Dusted Angel is a band that likes to keep it in the family. Made up of a group of close friends that have known each since the early 80s, stemming from playing in various intertwined bands engraved in the extended Santa Cruz family of friends. Featuring Ed Gregor, guitar (hedgehog, no use for a name), Eric "Dog" Fieber, guitar (Mock, creature, fire sermon) Steve Ilse drums (creature, Herbert, Automatic Animal) Clifford Dinsmore vocals  (Bl'ast!, Seized Up, Spaceboy) and Eliot Young (Lost in Line, Seance)  on bass. Formed a very long time ago (I don't know..2009 or something), Dusted Angel is a sleeping giant that awakens from time to time to enlighten people with their unique brand of heavy, heavy groove laden music. The advice for fans is to get it while the gettin's good!

Formed by brothers Nicky and Aaron Emmert in 2005, Mammatus has spent two decades evolving with a deliberate focus that mirrors the slow, certain growth of the landscapes they inhabit. Deeply rooted in the Santa Cruz mountains, the band—comprising the Emmert brothers and bassist/synthesist Chris Freels—has forged a creative identity inseparable from the geography of the Pacific coast. Their music is an extension of the ancient stillness of the redwood forests, the crushing power of the sea, and the transition of the blue sky into the infinite black of space. Over the last twenty years, Mammatus has moved away from the frantic pace of the modern music industry, opting instead for a path of mindful, glacial precision. This commitment to a patient creative process ensures that their output is a direct reflection of a life lived in observation of the natural world, a philosophy that reached its most recent height in their expansive 2023 work, Expanding Majesty.  The sonic experience of Mammatus is defined by a panoramic scale that seeks to replicate the staggering proportions of the environment. Their compositions function as immersive, living atmospheres that balance a profound physical weight with moments of weightless, celestial clarity. In a live setting, this manifests as a meticulous layering of sound: guitar chords that strike with the force of a breaking wave before hanging like mountain mist, kaleidoscopic melodic weaving, and the sweeping, organic resonance of analog synthesizers. The interplay between the rhythmic foundation and the soaring electronic textures creates a sound that demands patience and rewards deep listening, built on a structure that is as much about the silence of the forest as it is about the resonance of a full backline.  At the core of the band’s work is a commitment to positivism and the pursuit of awe. While the music possesses an undeniable intensity, its purpose is to channel the overwhelming beauty of existence and the infinite nature of the universe. By operating on their own timeline and adhering to a strict love of craft, Mammatus has transformed into a vessel for exploring expanded consciousness through the lens of the earth and the stars. A Mammatus performance is not just a concert, but a communal experience of wonder, inviting the listener to step outside of the clock and into a visionary world defined by tradition, patience, and the majesty of the natural order.