Please join us for the 4th “Annule” International Clash Day! on Saturday February 7th.  By now we have seen some amazing ones, from year 1 in 2023 when we did 24 hours of Clash programming along with a crawfish boil (I fought the claw!), to last year when we threw the best party of Super Bowl Sunday with Spider Stacy from the Pogues and actor Jude Law even making an appearance and destroying I Fought the Law to a raucous house.  Anyone who has been before knows that they are going to get an amazing night full of music dedicated to the Only Band That Matters, The Clash!   This year, the theme is London Calling, and that is because our house band, the Radio Clash Allstars (led by Tim Robertson and including Rene Coman, Erik Bolivar, Alex McMurray and Glenn Hartmann) will lead an all-star list of guests in performing the classic Clash Album LONDON CALLING, in its entirety!  Some of the guests this year include Jon Cleary, Kristin Diable, Erica Falls, Maggie Koerner, Eric Johanson, Ben Jaffe, Helen Gillet, Pell and many more!   And we have another special surprise for you!  In addition to the above we have another supergroup performing for the first time together.  The Last Gang in Town will perform a short set of non-London Calling Clash classics.  This band was formed by Darren Hill of New Orleans Own punk legends, the Red Rockers, Jon Wurster of Superchunk and the Mountain Goats, Ted Leo of Ted Leo and the Pharmacists and the Gang of Four, and David Minehan of The Neighborhooods and The Replacements.    You don’t want to miss this one!  Get your tickets now for this one of a kind, only in New Orleans Celebration of the Clash!  Saturday February 7th!

After thirty-five years of being at the forefront of the ever-evolving musical landscape of New Orleans, two-time Grammy award winner Jon Cleary decided to bring that sound back home, both figuratively and literally. He assembled his Absolute Monster Gentlemen (his acclaimed all-star big band) in his home studio in the Bywater neighborhood of New Orleans, drew up a setlist of some of his most beloved songs– and some new favorites– and rolled tape. “We set out to capture that sound in the old-fashioned way: everybody in the room, playing together,” Cleary explains. The result is The Bywater Sessions, a musical tour-de-force that showcases the grit, funk and joy that’s packed concert halls from New Orleans to Tokyo and beyond. Co-produced by Cleary and John Porter (Roxy Music, The Smiths, Taj Mahal), it’s a stunning collection of performances that affirms Cleary’s place in the New Orleans musical vanguard. “There’s a lot to be said for the ‘lean and mean’ sound of a piano trio, stripped down to basics, simple and direct,” Cleary says. “But recently, I’ve been experimenting with different combinations; adding horns, guitar, percussion and even another keyboard player. This expanded line-up has allowed the arrangements to blossom in new directions.” As for the musicians, it’s the best of the best. Long time Monster Gentlemen Cornell Williams and A.J. Hall anchor the band on bass and drums, respectively. They are joined by Nigel Hall (Lettuce) on Hammond organ, Pedro Segundo (Ronnie Scott’s All Stars) on percussion, Xavier Lynn (MonoNeon, Ledisi) on guitar, and an all-star horn section of Aaron Narcisse (Delfeayo Marsalis & the Uptown Jazz Orchestra), Charlie Halloran (Squirrel Nut Zippers, Preservation Hall All Stars) and Jason Mingledorff (Galactic). “Sophisticated, nasty, good-time, low-down funk is the folk music of New Orleans,” Cleary says. “Everyone playing on this recording is a New Orleanian by birth or by choice, having learned their craft at the feet of the masters who in turn were taught by the old lions in their day - it's a tradition stretching back over two hundred years. The roots go deep, but each generation, growing up with street parades and second-lines, absorbs the old and introduces the new, gently coaxing the essential essence into and out of each succeeding decade.” It’s an apt description of Cleary’s career thus far. Born in London and on a plane to New Orleans before he turned twenty years old, he grew up absorbed by the sounds and rhythms of the Crescent City. His mastery of the city’s music landed him gigs playing as a session musician in the bands of local legends Earl King, Johnny Adams, Walter ‘Wolfman’ Washington, Snooks Eaglin, Ernie K-Doe, Jessie Hill– and as a guitarist for Dr. John. He later toured extensively with icons like Bonnie Raitt and Taj Mahal. His solo career began in earnest in 1989 and includes beloved records like their self-titled band debut and his 2015 Grammy winner, Go-Go Juice.  In fact, his first job in New Orleans was as a painter at beloved local club the Maple Leaf Bar, and it wasn’t long until he was playing piano in that very room. To this day, he and his band continue to pack that room to crowds that gather from around the world, playing their unique and ever-evolving take on New Orleans funk and R&B. “These grooves are not museum pieces, they are alive, breathing and fresh - and that’s why joints like Tipitina’s, The Maple Leaf Bar and Chickie Wah Wah are always packed when the locals, young and old, come out to hear the Gentlemen do they thang,” Cleary proudly adds. On The Bywater Sessions, the band that Rolling Stone’s David Fricke called “as broad, deep and rolling as the Mississippi river” is finally captured as intended– live, in the room and as funky as ever. And with that comes an invitation from Cleary himself: “Close your eyes, imagine you’re in the room with us, me and the band, Mike Dorsey the engineer, John Porter the producer and Reed the manager. Turn it up and enjoy the experience. I hope you have as much fun listening as we did playing.”

  Join us for the first New Orleans performance celebrating the debut of “Impossible Things”. Following a widely loved previous record and national acclaim, Kristin Diable returns home to share the next chapter first — an intimate one-night album release at Chickie Wah Wah. Hear the songs live before the street date and access limited edition vinyl and CDs available only at this show, with reserved tables and a small pre-show VIP salon for a more personal start to the evening with the artist.