CHVRCHES, Cherry Glazerr

Mon Apr 22 2019

8:00 PM (Doors 7:00 PM)

The Van Buren

401 West Van Buren Street Phoenix, AZ 85003

$38.50 - $43

Ages 13+

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$38.50 GA Advance Price / $43 GA Day Of Show Price

(Prices do not include service fees)
 

Chvrches have partnered with PLUS1 so that $1 from every ticket will go to support Girls Rock Camps and their work empowering girls, trans and gender-diverse young people through music education and mentorship. www.plus1.org
 

This event is 13+ (12 & under admitted with parent/legal guardian)

 

 

Stateside Presents & Live Nation
CHVRCHES, Cherry Glazerr

  • CHVRCHES

    CHVRCHES

    Synth Pop

    If you love driving fast with the windows rolled down playing top 40 radio at full volume and you play in a band, you usually have one goal: get your songs out of your garage and into the worlds’ collective car speakers as soon as humanly possible. Lauren Mayberry, Iain Cook, and Martin Doherty certainly fit this bill. They unabashedly adore music of the wind-in-your-hair variety. And, of course, they play in a band, the Scottish synth pop group, CHVRCHES. 

    And yet … Since emerging in 2013 with the glistening brightness of their breakthrough single, “Recover,” CHVRCHES have always projected an insularity, a subtle but unmistakable wariness about leaning into their obvious Hit Song of the Summer-writing potential. At their core, CHVRCHES are true blue Glaswegian punks. They’ve wanted to protect themselves, and protect that undercurrent of melancholy that gives depth to their sunniness.

    To this end, the band members have always kept their creative process close and tight. They’ve been diligent to the max about managing the way their band is portrayed. And, of course, they have historically produced every piece of music themselves, including their 2013 debut, The Bones of What You Believe, and 2015 follow-up, Every Open Eye. “Certainly not,” was their go-to response, Martin recalls laughing, when asked to consider collaboration. “We knew that if you get led down the wrong path it can completely derail your career.” But if there’s a theme in CHVRCHES’ world as they prepare to release their third record, Love Is Dead, it’s willful, determined openness, both ideologically - more on that in a minute – and in terms of actual creative process.

  • Cherry Glazerr

    Cherry Glazerr

    Garage Rock

    Cherry Glazerr released their explosive full-length album Apocalipstick on Inauguration Day in 2017. You might think the two tumultuous years since would have driven the band toward even more explicitly topical commentary. But as singer/guitarist/founder Clementine Creevy began writing the first of some thirty songs that would make up the new Stuffed & Ready, she found unexpected inspiration by turning inward. That meant leading her band somewhere new and writing songs that would reveal aspects of herself she realized she’d once concealed. 

     

    Apocalipstick sizzled with Creevy’s confidence, vision and fiercely idiosyncratic personality. Stuffed & Ready announces Creevy as a songwriter newly tempered and strengthened by coming to terms with her own uncertainty confusion and anger. It’s her go-for-broke honesty that gives Stuffed & Ready its power and gravity. “I am telling my story of how I feel and where I am in life,” she says. “I’m exploring my own self-doubt. I’m confused about what happiness is and I’m searching for my place in the world. With Apocalipstick, I was an over-confident teenager trying to solve the world’s problems. With Stuffed & Ready, I’m a much more weary and perhaps cynical woman who believes you need to figure your own self out first.”
     

    Now a three-piece with drummer Tabor Allen and bassist Devin O’Brien (synth player Sasami Ashworth has moved on to her own solo work), the band made a first version of Stuffed early in 2018 with much-loved engineer and musician John Vanderslice, who they “adore deeply as a human and friend.” Together they concocted a “very live sounding, self-produced album, which was a very cool experience, but wasn’t exactly what I wanted to put into the ether at this time,” says Creevy. “So I put that aside and called up Carlos (de la Garza, who co-produced Apocalipstick).” I decided that I wanted a producer to push me, I wanted to be questioned, to rip my songs apart and look at their guts and pour myself open again. And I wanted it to sound massive.”

     

    For six full months, they’d be at the studio by 9:01am, ready to write and record all day and sometimes into the night. Each song had to speak for itself, and if it didn’t, they’d scrap it or change it, says Creevy: “Sometimes I’d lay on the floor for like an hour and then pop up like, ‘I got it! I GOT IT!’” She’d named the album on a solo drive through the California desert, inspired once she was free from all distraction. She made the album the same way, eliminating anything that couldn’t answer a single simple question: is this really me? It was exhausting, but somehow joyful, too, and the result is Cherry Glazerr’s most daring and intimate music yet.

