Can't find a table? Late show ickets available here!: https://www.ticketweb.com/event/cyrus-nabipoors-crescent-city-christmas-jack-london-revue-tickets/14694863?pl=jacklondon Wynton Marsalis’ ‘Crescent City Christmas Card’ has been a holiday staple for me since adolescence, long before I actually moved to New Orleans. I got the CD as a teenager and was instantly taken with the unique arrangements. These are holiday classics played in ways I had never imagined. Lush, brooding, festive and jarring, Wynton’s orchestrations reject the simplistic commercial “holiday cheer”, celebrating instead a wider range of emotion. For a holiday celebration featuring the best musicians of the Portland jazz scene, look no further! JLR Seating Map Notes: For this show, you may reserve individual tables on the map pictured. Note that some tables have limited sightlines as noted. General Admission ticket holders note that seating and sightlines are limted and may be standing room only. All table reservations include admission. Instructions:  For Table Reservations: Note the relative location of the stage and bar on the map. Then click a table number to see prices, or click "Show All Tickets". Click the + button to add a specific table to your cart.  For General Admission tickets: click the "GA Standing" area. Click the + button to add additional tickets. Click "Agree & Checkout" About Cyrus A distinctive voice both on the horn and in his writing, Cyrus Nabipoor's singular sound has garnered him international acclaim. He has been a featured festival artist at PDX Jazz, Cathedral Park, Montavilla Jazz, Mt. Hood Jazz, New Orleans French Quarter, and Chicago Instigation. To date, he has released 3 albums under his own name, and collaborated on numerous more. In addition to his self-titled work, Cyrus runs the Puddletown Stompers, is a member of Reb & The Good News, and works as a freelance trumpeter & music director. “unapologetically expressive…vaporlike elegance and the limber smoothness of a dancer.” -Willamette Week   "Nabipoor’s strength is that it is never possible to anticipate his next move...The jazz equivalent of a first-year pitcher who throws 99 m.p.h....His trumpet chops are deadly and his penetrating brass tone is classically pure (except when he turns it dirty)." -JazzTimes