Important Safety Notice: In accordance with the Multnomah County mask mandate, all Jack London customers and staff, regardless of vaccination status, will be required to wear masks when not eating or drinking. As a further measure, no customers will be admitted without proof of vaccination against COVID-19 or proof of negative test taken within 48 hours of admission. Stay safe, Portland!
Notes on Seating: The Jack London provides two options for ticket purchasers: Reserved Seating and General Admission. Reserved Seating is purchased on a table-by-table basis in the central part of the venue and is only available for select shows. General Admission seating is limited on a first come first serve basis.
Darrell Grant has risen from the pianist in vocalist Betty Carter’s trio to an internationally-recognized performer, composer, and educator who channels the power of music to foster community, sustainability, and social justice. Having performed with jazz luminaries including Frank Morgan, Tony Williams, Brian Blade, Esperanza Spalding, and Nicholas Payton, he followed his 1994 New York Times Top 10 Jazz Album Black Art with seven albums receiving critical acclaim from The Village Voice and DownBeat Magazine. He has toured as a bandleader and solo artist throughout the U.S., Canada, and Europe as well as in Turkey and Japan in venues from Paris’s La Villa jazz club to the Havana Jazz Festival. Dedicated to themes of hope, community, and civically-engaged art, Grant has driven pianos deep into state forests to support the environment, arranged protest anthems, and shared the stage with Bishop Desmond Tutu.
Grant lives in Portland, Oregon where he received the Governor’s Arts Award, Oregon’s highest arts honor in 2020. He was inducted into the Jazz Society of Oregon Hall of Fame in 2009. In 2017, he received a Northwest Regional Emmy for his composition in the Oregon Public Broadcasting special “Jazz Town” and was also named Portland Jazz Hero by the Jazz Journalists Association. In 2019, he was named Portland Jazz Master by PDX Jazz and was awarded a MAP Fund grant for his opera Sanctuaries which examines the racial underpinnings of gentrification and displacement of Black communities.