TICKET SALES TERMINATED
Tickets are currently unavailable on TicketWeb

Coheed and Cambria "The Great Destroyer Tour"
Mon, 28 Feb, 8:00 PM EST
Doors open
7:00 PM EST
The Mill & Mine
227 W. Depot Avenue, Knoxville, TN 37917
TICKET SALES TERMINATED
Tickets are currently unavailable on TicketWeb
Description
**IMPORTANT**
Attendees for this show must present either the below for entry:
1) Proof of COVID-19 Vaccine/Booster within 6 months of the concert date.
OR
2) Proof of negative COVID-19 PCR test within 72 hours of concert date OR Proof of negative antigen/rapid COVID-19 test on the DAY OF the show.
More information on the full policy can be found at themillandmine.com.
$34.00 + fees
*This is a standing room only venue.*
Please Note: There is a delivery delay in place through 02/25/2022. No tickets will be sent out prior to 02/25/2022.
VIP1 - "MAGE" VIP Package
$84.00 + Fees / 2 ticket limit
- Q&A Session with full band
- Pro group photo with full band
- 1 song Acoustic Performance from Coheed members
- Early Entry - 1 hour before doors
- Signed MAGES VIP Laminate
- MAGAS VIP Lanyard
- Early access to artists merchandise
VIP2 - "PRISE" VIP Package
$54.00 + fees / 4 ticket limit
- Early Entry 30min before doors
- PRISE VIP Laminate
- 1 song exclusive performance from Coheed members
- Early access to artist merchandise
Event Information
Age Limit
18+

Punk
Sheer Mag
Sheer Mag
Punk
Sheer Mag return with their sophomore album, A Distant Call. They’re still writing about surviving our current hellscape, but this time around, the politics get extra-personal. The album verges on being a concept piece, and the protagonist resembles frontwoman, Tina Halladay herself. The songs document a particularly alienating time in her life when she was laid off from a job. Broke and newly single, her father passed away, leaving her with more wounds than felt possible to heal.
It’s heavy power-pop so sleek it gleams. “We’ve been waiting to write these songs since we started the band and we were able to take these experiences and build a story out of them,” Halladay says. A Distant Call makes an argument for socialism on an anecdotal level. We’re talking about how late capitalism alienates and commodifies whatever is in its path without using the term ‘late capitalism.’” Palmer and Halladay’s new approach to lyricism extended to the recording process, too. Once the Seely brothers had laid down the tracks, Halladay recorded vocals with producer Arthur Rizk (Power Trip, Code Orange).
