On A New Kind of Hat, the new long-player from Massachusetts's own Jake McKelvie, indie-rock melodicism slow dances with alt-country ramble. A kind soul that's just a touch world-weary, McKelvie's careful economy of language belies a sly sense of humor set against a backdrop of unadorned instrumentation.

Thematically, the record strikes the perfect balance between serious musing and whimsy. With his band of in-the-pocket players at his side, McKelvie has crafted a record that is equally at home in the listening room as on the dance floor. Eminently engaging and full of nuance, A New Kind of Hat is a record destined for a treasured spot in your collection.

Jake McKelvie has been writing songs and performing them since his teens. With his band The Countertops he's released three full length records and toured relentlessly to support them. His last proper solo effort was 2016's Rhinestone Busboy.

This time around, McKelvie has decided to file the new record in the “solo project” bin. “The Countertops are known for energetic live shows and goofy stage behavior, whereas as a solo act I do more of the folk singer thing” he explains. “This new record floats somewhere in between those two things.”

Written over the years in myriad apartments and tour vans throughout the northeast and beyond, McKelvie turned to Grain Thief's Mike Harmon and his studio Wachusett Recording to track the record. In addition to McKelvie, the record features appearances by Michael Holland on bass, and Countertops drummer Matt Bacon. Keith Dusoe makes a cameo on pedal steel. It was mixed by Harmon and Roger Lavallee.

There's a lot here if you really listen — but you can just as well hum and tap along.

Leo Moon is the solo incarnation of singer-songwriter and multi-instrumentalist, Brian Adrian Koch.  

California born and Oregon raised, Brian has been active in the Portland music scene since arriving in 2000. He is a current and founding member of indie rock band Blitzen Trapper (2000 - present) and psychedelic folk duo Dead Lee (2018 - 2023).  Appearing now as a solo acoustic performer, his minimal and haunting tunes are stripped down paeans to the glorious absurdities of life; harmonica spattered psalms to the void.