Sat Dec 12 2015

8:00 PM Doors

Majestic Theatre

4120 Woodward Ave. Detroit, MI 48201

$20 Adv./ $25 Day of

All Ages

Share With Friends

http://upstatement.com/wp-content/themes/blades/images/drink/facebook_button.png

AEG Live Presents:
Deerhunter, Atlas Sound

  • Sorry, you missed this event.
  • Check out other similar events on TicketWeb.
  • Deerhunter

    Deerhunter

    Alternative Rock

    From Atlanta, Georgia, the origins of Deerhunter can be traced back to when frontman Bradford Cox first met guitarist Lockett Pundt at high school. Years later Bradford met Moses Archuleta and started jamming together. Other contributors to Deerhunter since its establishment in 2001 include Josh Fauver, Colin Mee and Whitney Petty. The current incarnation consists of Cox, Pundt and Archuleta plus bassist Josh Mckay and guitarist Frankie Broyles.

    Deerhunter’s first album was a lo-fi experiment not initially intended for the wider world, but appeared in 2005 on a local Atlanta label, Stickfigure. Although officially untitled, it has since become known as Turn It Up, Faggot; a phrase that doesn’t actually appear on the sleeve but is an insult that Cox claimed was often thrown at the band during their early gigs. Their next album, Cryptograms (2006), was generally considered to be their real debut and as such things started to get serious for the band. They had moved to fêted Chicago indie, Kranky (Godspeed You! Black Emperor, Low, Stars Of The Lid), and the world outside was starting to pay attention.

    Then in mid-2008, Deerhunter and Kranky signed a deal with 4AD, allowing them to finally release music outside the US and the band’s next move was to prove epic in more than just musical terms.?? Recorded over the course of a week at the Rare Book Studios in Brooklyn, NY, the Can and Wire-inspired Microcastle (2008) was to propel them to further heights. However, the album leaked four months before release, leading the band back to the studio to record Weird Era Cont., an album in its own right added as a bonus disc to make Microcastle a 25-track colossus. Not content with such prolificacy, the band announced a new five track EP, Rainwater Cassette Exchange, in 2009 and that its release would coincide with the band’s extensive European, Japanese and Australian tour in May and June.??

    Displaying few signs of slowing down, Halcyon Digest, the band’s fourth studio album was released in September 2010. Remaining in their native Georgia to piece together the album, Halcyon Digest took just a few weeks to complete. The recording sessions took place at Chase Park Transduction in Athens with Ben H. Allen helping to co-produce the album, while final track, ‘He Would Have Laughed’, was recorded separately by Bradford Cox at NOTOWN SOUND in Marietta. To announce the release, the band fully embraced the DIY mindset of their New Wave heroes from the 70’s and 80’s with a Cox-designed, cut-and-paste Xeroxed flyer. It’s with these kind of approaches that Deerhunter continue to widen their sphere of influence and impress with each subsequent release.

    After a brief hiatus, during which time Bradford Cox and Lockett Pundt released their own albums as Atlas Sound and Lotus Plaza respectively, a new Deerhunter line-up (with additions of bassist Josh Mckay and guitarist Frankie Broyles) reconvened in January 2013 at Rare Book Studio in Brooklyn, New York. Produced by Nicholas Vernhes and Bradford Cox and recorded in the dead of night, Deerhunter’s new longplayer Monomania will be released in May. Monomania finds the group recalling its scrappy punk aesthetic; a perfect nocturnal garage rock album full of the layered and hazy vintage guitar sounds that define them.

  • Atlas Sound

    Atlas Sound

    Alternative Rock

    Atlas Sound is the solo moniker of Deerhunter frontman/provocateur Bradford Cox, so named since 1994, when a sixth-grade Bradford made recordings on a karaoke cassette machine bearing the words ‘Atlas Sound’.

    Though it was Cox’s earliest musical incarnation, it wasn’t until 2008 that the first Atlas Sound album emerged, Let The Blind Lead Those Who See But Cannot Feel. The genesis of the record can be traced back to those sixth-grade musical experiments; a time when he discovered through reading a Beck interview that his family’s disused karaoke machine could be used as a rudimentary multi-tracking device. As Cox’s tirelessly updated blog attests, with its caverns of freely available covers, demos and mixtapes, such recording processes are central to his music, colouring the intimate feel of Atlas Sound in a manner more apparent than when writing under the guise of Deerhunter.

    If its predecessor was a record of fragile beauty and acute experimentalism that spoke of its bedroom genesis, the second Atlas Sound album, Logos, arrived in 2009 with a far more rooted pop sensibility. Featuring collaborations with Animal Collective’s Noah Lennox and Laetitia Sadler of Stereolab, the album expanded on the often-insular tendencies of the first Atlas Sound record, this time outward gazing and almost sunshine loving in its ebullience. Moving away from piercing introspection and towards a grand pop plateau, Cox managed to translate his music into a more universally engaging form while retaining the intimate charms of the project.

    Citing the “ideas that I can’t make work with a five piece rock band” as the basis of his solo material, Cox’s work as Atlas Sound represents a feral and prolific musical voice. With its scorched beauty, stream of consciousness, and wonderfully cohesive pop narrative, Atlas Sound is another outlet for Cox’s relentless creativity, distinctly remaining the product of just one man’s vision.

AEG Live Presents:

Deerhunter, Atlas Sound

Sat Dec 12 2015 8:00 PM Doors

Majestic Theatre Detroit MI
Deerhunter, Atlas Sound
  • Sorry, you missed this event.
  • Check out other similar events on TicketWeb.

$20 Adv./ $25 Day of All Ages

http://upstatement.com/wp-content/themes/blades/images/drink/facebook_button.png