Bruce Hornsby & The Noisemakers

Tue Jun 28 2022

7:30 PM (Doors 6:00 PM)

Brooklyn Bowl

61 Wythe Avenue Brooklyn, NY 11211

$35-55

Ages 21+

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There will be NO BOWLING this evening.

Valid photo ID required at door for entry

Doors: 6:00 PM
Show: 7:30 PM

Based on the latest local guidelines, attendees are no longer required to provide proof of vaccination for entry into this event. Be sure to check your venue website for the latest updates and guidelines as entry requirements are subject to change. 

An inherent risk of exposure to COVID-19 exists in any public place where people are present. COVID-19 is an extremely contagious disease that can lead to severe illness and death. According to the local health authorities, senior citizens and guests with underlying medical conditions are especially vulnerable. By visiting our establishment, you voluntarily assume all risks related to the exposure to or spreading of COVID-19.

 

CEG Presents
Bruce Hornsby & The Noisemakers

  • Bruce Hornsby & the Noisemakers

    Pop

    By mid-March 2020 Bruce Hornsby, in that now historical year, had
    completed a brief tour of five concerts. “Then all of a sudden, wham!” Hornsby
    remembers, “Everything shut down.” With “Non-Secure Connection” to release in
    summer, Hornsby began promoting the album. “So that was fine,” he says, following
    with an innocent refrain that would become spooky that pre-spring among active
    musicians globally: “But our tours got postponed or cancelled.”
    “’Flicted,” the album Hornsby then began to create, marks the conclusion of
    what Hornsby calls a trilogy, inaugurated with the lauded “Absolute Zero” (2019,) in
    which the native and longtime resident of Williamsburg, Virginia intermingles his
    diverse musical passions, recording not exactly a self-invented genre but a world of
    vibrant sound and text all Hornsby’s own.
    The twelve songs that comprise “’Flicted’ take their starting points from
    soundtrack scoring, the visuals-linked area of music composition with a
    distinguished history. Inexorably at home, Hornsby investigated again the “cues” he
    had written for the director Spike Lee, with whom Hornsby has worked since 1990.
    These abbreviated instrumental score passages had sparked song creation on his
    two previous albums.
    “I was stuck in my house,” Hornsby says, “so I gathered up some cues I hadn’t
    used on ‘Absolute Zero’ and ‘Non-Secure Connection.” Additionally, he considered
    closely a riff he had asked a collaborator from ‘Absolute Zero’ – Blake Mills, a Los
    Angeles songwriter-producer and, as Hornsby describes him, “sprung-from-Zeus
    guitarist” – to record. “Blake gave me,” Hornsby says, “about a minute-and-a-half of
    this little thing.” For the final installment of his trilogy, Bruce Hornsby was off to the
    races.
    And yet, the 2020 routes of the “’Flicted” songs were less determined by
    European and American 20th -century modern classical composition than by the
    fleet ear-bud zings and danceable grooves of 21st-century high-speed rail: This is a

    Bruce Hornsby album informed by the lucid atonal challenges and serialist-
    dissonant flows of its two predecessors but significantly more pop. Produced by

    Tony Berg, who adds his sense of 1960s Los Angeles studio rock to the mix, and
    Hornsby, the broad impression “’Flicted” builds is not divorced from the formally
    advanced “electric pop” of, say, a heavily streamed Taylor Swift-Zayn Malik duet.
    This is bold.
    The contributions on these songs, moreover, made by yMusic, the Brooklyn
    chamber sextet co-founded by violinist Rob Moose, heightens the command of

    energy, substance, and rhythm this Hornsby music wields. Rhythm especially:
    “James Brown,” Hornsby says, citing the instrumental and professional rigor
    famously, mercilessly enforced in bands led by one of the surest geniuses of any
    music anywhere, “would not fire yMusic.” This is modern sound not as voiced by

    Silicon Valley’s lushest tech but rather the blood and flesh and heart of top-flight in-
    studio playing immemorial.

    Hornsby casts “’Flicted,” as he did the new album’s two predecessors, with
    the incisiveness Quincy Jones exercised on his own solo albums, always recorded
    with various singers, musicians, and other creative and technical collaborators.
    Throughout his long career – begun with his international hit “The Way It Is,” whose
    romantic Steinway ecstasies the late rapper Tupac Shakur sampled on his track
    “Changes,” anticipating the current era of The Song v. The Album in recorded pop –
    Hornsby’s engaging tenor has proceeded consistently. Without employing the
    idiosyncrasies of Bob Dylan or Neil Young, it travels its own singer-songwriter way,
    elevating ruminations on Appalachian cultures or addressing urban literary and
    scientific research with an everyday unruffled ease.
     
  • CARM

    CARM

    Music

    Once upon a time, the trumpet was popular. As an instrument that called to crowds, the trumpet articulated the collective effervescence of different eras: from the stone churches of Vivaldi’s Venice to Sousa’s tours of America, from the royal processions of Prussia to second-lines on the streets of New Orleans. The trumpet is a slippery symbol that has had its say in a host of cultural forms throughout history. CJ Camerieri, having seized the trumpet’s formidable past, now reconfigures how we hear the instrument in contemporary times, revealing its relevance to our modern ears.

Please correct the information below.

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Complete the security check.

Access Code

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limit 8 per person
General Admission

$35.00
VIP

VIP tickets will grant access to a raised viewing area with private food and beverage service a la carte. Couch seating with obstructed view is available on a first come first serve basis.

$55.00

Delivery Method

ticketFast

Terms & Conditions

This event is 21 and over. Any Ticket holder unable to present valid identification indicating that they are at least 21 years of age will not be admitted to this event, and will not be eligible for a refund.

CEG Presents

Bruce Hornsby & The Noisemakers

Tue Jun 28 2022 7:30 PM

(Doors 6:00 PM)

Brooklyn Bowl Brooklyn NY
Bruce Hornsby & The Noisemakers

$35-55 Ages 21+

There will be NO BOWLING this evening.

Valid photo ID required at door for entry

Doors: 6:00 PM
Show: 7:30 PM

Based on the latest local guidelines, attendees are no longer required to provide proof of vaccination for entry into this event. Be sure to check your venue website for the latest updates and guidelines as entry requirements are subject to change. 

An inherent risk of exposure to COVID-19 exists in any public place where people are present. COVID-19 is an extremely contagious disease that can lead to severe illness and death. According to the local health authorities, senior citizens and guests with underlying medical conditions are especially vulnerable. By visiting our establishment, you voluntarily assume all risks related to the exposure to or spreading of COVID-19.

 

Please correct the information below.

Select ticket quantity.

Complete the security check.

Access Code

Select Tickets

Ages 21+
limit 8 per person
General Admission
$35.00
VIP
VIP tickets will grant access to a raised viewing area with private food and beverage service a la carte. Couch seating with obstructed view is available on a first come first serve basis.
$55.00

Delivery Method

ticketFast

Terms & Conditions

This event is 21 and over. Any Ticket holder unable to present valid identification indicating that they are at least 21 years of age will not be admitted to this event, and will not be eligible for a refund.