paul doesn’t just write songs; he’s a guitar-carrying reporter who covers the human condition and details the hopes, loves, losses of those he observes, turning their stories into luminous pieces of music that get under your skin and into your bloodstream. And much like the artists who have influenced him, everyone from Joni Mitchell, Bob Dylan and Paul Simon to the singer-songwriter who is undoubtedly his greatest inspiration, Woody Guthrie, Paul weaves deeply personal experiences with social issues and renders them as provocative works that are as timely as they are timeless. Born and raised in Maine, Paul attended Boston College on a track scholarship and in the evenings became a fixture on the city’s open mic circuit. After winning a Boston Acoustic Underground songwriter competition, he caught the ear of folk luminary Bill Morrissey, who produced his indie album Say Something in 1993. This led to a seven- album contract with Rounder Records and the 1994 album, Stories. His songs have appeared in several blockbuster films (Me, Myself, and Irene; Shallow Hal, Hall Pass) and have been covered by award winning country artists (Sugarland, Kristian Bush, Jack Ingram). Through a steady succession of albums of his own – a remarkable 23 releases so far – and a constant touring presence around the world, Paul’s audience has grown into a loyal legion of fans. Along the way, he has picked up an impressive number of awards including the prestigious Kerrville New Folk Award, 15 Boston Music Awards, An Honorary Doctorate from the University of Maine, the 2019 International Acoustic Music Awards Artist of the Year and most recently his album, The Storyteller’s Suitcase, was named the 2019 NERFA Album of the Year. His new album “55” touches on the necessity of gratitude in a difficult era of the pandemic and divided political stances on his own imprint, Rosella Records.  

Drawing from a multitude of influences ranging from elegant classical and jazz styles to the rawest, most basic blues, country and soul, Radoslav Lorković has taken on an unusually broad musical spectrum and refined it into his distinctive piano style. His tenure on the R&B and folk circuits has culminated in five critically acclaimed solo recordings and numerous appearances on the recordings of and performances with artists including Odetta, Jimmy LaFave, Ribbon of Highway Woody Guthrie Tribute, Greg Brown, Richard Shindell, Ellis Paul, Ronny Cox, Dave Moore, Andy White, and Bo Ramsey. His thirty year touring career has led him from the taverns of the upper Mississippi River to the castles of Italy, The Canary Islands, The Yup’ik villages of Alaska, The Kennedy Center and Carnegie Hall.Born in Zagreb, Croatia in 1958, Lorković’s initial exposure to music can be attributed to two grandmothers. Antonija, his maternal Grandmother, sang him Croatian, Slovenian and Czech folk songs since birth. At age one he was reported to be singing back on pitch. By age three he was putting on floor shows for his grandfather and friends who would respond by showering him with coins yelling “pivaj Radoslav pivaj!” During this time classical music played in the home constantly due to the influence of his paternal grandmother Melita Lorković, a internationally renown classical pianist. After this blend of central European musical influences Radoslav moved to the United States at age six. He had a foothold on a classical music career when at age fourteen he was sidetracked by a blues scale that a friend had taught him. After several years and countless hours of expounding on this spark, Lorković began touring at age 20 with Bo Ramsey and the Sliders. Lorković entered the band having mastered the styles of boogie-woogie greats such as Albert Ammons, Pete Johnson, Freddie Slack etc.. Ramsey’s influence drove Lorković deeper to the core of the blues. The music of Howlin’ Wolf, Muddy Waters and Little Walter shifted Lorković’s focus to the basics as he began to draw from the styles of Otis Spann and Pinetop Perkins. Several years later Lorković and Ramsey joined forces with Greg Brown adding musical authenticity to his deep Iowa Roots. At this time Lorković was simultaneously brushing up on his classical heritage and looking south to the polyrhythmic sounds of Professor Longhair and James Booker. He had picked up Tex-Mex and Zydeco accordion as well. In 1990 he made his solo recording debut. Six CDs later, Lorković currently tours the world regularly appearing at prestigious events such as the Woody Guthrie Folk Festival, WOMAD, Winnipeg, Calgary, Edmonton and Ottawa folk festivals, Falcon Ridge Folk Festival, Mountain Stage, Prairie Home Companion, eTown as well as a litany of Italian castles and villas.

“Is Laurie MacAllister seeking perfection? Whether she is or not, her latest album “The Lies the Poets Tell” is defining—a curated collection of songs packed with emotional vibrancy.”   -Mary Sue Twohy, Program Director, SiriusXM Satellite Radio ​ "Ms. MacAllister wholly inhabits these songs [on her album "The Things I Choose to Do"]. In each, as subtly as a chameleon, she convincingly takes on the persona's skin. Her commitment to the magic of this material has her, quite simply, singing her heart out.” -Barnes & Noble Laurie MacAllister held a quiet dream of being a singer since she was a very young girl. Her voice finally came alive years later when, on a dare, she was convinced to sing spontaneously for a crowd in New York City, in Washington Square Park. A career began in that moment. Laurie started with a steady stream of nights on open mic stages around NYC, and then landed a regular Monday night gig at the The Grey Dog’s Coffee in the West Village. She released her first album of ten original songs called "These Old Clothes” soon afterward. In 2000, she discovered a passion for harmony singing while touring the country with folk luminary Cliff Eberhardt. Eberhardt produced Laurie's next solo album, "The Things I Choose To Do”, which was first released independently, and then picked up by Barnes & Noble and re-released on their label. In 2004, at a campsite at the Falcon Ridge Folk Festival, Laurie began making music with her campmates, weaving their voices together in harmony. In an impromptu and magical moment, the Americana trio Red Molly was born. With a focus on beautiful songs, soaring harmonies, and a deep relationship with their fans (who dubbed themselves RedHeads), the band quickly became the darlings of the folk/Americana scene. Red Molly has shared their voices around the world for seventeen years, singing everywhere from Australia to America, playing 100 shows annually in front of thousands of fans, frequently selling out venues, and releasing seven acclaimed albums. Along the way, in 2010, Laurie's voice was featured in a national television commercial for Folgers Coffee. In 2018, she produced and released a new solo album called "The Lies the Poets Tell", a collection of some her most beloved songs. The album features duets with six male vocalists, including the late Americana master Jimmy LaFave. Laurie has composed and sung harmony parts on dozens of recordings, including those by Cliff Eberhardt, Susan Werner, and Ellis Paul. She's also taught singing and stage performance around the country, including at Folk Alliance International, Targhee Music Camp, and the New England Songwriters Retreat. Laurie's powerful yet delicate voice stretches octaves, warm and romantic one moment, playful and irreverent the next. One song at a time, one show at a time, over the course of two adventuresome decades, Laurie has turned her quiet dream into a joyous reality.