Sun May 10 2020
7:00 PM (Doors 5:00 PM)
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Crash Test Dummies plus Elizabeth Moen
It’s been 30 years since the Crash Test Dummies recorded their debut album, "The Ghosts That Haunt Me". Their first album garnered them their first big hit, Superman’s Song, and a Juno Award for Group of the Year. Over three decades later, their sold out 25th Anniversary Tour for multi-Grammy nominated “God Shuffled His Feet” is proof that audiences still want to hear what they have to say.
“We have been so excited with the response to the 25th anniversary tour that we knew we had to continue the party and celebrate 30 years since we made our first album. We had no idea that fans would be so enthusiastic and we are all a little gob-smacked that we can still play sold out shows to our fans and, awesomely enough, their kids,” says original member Ellen Reid.
Their 2020 tour will start in Canada and will see them tour North America and Europe, where fans have been anxiously waiting. The shows will include hits and fan favourites from the band’s vast catalogue. Original members Brad Roberts, Ellen Reid, Dan Roberts, and Mitch Dorge will be joined onstage by Stuart Cameron and Marc Arnould.
"After a long absence from the road, Crash Test Dummies have begun to tour again. Not something I'd planned on, but surprisingly, at least to me, there are lots of people who, years later, still want to come and hear us. That people continue to return to see the band all these years later still stuns me. It's very humbling. The folks that come out to these shows tell us their stories and there are many gems: many are very funny, some are very dark, and all are very personal. It's very humbling, being in the confidence of so many people," says lead singer/songwriter Brad Roberts.
With a sultry and intoxicating voice, Elizabeth Moen lures you in. Paired with introspective lyrics that echo both bitter and sweet, her music will captivate you then stay with you. “Moen is one of those rare artists whose voice, from the first moment you hear it, consumes your entire being, doing away with all previous thoughts and concerns, and leaving you short of breath (The Culture Trip).”
On her sophomore LP "A Million Miles Away," Moen tackles the complexities that coincide with the basic need for growth. At points lighthearted and somber, and even wry, her lyrics mirror what it's like to be alive: to wake up each day and attempt to balance the myriad of emotions that go along with being human. In "Triple Scoop" this all perfectly comes together in relation to the age-old problem of sweet, melting ice cream meeting concrete ("Triple scoop sorbet splattered on the sidewalk / Bit of cherry pie hanging off your lip / Why wipe it away, it's just you and me talking? You're the cherry on top of my double chocolate chip"). Throughout the album's eight songs, you are reminded that it's possible (and ok!) to feel broken and carefree, nostalgic and hopeful, to be utterly content but still have an incredible sense of longing.
Hailing from the small town of Vinton, Iowa located in the middle of the heartland, Moen taught herself how to play guitar as a teenager. It was peer pressure that caused her to write her first song and shortly thereafter, she immersed herself in the writing community of Iowa City while finishing up her studies in French and Spanish at the University of Iowa. Inspired by a mix of modern artists such as Alabama Shakes, Sharon Van Etten, Angel Olsen and Lake Street Dive (who she has supported), and older influences like Stevie Nicks and Joni Mitchell, Moen isn’t locked into a single style.
On "A Million Miles Away" her songs shift fluidly; Opener “Red” and “Best I Can Do” portray the soulful side of her voice while “Triple Scoop” and “Matilda” recall folky, summer pop. “Don’t Say I” and “Bad to Myself” pull in heavier tones, augmented by her 1968 Gibson ES-340, while the final tracks, “Time is a Shitty Friend” and “Planetarium,” act as closing arguments for the album. The two tracks encapsulate aspects of each preceding track, at times both heavy and soft - equal parts whimsy (“Cuz I’m high and I’m reading about stars and shit”) and sadness (“...and it’s feeding / My thoughts about us together in some other universe”), while the echo of a longing to be “a million miles away” plays out.
"A Million Miles Away" follows Moen’s 2016 (self-titled EP) and 2017 (That’s All I Wanted LP) releases that took her on tour throughout the Midwest and Western United States alongside Europe. During this time she has acted as direct support for Lake Street Dive, Margaret Glaspy, Lucy Dacus, Houndmouth, William Elliott Whitmore (featured on her 2017 LP), and has had her music placed in films including the Netflix original movie “Candy Jar.” In support of her new album, Moen will embark on her first national headlining tour with dates in major cities including Chicago, New York City, Los Angeles, San Francisco, Portland, Denver, and Nashville. The tour will kick off with a live set for Iowa Public Radio, the state’s NPR affiliate.
Due to release September 1, Moen’s new album is a testament to its theme: growth. "A Million Miles Away" is a moving, passionate exploration of internal and external change. In Moen’s own words, “the base of the eight tracks revolves around the idea that there needs to be and will be growth. That can be for someone you love, for yourself, for a new relationship, or for closure from an old one. I’ve grown a lot writing these. I hope that these songs will make you feel that way or another too.”
“Moen transfigures folk into an experience in the totality of instruments. But her vocals never shy away from the driver’s seat.” -Little Village
“Elizabeth is armed with a jaw-dropping singing voice, tasteful guitar playing, and songs that stay in your head for days.” -IPR (NPR)
Crash Test Dummies plus Elizabeth Moen
Sun May 10 2020 7:00 PM
(Doors 5:00 PM)