Tue Feb 19 2019

7:30 PM (Doors 6:30 PM)

Soul Kitchen

219 Dauphin St. Mobile, AL 36602

$29.50 - $52.50

All Ages

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With Foxing opening.

 

Doors open at 630 and show time at 730.

 

Tickets are $29.50 and Seated Side Riser tickets are $52.50 (ltd qty - avail online only). 

 

VIP1 Platinum Package -$109.50

Meet and greet with full band

•Photo opportunity with full band

•Early Entry - 1 hour before doors

•1 song exclusive acoustic or special performance

•Platinum Laminate and Custom Lanyard

•Exclusive Lapel collector Pin

•Early access to artist merchandise

 

VIP2 Gold Package - $49.50 –

•Early Entry - 30 mins before doors

•Gold VIP laminate

•1 song exclusive acoustic or special performance

•Early access to artist merchandise

 

Get adv tickets starting Friday Nov 16th at 10am at www.soulkitchenmobile.com or by calling 866.777.8932 or at Mellow Mushrooms (USA & midtown locations).

 

Under 18 with a parent only.

 

http://www.coheedandcambria.com

https://www.facebook.com/CoheedAndCambria

https://www.instagram.com/coheed

https://www.youtube.com/officialCoheed

https://www.twitter.com/coheed

https://coheedofficial.tumblr.com

https://open.spotify.com/artist/3utxjLheHaVEd9bPjQRsy8

 

http://www.foxingtheband.com/

https://www.facebook.com/FoxingTheBand/

https://www.instagram.com/foxing/

https://www.twitter.com/foxing

https://open.spotify.com/artist/2dfxY7YDuYCUtWFzWTS6IR?si=aVPxmJI6SSi9uu1vL2pZRQ

Coheed and Cambria

  • Coheed and Cambria

    Coheed and Cambria

    Alternative Rock

    Over the past
    10 years, Claudio Sanchez and his group, Coheed and Cambria have distinguished
    themselves as among the most gifted storytellers in rock.  Sanchez’s ‘The Amory
    Wars’ narrative—spun out across their five previous studio albums which
    together have sold over 2 million copies in the United States alone—is a good
    vs. evil science-fiction epic that's become to Coheed and
    Cambria fans something like what The Wall and Quadrophenia were
    to previous generations. And the tale might soon reach an even wider audience,
    as Mark Wahlberg recently announced that he and Stephen Levinson of Leverage
    Productions will turn Sanchez’s The Amory Wars into a big-screen live-action
    feature film.

    Now, after
    nine months in the studio, Coheed and Cambria seize on the momentum this
    October with their release, ‘The
    Afterman: Ascension
    ,’ the first volume of a remarkable new double album collectively
    called ‘The Afterman.’ Volume two,
    titled ‘The Afterman: Descension’
    will follow in February 2013.

    True to
    Coheed's restlessly exploratory nature, the nine-track Ascension finds
    the New York-based band—singer-guitarist Claudio Sanchez, founding guitarist
    Travis Stever, bassist Zach Cooper and drummer Josh Eppard—staking out exciting
    new ground. "With all of our older albums, my thing was always figuring
    out how to fit my life into the Amory Wars concept," Sanchez says. "I
    knew where each one sat in terms of the story. Whereas with this one, I allowed
    my life—my experiences and what I was going through—to frame the concept."

    In
    ‘The Afterman,’ celebrated
    cosmonaut/astronomer Sirius Amory embarks on a journey in which he makes
    arguably the greatest scientific discovery ever known to mankind. However, the
    death of his wife upon his return causes him to realize what was truly
    important to him just slipped right through his hands, and his only mission now
    is to make amends.

    The first volume, Ascension
    charts Sirius’ sci-fi journey into the stars of the alternate universe known
    well by Coheed fans as “Heaven’s Fence.” Upon entering “the Keywork,” the blue
    gaseous energy force that powers these worlds, Amory stumbles upon the
    Afterlife. In his first confrontation with a soul, “Domino the Destitute”
    possesses Sirius, who is forced to relive the frenetic events that had occurred
    in Domino’s waking life. The second volume,
    ‘Descension’ follows Sirius’ return to his home planet after a long absence
    and the negative effects that follow.

