Cactus Lee is Texas music at its core, a blend of Austin nightclub vibes, and dusty dancefloor energy. Led by prolific Austin songwriter Kevin Dehan, Cactus Lee reflects a deep love for Texas country songwriters, interwoven with the bold spirit of outlaw and outsider influences. With a sound that is at once childlike, dreamy, and sharply witty— reminiscent of icons like John Prine and Tom T. Hall — Cactus Lee has carved a distinctive niche in the music world since its inception in 2019. Over six albums, including two releases in 2023, a live album, and multiple EPs, Dehan’s songwriting and self-recorded efforts on a eight-track have been the foundation of a constantly evolving project.

On the new self-titled album, Cactus Lee, the songs delve into themes of love, loss, family, and self-discovery, offering  fleeting snapshots of characters and moments steeped in an inviting Texas charm. Opening track “Rabbit” sets the tone  with its inescapably bright vibe and shuffling rhythm, and lyrics about a traveling musician, a character who could just as easily be a traveling salesman, navigating long drives and brief encounters. Bukka Allen’s accordion and Adam Amram’s rhythmic touch lend the song a dynamic energy that never fails to get people out of their seats at a show.

Lead single “Roll Maggie” evolved from its original Irish-inspired roots into a restrained groove infused with a little "New York grease" courtes y of bassist Russell Hymowitz, adding just a touch of sleazy swing that helps the song blossom. Inspired by Dehan’s grandmother, who raised nine children, the song recounts a story of conflict resolution in a family home, where a living room floor became an impromptu boxing ring.

On album standout “Got A Heart Like Rainwater Blues” John Bush’s conga playing feels like a strong wind, reinforcing the song’s sense of resilience and freedom. The protagonist, more settled than the drifter in “Rabbit,” contemplates his mortality, reflecting on the value of life over artistic legacy. The lyric “The paintbrush isn’t gonna see me when I’m gone” underscores the song’s poignant message: that human connections and lived experiences ultimately outweigh the pursuit of artistic perfection.

Elsewhere on the album, “Sister” is a tender promise of better times and shared moments, perfect for open roads and breezy days. “Lorelei” paints an enigmatic portrait of a captivating figure, set to the sway of doo-wop harmonies. “The
Fiddler” captures the hypnotic magic of a dance floor, anchored by a haunting viola solo. Closing the album, “Twenty Dollars” is a deeply personal ode to Dehan’s daughter, Jolene, encapsulating her strength and beauty with heartfelt
simplicity.

Through evocative lyrics and thoughtfully textured instrumentation, Cactus Lee’s self-titled album reaffirms Kevin Dehan’s ability to distill the essence of Texas twang into songs that resonate far beyond the Lone Star State.