     

    “It felt like I was being more vulnerable than I wanted to be at times,” she says. “I’ve been feeling the need to explain my feelings … not just state them, but search for why I feel the way I do in the most honest way possible. This is what separates this album from its predecessor. I’m trying to stop myself from obfuscation, which I used to hide behind, but not anymore. I’m writing with intent.”

     

    It's that clarity of intent that makes Stuffed such a raw and resonant listen where Creevy has never sounded more powerful. In “Ohio,” she attacks feelings of isolation and despair with Trompe Le Monde Pixies guitar and an arctic Laetitia Sadier deadpan: “I wish myself the best but I’m broken / the light inside my head went dead and I turned off.” On the searing and satirical “Daddi,” she’s asking the straight cis men of the world for the permission that they so adamantly demand in every aspect of her life, writing : “Where should I go Daddi / what should I say / where should I go / is it okay with you ?” On the furious Sleater-Kinney-style “Wasted Nun,” she’s erupting against the way society constantly pressures her to be perfect, showing that she’s too stubborn to calmly cooperate. “People want girls to be strong, but I’m angry, and those are two very different things,” she says. “I’m enraged because I feel like America’s mindset sees women as less capable beings, and that social mainframe feels impenetrable and that enrages me. That’s why the song is so intense and loud.” And on the seething grunge-pop track “Stupid Fish,” she sings about how it’s okay to not have all the answers, and how some questions might not even have answers: “I used to think adults knew better, but now I think adults are just better at pretending to know things,” she says. “There’s nothing wrong with ‘I don’t know.’”

     

    The point has always been the same, all the way back to those first guitar demos she taped in her bedroom years ago. Clementine Creevy always wanted to make music that connects with people, she says. On Apocalipstick, she did that by telling them what she thought. On Stuffed & Ready, she’s showing them who she is: “I’m putting out these songs and sharing them to make people happy and to make people feel less alone,” she says. “I want this album to evoke a freedom, or you could even say a recklessness in people. I want to allow people to let out all of the fear and anger and confusion that all of us carry around. I want to make people dance, and really fucking mean it.”

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limit 6 per person
GA Floor
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$38.50

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Terms & Conditions

This event is 13 and over. Any Ticket holder unable to present valid identification indicating that they are at least 13 years of age will not be admitted to this event, and will not be eligible for a refund.

Support acts subject to change. No refunds.

The maximum number of tickets per purchase for each event is the maximum number permitted per customer purchase. Your name, credit card, address, and email address will be verified. Stateside Presents/The Van Buren reserve the right to cancel any orders in excess of the stated ticket limit.

Ticket resale is strictly prohibited. Any tickets suspected of being purchased for the sole purpose of reselling can be cancelled at the discretion of Stateside Presents/The Van Buren.

Stateside Presents & Live Nation

CHVRCHES, Cherry Glazerr

Mon Apr 22 2019 8:00 PM

(Doors 7:00 PM)

The Van Buren Phoenix AZ
CHVRCHES, Cherry Glazerr

$38.50 - $43 Ages 13+

$38.50 GA Advance Price / $43 GA Day Of Show Price

(Prices do not include service fees)
 

Chvrches have partnered with PLUS1 so that $1 from every ticket will go to support Girls Rock Camps and their work empowering girls, trans and gender-diverse young people through music education and mentorship. www.plus1.org
 

This event is 13+ (12 & under admitted with parent/legal guardian)

 

 

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

Ages 13+
limit 6 per person
GA Floor
General Admission Standing
Advance
$38.50

Delivery Method

ticketFast
Will Call

Terms & Conditions

This event is 13 and over. Any Ticket holder unable to present valid identification indicating that they are at least 13 years of age will not be admitted to this event, and will not be eligible for a refund.

Support acts subject to change. No refunds.

The maximum number of tickets per purchase for each event is the maximum number permitted per customer purchase. Your name, credit card, address, and email address will be verified. Stateside Presents/The Van Buren reserve the right to cancel any orders in excess of the stated ticket limit.

Ticket resale is strictly prohibited. Any tickets suspected of being purchased for the sole purpose of reselling can be cancelled at the discretion of Stateside Presents/The Van Buren.