    Sanchez
    points to a specific catalyst for the two discs: the death of a close friend of
    his wife’s. “She found out about it through Facebook, which is the most
    impersonal way to receive this intensely personal news,” he remembers. “Later
    that night, I sat down and just started writing a song”—it became the album’s
    title track—“from the point of view of her experience. Everything else followed
    from there.”

    Though shrouded in this epic tale, Ascension’ is really about Sanchez’s personal
    life outside the concept. As in “Subtraction” he describes the challenges posed
    by a touring life in which “I’m always going away for long stretches and coming
    back home,” and Sanchez even admits “Domino the Destitute” was subconsciously
    written about the recent departure from Coheed of former bassist Michael Todd.

    Self-produced
    by the band with Michael Birnbaum and Chris Bittner (who both helmed the band’s
    first three albums), Sanchez credits the expansive musical vibe of the
    album—which moves from the lullaby-like strains of “The Hollow” to the driving,
    riff-heavy “Mothers of Men” to the deeply funky “Evagria the Faithful”—to the
    freedom he had while writing over the course of the last two years. It’s a
    freedom, he points out, that came as a result of the band’s working
    independently for the first time in many years. “When you write a record in a
    month and a half, you have the same mentality throughout the entire process,”
    he says. “But when you allow yourself time, your mindset changes and that
    influences your creativity. It gives you dramatic ups and downs, and I think
    that’s invaluable.”

    Coheed’s line-up
    transforms, as well, on’ Ascension,’ with the addition of Cooper and the
    return of the band’s original drummer, Josh Eppard. “When I sit down at the
    drum set to demo a song, Josh is who I emulate,” says Sanchez. “There’s a
    symbiotic understanding between the two of us: I play guitar with a lot of
    percussion, and he’s a very melodic drummer. I can’t even describe what a pleasure
    it was to see him walking down the driveway toward my house again.” Says Eppard
    of his reunion with the band: “The way Claudio writes has always felt like home
    base to me. I knew we could do something special from the first time we played
    together.”

    On The Afterman: Ascension they’re still doing it.

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

limit 8 per person
General Admission
GA
$29.50
Seated Side Risers

$52.50
VIP2 - Gold Package

$49.50

Delivery Method

ticketFast
Will Call

Coheed and Cambria

Tue Feb 19 2019 7:30 PM

(Doors 6:30 PM)

Soul Kitchen Mobile AL
Coheed and Cambria

$29.50 - $52.50 All Ages

With Foxing opening.

 

Doors open at 630 and show time at 730.

 

Tickets are $29.50 and Seated Side Riser tickets are $52.50 (ltd qty - avail online only). 

 

VIP1 Platinum Package -$109.50

Meet and greet with full band

•Photo opportunity with full band

•Early Entry - 1 hour before doors

•1 song exclusive acoustic or special performance

•Platinum Laminate and Custom Lanyard

•Exclusive Lapel collector Pin

•Early access to artist merchandise

 

VIP2 Gold Package - $49.50 –

•Early Entry - 30 mins before doors

•Gold VIP laminate

•1 song exclusive acoustic or special performance

•Early access to artist merchandise

 

Get adv tickets starting Friday Nov 16th at 10am at www.soulkitchenmobile.com or by calling 866.777.8932 or at Mellow Mushrooms (USA & midtown locations).

 

Under 18 with a parent only.

 

http://www.coheedandcambria.com

https://www.facebook.com/CoheedAndCambria

https://www.instagram.com/coheed

https://www.youtube.com/officialCoheed

https://www.twitter.com/coheed

https://coheedofficial.tumblr.com

https://open.spotify.com/artist/3utxjLheHaVEd9bPjQRsy8

 

http://www.foxingtheband.com/

https://www.facebook.com/FoxingTheBand/

https://www.instagram.com/foxing/

https://www.twitter.com/foxing

https://open.spotify.com/artist/2dfxY7YDuYCUtWFzWTS6IR?si=aVPxmJI6SSi9uu1vL2pZRQ

Coheed and Cambria

Coheed and Cambria

Alternative Rock

Over the past
10 years, Claudio Sanchez and his group, Coheed and Cambria have distinguished
themselves as among the most gifted storytellers in rock.  Sanchez’s ‘The Amory
Wars’ narrative—spun out across their five previous studio albums which
together have sold over 2 million copies in the United States alone—is a good
vs. evil science-fiction epic that's become to Coheed and
Cambria fans something like what The Wall and Quadrophenia were
to previous generations. And the tale might soon reach an even wider audience,
as Mark Wahlberg recently announced that he and Stephen Levinson of Leverage
Productions will turn Sanchez’s The Amory Wars into a big-screen live-action
feature film.

Now, after
nine months in the studio, Coheed and Cambria seize on the momentum this
October with their release, ‘The
Afterman: Ascension
,’ the first volume of a remarkable new double album collectively
called ‘The Afterman.’ Volume two,
titled ‘The Afterman: Descension’
will follow in February 2013.

True to
Coheed's restlessly exploratory nature, the nine-track Ascension finds
the New York-based band—singer-guitarist Claudio Sanchez, founding guitarist
Travis Stever, bassist Zach Cooper and drummer Josh Eppard—staking out exciting
new ground. "With all of our older albums, my thing was always figuring
out how to fit my life into the Amory Wars concept," Sanchez says. "I
knew where each one sat in terms of the story. Whereas with this one, I allowed
my life—my experiences and what I was going through—to frame the concept."

In
‘The Afterman,’ celebrated
cosmonaut/astronomer Sirius Amory embarks on a journey in which he makes
arguably the greatest scientific discovery ever known to mankind. However, the
death of his wife upon his return causes him to realize what was truly
important to him just slipped right through his hands, and his only mission now
is to make amends.

The first volume, Ascension
charts Sirius’ sci-fi journey into the stars of the alternate universe known
well by Coheed fans as “Heaven’s Fence.” Upon entering “the Keywork,” the blue
gaseous energy force that powers these worlds, Amory stumbles upon the
Afterlife. In his first confrontation with a soul, “Domino the Destitute”
possesses Sirius, who is forced to relive the frenetic events that had occurred
in Domino’s waking life. The second volume,
‘Descension’ follows Sirius’ return to his home planet after a long absence
and the negative effects that follow.

Sanchez
points to a specific catalyst for the two discs: the death of a close friend of
his wife’s. “She found out about it through Facebook, which is the most
impersonal way to receive this intensely personal news,” he remembers. “Later
that night, I sat down and just started writing a song”—it became the album’s
title track—“from the point of view of her experience. Everything else followed
from there.”

Though shrouded in this epic tale, Ascension’ is really about Sanchez’s personal
life outside the concept. As in “Subtraction” he describes the challenges posed
by a touring life in which “I’m always going away for long stretches and coming
back home,” and Sanchez even admits “Domino the Destitute” was subconsciously
written about the recent departure from Coheed of former bassist Michael Todd.

Self-produced
by the band with Michael Birnbaum and Chris Bittner (who both helmed the band’s
first three albums), Sanchez credits the expansive musical vibe of the
album—which moves from the lullaby-like strains of “The Hollow” to the driving,
riff-heavy “Mothers of Men” to the deeply funky “Evagria the Faithful”—to the
freedom he had while writing over the course of the last two years. It’s a
freedom, he points out, that came as a result of the band’s working
independently for the first time in many years. “When you write a record in a
month and a half, you have the same mentality throughout the entire process,”
he says. “But when you allow yourself time, your mindset changes and that
influences your creativity. It gives you dramatic ups and downs, and I think
that’s invaluable.”

Coheed’s line-up
transforms, as well, on’ Ascension,’ with the addition of Cooper and the
return of the band’s original drummer, Josh Eppard. “When I sit down at the
drum set to demo a song, Josh is who I emulate,” says Sanchez. “There’s a
symbiotic understanding between the two of us: I play guitar with a lot of
percussion, and he’s a very melodic drummer. I can’t even describe what a pleasure
it was to see him walking down the driveway toward my house again.” Says Eppard
of his reunion with the band: “The way Claudio writes has always felt like home
base to me. I knew we could do something special from the first time we played
together.”

On The Afterman: Ascension they’re still doing it.

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

All Ages
limit 8 per person
General Admission
GA
$29.50
Seated Side Risers
$52.50
VIP2 - Gold Package
$49.50

Delivery Method

ticketFast
Will Call